Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
Unidentified #29 very new (continued) | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 90/1 | Bobby Dolan's orchestration sketches | ||||||||||||
Manuscript (various hands, including Robert Russell Bennett) outlines of musical routines, song listings, piano scores, sketches, lead sheets, short scores, notes in pencil and ink ; | |||||||||||||
Includes: Ballet finale act II; Boogie woogie; Brain ballet; L'histoire de Madame de la Tour; Music in my heart; Night club finale; Quartet; Rhumba opening; That lucky fellow | |||||||||||||
BOX-FOLDER 90/2 | Very Warm for May | ||||||||||||
Two typescript scripts for radio play version ; 18 p. each (p. 3 missing from 1 copy) | |||||||||||||
Note: broadcast on June 4, 1951 | |||||||||||||
Laid in: Typescript letter to Mr. Edgar Carver of Rodgers & Hammerstein from Genevieve Fisch of Benton & Bowles, Inc. advertising agency ; [1] p. | |||||||||||||
BOX-FOLDER 90/3 | Serial : Local 802 A. F. of M. Official Journal, New York, January 1940 | ||||||||||||
Periodical ; 31 p. | |||||||||||||
You Were Never Lovelier
see Barrelhouse beguine; These orchids if you please; Windmill under the stars |
|||||||||||||
Ziegfeld Follies of 1916 | |||||||||||||
BOX-FOLDER 90/4 | My lady of the Nile | ||||||||||||
Frank Saddler manuscript piano-vocal score in ink, lyric in ink and pencil ; [4] p. | |||||||||||||
Note: Lyric by Gene Buck | |||||||||||||
BOX-FOLDER 90/5 | My lady of the Nile | ||||||||||||
Parts | |||||||||||||
Note: arrangement by Charles Miller | |||||||||||||
Zip Goes a Million (1919) lyrics by Buddy DeSylva | |||||||||||||
BOX-FOLDER 91/1 | Bill | ||||||||||||
Frank Saddler manuscript full score in ink ; 9 p. | |||||||||||||
BOX-FOLDER 92/4 | Bill | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/2 | A business of our own | ||||||||||||
Frank Saddler manuscript full score in ink ; 26 p. | |||||||||||||
BOX-FOLDER 92/5 | A business of our own | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/3 | Finale act I | ||||||||||||
Frank Saddler manuscript full score in ink ; 45 p. | |||||||||||||
BOX-FOLDER 92/6 | Finale act I | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/4 | Finale act II | ||||||||||||
Frank Saddler manuscript full score in ink ; 30 p. | |||||||||||||
BOX-FOLDER 92/7 | Finale act II | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 92/8 | Finale ultimo | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/5 | Forget-me-not | ||||||||||||
Frank Saddler manuscript full score in ink ; 20 p. | |||||||||||||
BOX-FOLDER 92/9 | Forget me not | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/6 | Give a thought to Broadway | ||||||||||||
Frank Saddler manuscript full score in ink ; 14 p. | |||||||||||||
BOX-FOLDER 92/10 | Give a thought to Broadway | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/7 | Hail! and speech | ||||||||||||
Frank Saddler manuscript full score in ink ; 14 p. | |||||||||||||
Alternate title: Monty's speech | |||||||||||||
BOX-FOLDER 92/11 | Hail! and speech | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 93/1 | Incidental | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/8 | It's better to be a man | ||||||||||||
Maurice B. DePackh manuscript full score in ink ; 15 p. | |||||||||||||
BOX-FOLDER 93/2 | It's better to be a man | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/9 | The language of love | ||||||||||||
Frank Saddler manuscript full score in ink ; 31 p. | |||||||||||||
BOX-FOLDER 92/1 |
The language of love see also Genevieve and men from Dear Sir |
||||||||||||
Printed piano-vocal score, annotations in pencil ; 7 p. | |||||||||||||
On cover: Genevieve and men act II | |||||||||||||
BOX-FOLDER 93/3 | The language of love | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/10 | The little back yard band | ||||||||||||
Frank Saddler manuscript full score in ink ; 34 p. | |||||||||||||
BOX-FOLDER 93/4 | The little back yard band | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 93/5 |
Look for the silver lining see also Sally |
||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/11 | A man around the house | ||||||||||||
Frank Saddler manuscript full score in ink ; 22 p. | |||||||||||||
BOX-FOLDER 93/6 | A man around the house | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 92/2 | The mandolin and the man | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
BOX-FOLDER 93/7 | The mandolin and the man | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/12 | Opening act II | ||||||||||||
Frank Saddler manuscript full score in ink ; 22 p. | |||||||||||||
BOX-FOLDER 93/8 | Opening act II | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/13 | Opening act III | ||||||||||||
Maurice B. DePackh manuscript full score in ink ; 24 p. | |||||||||||||
BOX-FOLDER 93/9 | Opening act III | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/14 | Overture | ||||||||||||
Frank Saddler manuscript full score in ink ; 20 p. | |||||||||||||
Includes:
|
|||||||||||||
BOX-FOLDER 94/1 | Overture | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/15 | Producers | ||||||||||||
Frank Saddler manuscript full score in ink ; 22 p. | |||||||||||||
BOX-FOLDER 94/2 | Producers | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 94/3 | Smile opening act I | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 94/4 | Smiles | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/16 | Telephone girls | ||||||||||||
Frank Saddler manuscript full score in ink ; 17 p. | |||||||||||||
BOX-FOLDER 94/5 | Telephone girls | ||||||||||||
Parts | |||||||||||||
Alternate titles: Opening act II after Entr'acte -- You tell 'em | |||||||||||||
BOX-FOLDER 94/6 |
Whippoorwill see also Whip-poor-will from Sally |
||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/17 | You tell 'em | ||||||||||||
Frank Saddler manuscript full score in ink ; 21 p. | |||||||||||||
BOX-FOLDER 94/7 | You tell 'em | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 92/3 | Lyric sheets | ||||||||||||
Typescript lyric sheets (asterisked titles include a manuscript lyric sheet in pencil, possibly in Buddy DeSylva's hand, on Jerome Kern stationary) ; [43] p. | |||||||||||||
Includes:
|
|||||||||||||
BOX 95 | Miscellaneous/Unidentified Show Music | ||||||||||||
BOX-FOLDER 95/1 | Calliope - Mitzi's chorus | ||||||||||||
Manuscript lead sheet in ink, annotations in pencil, manuscript sketch in pencil on back ; [2] p. | |||||||||||||
Note: probably intended for Head Over Heels | |||||||||||||
BOX-FOLDER 95/2 | Caprice | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 6 p. | |||||||||||||
Note: same music as "The weeping willow tree" from Dear Sir | |||||||||||||
BOX-FOLDER 95/3 | Cocoanut dance | ||||||||||||
Manuscript lead sheet/sketch in pencil ; [1] p. | |||||||||||||
Note: probably intended for Lucky | |||||||||||||
BOX-FOLDER 95/4 | Dance through life with you | ||||||||||||
Frank Saddler manuscript full score in ink ; 12 p. | |||||||||||||
Note: this may be "Dance through life with me" written for Girls Will Be Girls (retitled Love o' Mike) and dropped during tryout (later considered for Very Good Eddie), or, "I'd love to dance through life with you" from A Modern Eve | |||||||||||||
Next Page » |