Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
Encore #6 (continued) | |||||||||||||
Two ozalids of manuscript piano score ; 4 p. | |||||||||||||
BOX-FOLDER 110/7 | End of Matty | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 1 p. | |||||||||||||
BOX-FOLDER 81/5 | End of Matty #21b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 81/6 | Entr'acte | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 110/8 |
Essence seventeen #25 see also: "In other words, seventeen" |
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Robert Russell Bennett manuscript full score in ink ; 7 p. | |||||||||||||
BOX-FOLDER 81/7 | Essence seventeen #25 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 110/9 | Finale act I | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 14 p. | |||||||||||||
BOX-FOLDER 110/9 | Finale act I - seventeen -- Winnie's reprise | ||||||||||||
Photocopy of Robert Russell Bennett manuscript full score ; p. 2-13, 13a | |||||||||||||
BOX-FOLDER 81/8 | Finale act I #16a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 110/10 | Finale night club (15th bar on) | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; p. a-g | |||||||||||||
BOX-FOLDER 111/1 | Finale ultimo a | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; p. 1-4, 1-2 | |||||||||||||
Alternate title: All the things you are : underscoring | |||||||||||||
Note: Dance Dada sequence was made up of Dress rehearsal opening and Finale ultimo a-h | |||||||||||||
Titled: Dress rehearsal opening ; Finale ultimo a | |||||||||||||
BOX-FOLDER 82/1 | Finale ultimo a #23a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/2 | Finale ultimo b | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 5 p. | |||||||||||||
Alternate title: Pale moon beams | |||||||||||||
BOX-FOLDER 82/2 | Finale ultimo b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/3 | Finale ultimo c | ||||||||||||
Gus Levene manuscript full score in pencil ; 10 p. | |||||||||||||
Erased title: There's something about a musket | |||||||||||||
Note: the dance "The brook and the lady in violet"; it used the theme from "Musket" or "Cricket tune" | |||||||||||||
BOX-FOLDER 82/3 | Finale ultimo c | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/4 | Finale ultimo d-e | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 7 p. | |||||||||||||
Note: out-of-town this number was known as "The tree and the lady in orchid"; on Broadway it became "The lady in red (toe dance for Kate Friedlich)" | |||||||||||||
BOX-FOLDER 82/4 | Finale ultimo d-e #23b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/5 | Finale ultimo f that lucky fellow | ||||||||||||
Gus Levene manuscript full score in ink ; 17 p. | |||||||||||||
Alternate titles: The blackbird and the lady in white; That lucky fellow | |||||||||||||
BOX-FOLDER 82/5 | Finale ultimo f that lucky fellow - new #27a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/6 | Finale ultimo g | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 14 p. | |||||||||||||
Alternate title: The deer and the Park Avenue lady | |||||||||||||
Note: uses the same melody as "Pale moon beams" | |||||||||||||
BOX-FOLDER 82/6 | Finale ultimo g #23c | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/7 | Finale ultimo h | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 14 p. | |||||||||||||
Alternate title: The wind and the lady in motley | |||||||||||||
BOX-FOLDER 82/7 | Finale ultimo h | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/8 | Finale ultimo i | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 14 p. | |||||||||||||
Note: "Finale ultimo i-n" were the real "Finale ultimo" of the out-of-town show, but were not used on Broadway | |||||||||||||
BOX-FOLDER 82/8 | Finale ultimo i | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/9 | Finale ultimo jk + lmn | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; p. 1, 13-33 | |||||||||||||
BOX-FOLDER 111/10 | Finaletto scene I | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 18 p. | |||||||||||||
BOX-FOLDER 78/8 | Finaletto scene I | ||||||||||||
Ozalids (3) of manuscript piano-score ; 4 p. | |||||||||||||
BOX-FOLDER 82/9 | Finaletto scene I #3 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 111/11 | *The flight of the bumble-bee | ||||||||||||
Printed piano arrangement by Paolo Gallico, annotations in pencil ; 7 p. | |||||||||||||
Note: Music by Rimsky-Korsakov | |||||||||||||
BOX-FOLDER 111/11 | *The flight of the bumble-bee | ||||||||||||
Manuscript full score in ink and red pencil ; 18 p. | |||||||||||||
Note: Music by Rimsky-Korsakov | |||||||||||||
BOX-FOLDER 83/1 | The flight of the bumble-bee #10a | ||||||||||||
Parts | |||||||||||||
Note: Music by Rimsky-Korsakov | |||||||||||||
BOX-FOLDER 111/12 |
Heaven in my arms #15 ;
Loper Barrot #15a ; Serpentine #15b see also Music in my heart |
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Robert Russell Bennett manuscript full score in ink ; 54 p. | |||||||||||||
BOX-FOLDER 78/9 | Heaven in my arms (Music in my heart) | ||||||||||||
Printed piano-vocal scores (3), variant annotations ; 5 p. | |||||||||||||
BOX-FOLDER 78/9 | Heaven in my arms - Night club | ||||||||||||
Manuscript (mostly Robert Russell Bennett) piano score in ink ; 11 p. | |||||||||||||
Laid in: Manuscript insert "after 6" short score/full score sketch in pencil ; [1] p. | |||||||||||||
Note: according to John McGlinn this was an old version of "Heaven in my arms" that was cut out of town | |||||||||||||
BOX-FOLDER 83/2 | Heaven in my arms #15c | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 78/10 | Heaven in my heart - correction for last two lines of p. 5 | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 111/13 | High up in Harlem | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 2 p. | |||||||||||||
Titled: Introduction to 27 | |||||||||||||
BOX-FOLDER 111/13 | High up in Harlem #27 | ||||||||||||
Arranger's holograph (Nathan Lang Van Cleve) full score in ink ; 26 p. | |||||||||||||
BOX-FOLDER 78/11 | High up in harlem | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil, for publication ; 5 p. | |||||||||||||
Laid in: Typescript lyric sheet ; [1] p. | |||||||||||||
BOX-FOLDER 78/11 | High up in harlem | ||||||||||||
Manuscript (Hugh Martin) piano-vocal score in ink and pencil ; [16] p. | |||||||||||||
BOX-FOLDER 78/11 | High up in harlem | ||||||||||||
Two ozalids of manuscript piano-vocal score, no lyric ; 4 p. | |||||||||||||
Laid in: Two typescript lyric sheets and note in one copy | |||||||||||||
BOX-FOLDER 83/3 | High-up-in Harlem #27 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 83/4 | High up in Harlem #28 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 83/5 | Hightower Craven #15dand | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 78/12 | L'histoire de Madame de la Tour | ||||||||||||
Ozalid of manuscript piano-vocal score ; 7 p. | |||||||||||||
BOX-FOLDER 78/12 | Introduction to L'histoire de Madame de la Tour | ||||||||||||
Manuscript piano score in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 78/12 | L'histoire de Madame de la Tour dance - Tempo di gavotte | ||||||||||||
Manuscript piano sketch in pencil ; p. 1-2, 7 | |||||||||||||
BOX-FOLDER 111/14 | In other words, seventeen | ||||||||||||
Robert Russell Bennett manuscript full score in ink and pencil ; p. 1-13, 13a, 14-40, 36 | |||||||||||||
BOX-FOLDER 78/13 | In other words, seventeen | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil, for publication ; 7 p. | |||||||||||||
BOX-FOLDER 78/13 | In other words, seventeen | ||||||||||||
Printed piano-vocal scores (2) ; 5 p. | |||||||||||||
BOX-FOLDER 78/13 | In other words, seventeen | ||||||||||||
Ozalid of manuscript piano-vocal score ; 10 p. | |||||||||||||
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