Jerome Kern collection, 1905-1951 (Library of Congress Finding Aid)

Container	Contents

	Show Music, 1905-1945 (continued)
		Manuscripts (continued)
BOX-FOLDER 89/1				Unidentified #26
BOX-FOLDER 89/1					Parts
BOX-FOLDER 89/2				Unidentified new #27
BOX-FOLDER 89/2					Parts
BOX-FOLDER 89/3				Unidentified introduction to #27
BOX-FOLDER 89/3					Parts
BOX-FOLDER 89/4				Unidentified new #27b
BOX-FOLDER 89/4					Parts
BOX-FOLDER 89/5				Unidentified #26a, #27b
BOX-FOLDER 89/5					Parts
BOX-FOLDER 89/6				Unidentified new #29
BOX-FOLDER 89/6					Parts
BOX-FOLDER 89/7				Unidentified #29 very new
BOX-FOLDER 89/7					Parts
BOX-FOLDER 90/1				Bobby Dolan's orchestration sketches
BOX-FOLDER 90/1					Manuscript (various hands, including Robert Russell Bennett) outlines of musical routines, song listings, piano scores, sketches, lead sheets, short scores, notes in pencil and ink ;
					Includes: Ballet finale act II; Boogie woogie; Brain ballet; L'histoire de Madame de la Tour; Music in my heart; Night club finale; Quartet; Rhumba opening; That lucky fellow
BOX-FOLDER 90/2				Very Warm for May
BOX-FOLDER 90/2					Two typescript scripts for radio play version ; 18 p. each (p. 3 missing from 1 copy)
					Note: broadcast on June 4, 1951
					Laid in: Typescript letter to Mr. Edgar Carver of Rodgers & Hammerstein from Genevieve Fisch of Benton & Bowles, Inc. advertising agency ; [1] p.
BOX-FOLDER 90/3				Serial : Local 802 A. F. of M. Official Journal, New York, January 1940
BOX-FOLDER 90/3					Periodical ; 31 p.
			You Were Never Lovelier see Barrelhouse beguine; These orchids if you please; Windmill under the stars
			Ziegfeld Follies of 1916
BOX-FOLDER 90/4				My lady of the Nile
BOX-FOLDER 90/4					Frank Saddler manuscript piano-vocal score in ink, lyric in ink and pencil ; [4] p.
					Note: Lyric by Gene Buck
BOX-FOLDER 90/5				My lady of the Nile
BOX-FOLDER 90/5					Parts
					Note: arrangement by Charles Miller
			Zip Goes a Million (1919) lyrics by Buddy DeSylva
BOX-FOLDER 91/1				Bill
BOX-FOLDER 91/1					Frank Saddler manuscript full score in ink ; 9 p.
BOX-FOLDER 92/4				Bill
BOX-FOLDER 92/4					Parts
BOX-FOLDER 91/2				A business of our own
BOX-FOLDER 91/2					Frank Saddler manuscript full score in ink ; 26 p.
BOX-FOLDER 92/5				A business of our own
BOX-FOLDER 92/5					Parts
BOX-FOLDER 91/3				Finale act I
BOX-FOLDER 91/3					Frank Saddler manuscript full score in ink ; 45 p.
BOX-FOLDER 92/6				Finale act I
BOX-FOLDER 92/6					Parts
BOX-FOLDER 91/4				Finale act II
BOX-FOLDER 91/4					Frank Saddler manuscript full score in ink ; 30 p.
BOX-FOLDER 92/7				Finale act II
BOX-FOLDER 92/7					Parts
BOX-FOLDER 92/8				Finale ultimo
BOX-FOLDER 92/8					Parts
BOX-FOLDER 91/5				Forget-me-not
BOX-FOLDER 91/5					Frank Saddler manuscript full score in ink ; 20 p.
BOX-FOLDER 92/9				Forget me not
BOX-FOLDER 92/9					Parts
BOX-FOLDER 91/6				Give a thought to Broadway
BOX-FOLDER 91/6					Frank Saddler manuscript full score in ink ; 14 p.
BOX-FOLDER 92/10				Give a thought to Broadway
BOX-FOLDER 92/10					Parts
BOX-FOLDER 91/7				Hail! and speech
BOX-FOLDER 91/7					Frank Saddler manuscript full score in ink ; 14 p.
					Alternate title: Monty's speech
BOX-FOLDER 92/11				Hail! and speech
BOX-FOLDER 92/11					Parts
BOX-FOLDER 93/1				Incidental
BOX-FOLDER 93/1					Parts
