Container | Contents | ||||||||||||
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Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
Articles (continued) | |||||||||||||
Serge Koussevitzky and the American composer, 1944 (continued) | |||||||||||||
40 | |||||||||||||
She has taught the greatest...
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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She taught many of the world's best musicians
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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Shoptalk: On the notation of music
See: Writings by AC, Articles: On the notation of music |
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BOX-FOLDER 202/2 |
Sobre la música en el cine, n.d.
See also: Writings by AC, Articles: The art of Darius Milhaud |
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Tr50 | |||||||||||||
BOX-FOLDER 202/3 |
Some notes on my "Music for the Theatre", 1941
See also: Writings by AC, Articles: A tribute to Nadia Boulanger See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] |
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BOX-FOLDER 202/4 |
South American journey, 1947
See also: Writings by AC, Articles: Composer's report on music in South America See also: Writings by AC, Lectures & Speeches: [La música de las americas] |
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BOX-FOLDER 202/5 | Special fondness for B. B. [Benjamin Britten], n.d. | ||||||||||||
BOX-FOLDER 202/6 | Stefan Wolpe: Two songs for alto and piano [Music review], 1948 | ||||||||||||
51 | |||||||||||||
The story behind El salón méxico, 1948
See: Subject File, Compositions, El salón méxico, Programs 1938-1942 |
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BOX-FOLDER 202/7 | Stravinsky and Hindemith premieres, 1932 | ||||||||||||
17 | |||||||||||||
BOX-FOLDER 202/8 | Stravinsky's "Oedipus Rex", 1928 | ||||||||||||
9 | |||||||||||||
BOX-FOLDER 202/9 | Talk on N. B. [Nadia Boulanger], n.d. | ||||||||||||
BOX-FOLDER 202/10 | Tanglewood: 1952, [1952] | ||||||||||||
62A | |||||||||||||
Also: Tanglewood's future: Measures to insure continuity include extensive new scholarship program | |||||||||||||
BOX-FOLDER 202/11 | The teacher: Nadia Boulanger, 1960 | ||||||||||||
BOX-FOLDER 202/12 | Thomson's musical state [Book review], 1939 | ||||||||||||
28 | |||||||||||||
BOX-FOLDER 230/2 |
Tip to moviegoers: Take off those ear-muffs?, 1949
See also: Writings by AC, Articles: Music and the movies See also: Writings by AC, Lectures & Speeches: Music in the movies |
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53 | |||||||||||||
BOX-FOLDER 202/13 | A tribute to Nadia Boulanger, 1967 | ||||||||||||
110 | |||||||||||||
The tutor of eminent composers, Mlle. Boulanger going strong at 79
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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BOX-FOLDER 202/14 | A visit to Israel, 1969 | ||||||||||||
113 | |||||||||||||
BOX-FOLDER 202/15 | A visit to Snape, 1963 | ||||||||||||
93 | |||||||||||||
BOX-FOLDER 202/16 | [A visiting composer], 1958 | ||||||||||||
BOX-FOLDER 230/3 | 'A vital and varied music', n.d. | ||||||||||||
82 | |||||||||||||
BOX-FOLDER 230/4 | What Europe means to the aspiring composer, 1925 | ||||||||||||
2 | |||||||||||||
BOX-FOLDER 230/5 | What is Jewish music?: The music of Israel [Book review], 1949 | ||||||||||||
52 | |||||||||||||
BOX-FOLDER 202/17 | When private and public worlds meet, 1968 | ||||||||||||
112 | |||||||||||||
BOX-FOLDER 202/18 | Where are we? What's been happening to so-called serious music in the sixties, n.d. | ||||||||||||
BOX-FOLDER 202/19 | William Schuman: String quartet no. 4 [Music review], 1951 | ||||||||||||
BOX-FOLDER 230/6 | Workers sing!, 1934 | ||||||||||||
BOX-FOLDER 230/7 | The world of a-tonality: Schoenberg and his school [Book review], 1949 | ||||||||||||
54 | |||||||||||||
BOX-FOLDER 202/20 | The world of the phonograph, 1937 | ||||||||||||
25A | |||||||||||||
BOX-FOLDER 202/21 | The youngest generation of American composers, n.d. | ||||||||||||
BOX-FOLDER 202/22 | Zoltán Kodály, n.d. | ||||||||||||
BOX-FOLDER 202/23 | [Zoltán Kodály - 80th birthday], 1962 | ||||||||||||
BOX-FOLDER 202/24 | Miscellany: Notes for articles, n.d. | ||||||||||||
BOX 203-209 BOX-FOLDER 230/8 BOX-FOLDER 565 MAPCASE C-Drw 2/1 | Books | ||||||||||||
BOX-FOLDER 203/1-3 BOX-FOLDER 230/8 BOX-FOLDER 565/2-14 | Copland: 1900 through 1942 (1984), 1970-1985, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 203/4-13 | Copland on music (1960), 1959-1962, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 204/1-9 | Music and imagination (1952), 1952-1974, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 205/1-9 BOX-FOLDER 206/1-7 | The new music (1968), 1962-1969, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 207/1-10 | Our new music (1941), 1941-1948, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 208/1-11 MAPCASE-DRAWER C-Drw 2/1 | What to listen for in music (1939), 1937-1954, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 209/1-8 | What to listen for in music (1957), 1956-1966, n.d. | ||||||||||||
