Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
Forget me not (continued) | |||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/6 | Give a thought to Broadway | ||||||||||||
Frank Saddler manuscript full score in ink ; 14 p. | |||||||||||||
BOX-FOLDER 92/10 | Give a thought to Broadway | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/7 | Hail! and speech | ||||||||||||
Frank Saddler manuscript full score in ink ; 14 p. | |||||||||||||
Alternate title: Monty's speech | |||||||||||||
BOX-FOLDER 92/11 | Hail! and speech | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 93/1 | Incidental | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/8 | It's better to be a man | ||||||||||||
Maurice B. DePackh manuscript full score in ink ; 15 p. | |||||||||||||
BOX-FOLDER 93/2 | It's better to be a man | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/9 | The language of love | ||||||||||||
Frank Saddler manuscript full score in ink ; 31 p. | |||||||||||||
BOX-FOLDER 92/1 |
The language of love see also Genevieve and men from Dear Sir |
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Printed piano-vocal score, annotations in pencil ; 7 p. | |||||||||||||
On cover: Genevieve and men act II | |||||||||||||
BOX-FOLDER 93/3 | The language of love | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/10 | The little back yard band | ||||||||||||
Frank Saddler manuscript full score in ink ; 34 p. | |||||||||||||
BOX-FOLDER 93/4 | The little back yard band | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 93/5 |
Look for the silver lining see also Sally |
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Parts | |||||||||||||
BOX-FOLDER 91/11 | A man around the house | ||||||||||||
Frank Saddler manuscript full score in ink ; 22 p. | |||||||||||||
BOX-FOLDER 93/6 | A man around the house | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 92/2 | The mandolin and the man | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
BOX-FOLDER 93/7 | The mandolin and the man | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/12 | Opening act II | ||||||||||||
Frank Saddler manuscript full score in ink ; 22 p. | |||||||||||||
BOX-FOLDER 93/8 | Opening act II | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/13 | Opening act III | ||||||||||||
Maurice B. DePackh manuscript full score in ink ; 24 p. | |||||||||||||
BOX-FOLDER 93/9 | Opening act III | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/14 | Overture | ||||||||||||
Frank Saddler manuscript full score in ink ; 20 p. | |||||||||||||
Includes:
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BOX-FOLDER 94/1 | Overture | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/15 | Producers | ||||||||||||
Frank Saddler manuscript full score in ink ; 22 p. | |||||||||||||
BOX-FOLDER 94/2 | Producers | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 94/3 | Smile opening act I | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 94/4 | Smiles | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/16 | Telephone girls | ||||||||||||
Frank Saddler manuscript full score in ink ; 17 p. | |||||||||||||
BOX-FOLDER 94/5 | Telephone girls | ||||||||||||
Parts | |||||||||||||
Alternate titles: Opening act II after Entr'acte -- You tell 'em | |||||||||||||
BOX-FOLDER 94/6 |
Whippoorwill see also Whip-poor-will from Sally |
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Parts | |||||||||||||
BOX-FOLDER 91/17 | You tell 'em | ||||||||||||
Frank Saddler manuscript full score in ink ; 21 p. | |||||||||||||
BOX-FOLDER 94/7 | You tell 'em | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 92/3 | Lyric sheets | ||||||||||||
Typescript lyric sheets (asterisked titles include a manuscript lyric sheet in pencil, possibly in Buddy DeSylva's hand, on Jerome Kern stationary) ; [43] p. | |||||||||||||