BOX-FOLDER 91/8				It's better to be a man
BOX-FOLDER 91/8					Maurice B. DePackh manuscript full score in ink ; 15 p.
BOX-FOLDER 93/2				It's better to be a man
BOX-FOLDER 93/2					Parts
BOX-FOLDER 91/9				The language of love
BOX-FOLDER 91/9					Frank Saddler manuscript full score in ink ; 31 p.
BOX-FOLDER 92/1				The language of love see also Genevieve and men from Dear Sir
BOX-FOLDER 92/1					Printed piano-vocal score, annotations in pencil ; 7 p.
					On cover: Genevieve and men act II
BOX-FOLDER 93/3				The language of love
BOX-FOLDER 93/3					Parts
BOX-FOLDER 91/10				The little back yard band
BOX-FOLDER 91/10					Frank Saddler manuscript full score in ink ; 34 p.
BOX-FOLDER 93/4				The little back yard band
BOX-FOLDER 93/4					Parts
BOX-FOLDER 93/5				Look for the silver lining see also Sally
BOX-FOLDER 93/5					Parts
BOX-FOLDER 91/11				A man around the house
BOX-FOLDER 91/11					Frank Saddler manuscript full score in ink ; 22 p.
BOX-FOLDER 93/6				A man around the house
BOX-FOLDER 93/6					Parts
BOX-FOLDER 92/2				The mandolin and the man
BOX-FOLDER 92/2					Copyist manuscript piano-vocal score in ink ; 5 p.
BOX-FOLDER 93/7				The mandolin and the man
BOX-FOLDER 93/7					Parts
BOX-FOLDER 91/12				Opening act II
BOX-FOLDER 91/12					Frank Saddler manuscript full score in ink ; 22 p.
BOX-FOLDER 93/8				Opening act II
BOX-FOLDER 93/8					Parts
BOX-FOLDER 91/13				Opening act III
BOX-FOLDER 91/13					Maurice B. DePackh manuscript full score in ink ; 24 p.
BOX-FOLDER 93/9				Opening act III
BOX-FOLDER 93/9					Parts
BOX-FOLDER 91/14				Overture
BOX-FOLDER 91/14					Frank Saddler manuscript full score in ink ; 20 p.
					Includes: The language of love A man around the house Whippoorwill The mandolin and the man
BOX-FOLDER 94/1				Overture
BOX-FOLDER 94/1					Parts
BOX-FOLDER 91/15				Producers
BOX-FOLDER 91/15					Frank Saddler manuscript full score in ink ; 22 p.
BOX-FOLDER 94/2				Producers
BOX-FOLDER 94/2					Parts
BOX-FOLDER 94/3				Smile opening act I
BOX-FOLDER 94/3					Parts
BOX-FOLDER 94/4				Smiles
BOX-FOLDER 94/4					Parts
BOX-FOLDER 91/16				Telephone girls
BOX-FOLDER 91/16					Frank Saddler manuscript full score in ink ; 17 p.
BOX-FOLDER 94/5				Telephone girls
BOX-FOLDER 94/5					Parts
					Alternate titles: Opening act II after Entr'acte -- You tell 'em
BOX-FOLDER 94/6				Whippoorwill see also Whip-poor-will from Sally
BOX-FOLDER 94/6					Parts
BOX-FOLDER 91/17				You tell 'em
BOX-FOLDER 91/17					Frank Saddler manuscript full score in ink ; 21 p.
BOX-FOLDER 94/7				You tell 'em
BOX-FOLDER 94/7					Parts
BOX-FOLDER 92/3				Lyric sheets
BOX-FOLDER 92/3					Typescript lyric sheets (asterisked titles include a manuscript lyric sheet in pencil, possibly in Buddy DeSylva's hand, on Jerome Kern stationary) ; [43] p.
					Includes: Back yard band Bill A business of our own Finale act one Finale act two Forget-me-not Give a thought to Broadway [Hail! and speech] : Monty's speech It's better to be a man The language of love A man around the house The mandolin and the man *Opening act two Opening chorus act one Producers Something must be the matter with me Telephone girls Whippoorwill You tell 'em
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Jerome Kern collection, 1905-1951

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