Folders:
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BOX-FOLDER 209/9-11 | What to listen for in music , (1988, re-issue) 1988 | ||||||||||||
Proofs, page | |||||||||||||
BOX 210-230 BOX 565 | Lectures & Speeches | ||||||||||||
BOX-FOLDER 210/1 | Address, graduating class, Toronto Conservatory of Music, 1950 | ||||||||||||
1-LG | |||||||||||||
BOX-FOLDER 210/2 | Address, graduating exercises, Brooklyn College, 1975 | ||||||||||||
BOX-FOLDER 210/3 | Address, graduating exercises, Juilliard School of Music, 1981 | ||||||||||||
BOX-FOLDER 210/4-7 |
The aesthetic climate of today (English and Spanish), 1963
See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music |
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BOX-FOLDER 210/8 |
Aesthetics of modern music, 1927
See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955 See also: Writings by AC, Lectures & Speeches: Masterpieces of modern music, Lecture I: America in music |
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BOX-FOLDER 210/9 | An American composer: Charles Ives, n.d. | ||||||||||||
BOX-FOLDER 210/9 |
The American composer today
See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music See: Writings by AC, Lectures & Speeches: Composing in America (then and now) |
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BOX-FOLDER 210/10 | The American Composers Alliance, 1977 | ||||||||||||
BOX-FOLDER 210/11 | American contemporaries: Younger generation, 1957 | ||||||||||||
19-LG | |||||||||||||
BOX-FOLDER 210/12 | American music, ca. 1936 | ||||||||||||
American music
See: Writings by AC, Lectures & Speeches: "Modern" American music - Part II |
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BOX-FOLDER 210/13 | American music - a survey, n.d. | ||||||||||||
BOX-FOLDER 210/14 | American music and the American scene, 1940, 1950 | ||||||||||||
BOX-FOLDER 210/15 | American scene in music, 1949 | ||||||||||||
11-LV | |||||||||||||
BOX-FOLDER 210/16 | Americans, 1940 | ||||||||||||
BOX-FOLDER 210/17 | Das amerikanische Musikleben, 1954, 1964 | ||||||||||||
BOX-FOLDER 210/18 | L'amerique et sa musique, 1949 | ||||||||||||
BOX-FOLDER 210/19 | The annual American Music Festival, n.d. | ||||||||||||
BOX-FOLDER 210/20 | Appalachian spring , n.d. | ||||||||||||
BOX-FOLDER 210/21 | Appreciation of modern music, 1927 | ||||||||||||
BOX-FOLDER 210/22 | The artist and society, 1959 | ||||||||||||
15-LG | |||||||||||||
Arts in the university
See: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university) |
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BOX-FOLDER 210/23 | Berlioz - from the composer's standpoint, 1954 | ||||||||||||
22-LV | |||||||||||||
Bernstein, Leonard
See: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] |
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BOX-FOLDER 210/24 | Boulez, 1977 | ||||||||||||
BOX-FOLDER 210/25 | Central European composers, 1950 | ||||||||||||
12-LV | |||||||||||||
BOX-FOLDER 210/26 |
Claire Reis, 1978
See also: Writings by AC, Articles: Claire Reis (1889-1978) |
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BOX-FOLDER 210/27 | Comparative trends of recent European & American music, 1956, 1961 | ||||||||||||
26-LV | |||||||||||||
BOX-FOLDER 210/28 | The composer and his audience, 1956 | ||||||||||||
10 | |||||||||||||
BOX-FOLDER 210/29 |
The composer as critic, 1961
See also: Writings by AC, Articles: The composer as critic |
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91-A | |||||||||||||
BOX-FOLDER 210/30 | The composer as critic, n.d. | ||||||||||||
33-LV | |||||||||||||
BOX-FOLDER 210/31 | Composer attitudes of the twenties, n.d. | ||||||||||||
BOX-FOLDER 210/32 | The composer in the modern world, 1957 | ||||||||||||
10-LG | |||||||||||||
BOX-FOLDER 210/33 | Composer looks at music in America, 1954 | ||||||||||||
25-LV | |||||||||||||
BOX-FOLDER 210/34 | Composer today, n.d. | ||||||||||||
The composer's viewpoint
See: Writings by AC, Lectures & Speeches: The meaning of music |
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BOX-FOLDER 210/35 | Composers and conductors conference, 1942? | ||||||||||||
BOX-FOLDER 210/36 | Composers on criticism, n.d. | ||||||||||||
BOX-FOLDER 210/37 |
Composing in America (then and now), 1962, 1964
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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18-LG | |||||||||||||
BOX-FOLDER 210/38 | Compositional phases [on my three piano works], 1959, 1961 | ||||||||||||
13-LG | |||||||||||||
BOX-FOLDER 210/39 | Compositional techniques in the 20th cent[ury], 1961 | ||||||||||||
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