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Miscellaneous Music, undated (continued) | |||||||||||||
Miscellaneous Music (Titled) (continued) | |||||||||||||
Once in a million moons - new #14 (continued) | |||||||||||||
Note: Lyric by E. Y. Harburg; intended for Universal picture Can't Help Singing; copyright 1944 | |||||||||||||
BOX-FOLDER 98/3 | Once there were two of us | ||||||||||||
Copyist manuscript piano-vocal score in ink on transparencies and two photocopies ; 3 p. each | |||||||||||||
BOX-FOLDER 98/3 | Once there were two of us | ||||||||||||
Manuscript lead sheet in ink, no lyric ; [1] p. | |||||||||||||
BOX-FOLDER 98/3 | Once there were two of us (2nd version) | ||||||||||||
Two photocopies and negative of manuscript piano-vocal score ; 5 p. each | |||||||||||||
Note: Lyric by Ira Gershwin | |||||||||||||
Note: published in 1968 as "Now that we are one"; copyright 1938 | |||||||||||||
BOX-FOLDER 98/4 | Once there were two of us (1st version) #23 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score, partial lyric ; 3 p. each | |||||||||||||
BOX-FOLDER 98/5 | Out on the broad prairie | ||||||||||||
Mimeograph of copyist manuscript piano-vocal score, no lyric ; 3 p. | |||||||||||||
On front in Kern's hand: "Oscar for 'Ol' Man River'" | |||||||||||||
Note: copyright 1935; intended for productions Rise and Shine and Champagne and Orchids | |||||||||||||
BOX-FOLDER 98/6 | Pas de quatre | ||||||||||||
Two photocopies and negative of manuscript piano-vocal score, no lyric ; 4 p. each | |||||||||||||
BOX-FOLDER 98/7 | Pedro mio - new #15 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score, no lyric ; 6 p. each | |||||||||||||
Note: copyright 1942 | |||||||||||||
BOX-FOLDER 98/8 | People from Missouri #20 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score and typescript lyric sheet ; [4] p. each | |||||||||||||
Note: Lyric by Ira Gershwin | |||||||||||||
BOX-FOLDER 98/9 | Pepper pot (Turkish version) - new #26 | ||||||||||||
Photocopy of manuscript piano-vocal score p. 1-2, 5 (incomplete) | |||||||||||||
Note: Lyric by Leo Robin; intended for Centennial Summer | |||||||||||||
BOX-FOLDER 98/10 |
Polka Scandinavienne see also Scandinavian polka ; Polka |
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Two photocopies of manuscript piano-vocal score, no lyric ; 9 p. each | |||||||||||||
Note: copyright 1941 | |||||||||||||
BOX-FOLDER 98/11 | A quiet song | ||||||||||||
Negative photocopy of copyist manuscript piano-vocal score, no lyric ; 6 p. | |||||||||||||
BOX-FOLDER 98/12 | Sailor beware - new #17, #40 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score, no lyric ; 3 p. each | |||||||||||||
On front: Oscar | |||||||||||||
BOX-FOLDER 98/13 |
Scandinavian polka see also Polka Scandinavienne ; Polka |
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Copyist manuscript piano-vocal score in ink on transparencies and two photocopies, no lyric ; 4 p. each | |||||||||||||
BOX-FOLDER 98/14 | Serenata | ||||||||||||
Photocopy of manuscript piano-vocal score, no lyric ; 5 p. | |||||||||||||
Note: the chorus is the same music that became "Dearly beloved"; copyright 1941 | |||||||||||||
BOX-FOLDER 98/15 | Singing a song in your arms | ||||||||||||
Photocopy of copyist manuscript piano-vocal score ; 5 p. | |||||||||||||
Note: Lyric by Oscar Hammerstein II; intended for Champagne and Orchids; copyright 1935 | |||||||||||||
BOX-FOLDER 98/16 | So you got took | ||||||||||||
Manuscript lead sheet in ink, no lyric ; [1] p. | |||||||||||||
BOX-FOLDER 98/17 |
Something on my mind see also No question in my heart |
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Photocopy and negative of manuscript piano-vocal score, no lyric ; 6 p. each | |||||||||||||
Note: may be "No question in my mind (you're in my heart)," lyric by Ira Gershwin, written in 1938 | |||||||||||||
BOX-FOLDER 98/18 | Strange interval | ||||||||||||
Two photocopies of manuscript piano-vocal score, no lyric, 1 copy has annotations in ink ; [4] p. each | |||||||||||||
Note: copyright 1943 | |||||||||||||
BOX-FOLDER 98/19 |
Sweetest sight that I
have seen - new #11 see also I have seen |
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Photocopy and negative of copyist manuscript piano-vocal score ; 6 p. each | |||||||||||||
Note: Lyric by Oscar Hammerstein II; copyright 1945 | |||||||||||||
BOX-FOLDER 99/1 | There'll come a day - new #33 | ||||||||||||
Photocopy and negative of copyist manuscript piano-vocal score ; 8 p. each | |||||||||||||
Note: Lyric by E. Y. Harburg; for the Universal picture Can't Help Singing; copyright 1944 | |||||||||||||
BOX-FOLDER 99/1 | There'll come a day | ||||||||||||
Photocopy of manuscript piano-vocal score, no lyric ; 4 p. | |||||||||||||
Note: copyright 1943 | |||||||||||||