Includes:
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BOX 95 | Miscellaneous/Unidentified Show Music | ||||||||||||
BOX-FOLDER 95/1 | Calliope - Mitzi's chorus | ||||||||||||
Manuscript lead sheet in ink, annotations in pencil, manuscript sketch in pencil on back ; [2] p. | |||||||||||||
Note: probably intended for Head Over Heels | |||||||||||||
BOX-FOLDER 95/2 | Caprice | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 6 p. | |||||||||||||
Note: same music as "The weeping willow tree" from Dear Sir | |||||||||||||
BOX-FOLDER 95/3 | Cocoanut dance | ||||||||||||
Manuscript lead sheet/sketch in pencil ; [1] p. | |||||||||||||
Note: probably intended for Lucky | |||||||||||||
BOX-FOLDER 95/4 | Dance through life with you | ||||||||||||
Frank Saddler manuscript full score in ink ; 12 p. | |||||||||||||
Note: this may be "Dance through life with me" written for Girls Will Be Girls (retitled Love o' Mike) and dropped during tryout (later considered for Very Good Eddie), or, "I'd love to dance through life with you" from A Modern Eve | |||||||||||||
BOX-FOLDER 95/5 | Do look at him | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in Kern's hand in pencil ; [3] p. | |||||||||||||
Note: probably intended for Oh, Lady! Lady!! | |||||||||||||
BOX-FOLDER 95/6 | Don't forget (Duet: Stella and Ted) | ||||||||||||
Frank Saddler manuscript piano-vocal score in ink, no lyric ; [4] p. | |||||||||||||
Note: probably intended for Love o' Mike | |||||||||||||
BOX-FOLDER 95/7 | Entrance of girls | ||||||||||||
Copyist manuscript piano-vocal score in ink, no lyric ; 5 p. | |||||||||||||
Note: written for She's a Good Fellow, reused in Sunny | |||||||||||||
BOX-FOLDER 95/8 | Finale act I | ||||||||||||
Manuscript piano score in pencil, annotations in Kern's hand in ink ; [1] p. | |||||||||||||
Note: probably intended for Lucky | |||||||||||||
BOX-FOLDER 95/9 | Finaletto act I | ||||||||||||
Manuscript piano-vocal score in ink, no lyric ; [9] p. | |||||||||||||
Note: probably intended for Very Good Eddie, but unused | |||||||||||||
BOX-FOLDER 95/10 | Finaletto act I | ||||||||||||
Holograph sketch in pencil ; 5 p. | |||||||||||||
Note: probably intended for Dear Sir | |||||||||||||
BOX-FOLDER 95/11 | Garden of girls | ||||||||||||
Frank Saddler manuscript piano score in ink ; [2] p. | |||||||||||||
Note: same music as "Package of seeds"; written for Oh, Boy! | |||||||||||||
BOX-FOLDER 95/12 | God rest you merry gentlemen | ||||||||||||
Manuscript piano-vocal score in pencil ; [3] p. | |||||||||||||
On title page: arranged as a modern 'Blues' by Jerome Kern | |||||||||||||
BOX-FOLDER 95/12 | God rest you merry gentlemen | ||||||||||||
Printed piano-vocal score [non-Kern arrangement] ; p. 10 | |||||||||||||
BOX-FOLDER 95/13 | A great idea | ||||||||||||
Manuscript piano-vocal score in pencil ; 3 p. | |||||||||||||
BOX-FOLDER 95/14 | Human after all | ||||||||||||
Frank Saddler manuscript piano-vocal score in ink, no lyric ; 16 p. | |||||||||||||
Note: probably intended for Love o' Mike | |||||||||||||
BOX-FOLDER 95/15 | I have been around a bit (Duet: Madge and Jerry) | ||||||||||||
Manuscript full score in ink ; 18 p. | |||||||||||||
Note: probably intended for Ninety in the Shade | |||||||||||||
BOX-FOLDER 95/16 | If eventually, why not now | ||||||||||||
Holograph piano-vocal score in pencil, lyric partially in ink ; [3] p. | |||||||||||||
Note: blue pencil marks in Frank Saddler's hand date piece as pre-1921 | |||||||||||||
BOX-FOLDER 95/17 | It's a mile and a half (to easy street) | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 3 p. | |||||||||||||
Note: Lyric by Schuyler Greene, dated 1915 | |||||||||||||
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