BOX-FOLDER 99/2 | These orchids - new #49 | ||||||||||||
Photocopy and negative of copyist manuscript piano-vocal score ; 6 p. each | |||||||||||||
Note:Lyric by Johnny Mercer; from You Were Never Lovelier; copyright 1942 | |||||||||||||
Alternate title: These orchids if you please | |||||||||||||
BOX-FOLDER 99/3 | Time: the present - new #50 | ||||||||||||
Photocopy and negative (incomplete) of manuscript piano-vocal score ; 4 p. | |||||||||||||
Note in Kern's hand: "This becomes an Album Cover for material" and "DON'T DESTROY/This is Lucky Sheet" | |||||||||||||
Laid in: photostat of holograph sketch attached ; [2] p. | |||||||||||||
Note: Lyric by Ira Gershwin; ; copyright 1943; intended for Cover Girl | |||||||||||||
BOX-FOLDER 99/4 | Trial in 4/4 | ||||||||||||
Photocopy of manuscript piano-vocal score, no lyric ; 4 p. | |||||||||||||
BOX-FOLDER 99/5 | Untitled #4 | ||||||||||||
Copyist manuscript piano-vocal score in ink on transparencies and two photocopies, no lyric ; 3 p. each | |||||||||||||
BOX-FOLDER 99/6 | Valse lente - new #28 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score, no lyric ; 4 p. each | |||||||||||||
BOX-FOLDER 99/7 |
Watching little Alice see also Midnight music |
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Photocopy of manuscript piano-vocal score, no lyric ; 4 p. | |||||||||||||
BOX-FOLDER 99/8 | The way that lovers use - new #22 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score ; 5 p. each | |||||||||||||
Note: Lyric from a poem by Rupert Brooke (1914) | |||||||||||||
Note: copyright 1945 | |||||||||||||
BOX-FOLDER 99/9 | What do I know about you? | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink and negative photocopy ; 2 p. each | |||||||||||||
Note: Lyric by Dorothy Fields | |||||||||||||
BOX-FOLDER 99/9 | What do I know about you? | ||||||||||||
Copyist manuscript piano-vocal score in ink ; [3] p. | |||||||||||||
Note: Lyric by Dorothy Fields | |||||||||||||
BOX-FOLDER 99/9 | What do I know about you? | ||||||||||||
Copyist manuscript lead sheet in ink ; [1] p. | |||||||||||||
Note: Lyric by Dorothy Fields | |||||||||||||
BOX-FOLDER 99/10 | What's become of the night | ||||||||||||
Photocopy of manuscript piano-vocal score, no lyric ; 6 p. | |||||||||||||
Note: intended for Hayfoot, Strawfoot, lyrics by Hammerstein and Harbach | |||||||||||||
BOX-FOLDER 99/11 | When I've got the moon | ||||||||||||
Negative photocopy of copyist manuscript piano-vocal score ; 4 p. (incomplete) | |||||||||||||
On front in Kern's hand: Oscar Get this released from MGM | |||||||||||||
Note: Lyric by Oscar Hammerstein II, copyright 1935 | |||||||||||||
Note: intended for Champagne and Orchids | |||||||||||||
BOX-FOLDER 99/12 | When we were very young - Terzettino new #36 | ||||||||||||
Photocopy and negative of copyist manuscript piano-vocal score ; 11 p. each | |||||||||||||
Note: Lyric by Dorothy Fields | |||||||||||||
Note: intended for Lovely to Look At | |||||||||||||
BOX-FOLDER 99/13 | When you hear that humming - new #25 | ||||||||||||
Photocopy and negative of copyist manuscript piano-vocal score ; 4 p. each | |||||||||||||
Note: Lyric by Otto Harbach | |||||||||||||
Note: intended for Gentlemen Unafraid | |||||||||||||
BOX-FOLDER 99/14 | Whistle number new #37 | ||||||||||||
Photocopy and negative of copyist manuscript piano-vocal score ; 10 p. each | |||||||||||||
Note: appears to have been for a show titled Interlude | |||||||||||||
BOX-FOLDER 99/15 | Whistling Dan | ||||||||||||
Manuscript piano/condensed score in pencil ; [3] p. | |||||||||||||
Note: originally from Ninety in the Shade (1915), lyric by Harry B. Smith, music reused as title song in Leave it to Jane | |||||||||||||
BOX-FOLDER 99/15 | Whistling Dan | ||||||||||||
Copyist manuscript piano score in ink and negative photocopy ; 3 p. each | |||||||||||||
Note: originally from Ninety in the Shade (1915), lyric by Harry B. Smith, music reused as title song in Leave it to Jane | |||||||||||||
BOX-FOLDER 99/16 | Who's complaining? - new #1 | ||||||||||||
Photocopies and negative of manuscript piano-vocal score ; 4 p. each | |||||||||||||
Note: Lyric by Ira Gershwin | |||||||||||||
Note: from Cover Girl; copyright 1943 | |||||||||||||
BOX-FOLDER 99/17 | Windmill under the stars - new #13 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score ; 3 p. each | |||||||||||||
Note: Lyric by Johnny Mercer | |||||||||||||
Note: intended for You Were Never Lovelier; copyright 1942 | |||||||||||||
BOX-FOLDER 99/18 | Incipits - Themes | ||||||||||||
Negative photocopy manuscript; [4] p. | |||||||||||||
Note: 42 themes, many titled, some crossed out, some dated 1939 May 5, each theme consisting of a few measures of melody only | |||||||||||||
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