The Library of Congress >  Researchers >  Search Finding Aids  >  Aaron Copland collection, 1841-1991
ContainerContents
Writings and Oral Presentations, 1925-1988 (continued)
Writings by Aaron Copland, 1925-1988 (continued)
Articles (continued)
Stefan Wolpe: Two songs for alto and piano [Music review], 1948 (continued)
51
The story behind El salón méxico, 1948
See: Subject File, Compositions, El salón méxico, Programs 1938-1942
BOX-FOLDER 202/7 Stravinsky and Hindemith premieres, 1932
17
BOX-FOLDER 202/8 Stravinsky's "Oedipus Rex", 1928
9
BOX-FOLDER 202/9 Talk on N. B. [Nadia Boulanger], n.d.
BOX-FOLDER 202/10 Tanglewood: 1952, [1952]
62A
Also: Tanglewood's future: Measures to insure continuity include extensive new scholarship program
BOX-FOLDER 202/11 The teacher: Nadia Boulanger, 1960
BOX-FOLDER 202/12 Thomson's musical state [Book review], 1939
28
BOX-FOLDER 230/2 Tip to moviegoers: Take off those ear-muffs?, 1949
See also: Writings by AC, Articles: Music and the movies
See also: Writings by AC, Lectures & Speeches: Music in the movies
53
BOX-FOLDER 202/13 A tribute to Nadia Boulanger, 1967
110
The tutor of eminent composers, Mlle. Boulanger going strong at 79
See: Writings by AC, Articles: A tribute to Nadia Boulanger
BOX-FOLDER 202/14 A visit to Israel, 1969
113
BOX-FOLDER 202/15 A visit to Snape, 1963
93
BOX-FOLDER 202/16 [A visiting composer], 1958
BOX-FOLDER 230/3 'A vital and varied music', n.d.
82
BOX-FOLDER 230/4 What Europe means to the aspiring composer, 1925
2
BOX-FOLDER 230/5 What is Jewish music?: The music of Israel [Book review], 1949
52
BOX-FOLDER 202/17 When private and public worlds meet, 1968
112
BOX-FOLDER 202/18 Where are we? What's been happening to so-called serious music in the sixties, n.d.
BOX-FOLDER 202/19 William Schuman: String quartet no. 4 [Music review], 1951
BOX-FOLDER 230/6 Workers sing!, 1934
BOX-FOLDER 230/7 The world of a-tonality: Schoenberg and his school [Book review], 1949
54
BOX-FOLDER 202/20 The world of the phonograph, 1937
25A
BOX-FOLDER 202/21 The youngest generation of American composers, n.d.
BOX-FOLDER 202/22 Zoltán Kodály, n.d.
BOX-FOLDER 202/23 [Zoltán Kodály - 80th birthday], 1962
BOX-FOLDER 202/24 Miscellany: Notes for articles, n.d.
BOX 203-209 BOX-FOLDER 230/8 BOX-FOLDER 565 MAPCASE C-Drw 2/1 Books
BOX-FOLDER 203/1-3 BOX-FOLDER 230/8 BOX-FOLDER 565/2-14 Copland: 1900 through 1942 (1984), 1970-1985, n.d.
Folders:
  • 203/1 Correspondence, 1970-1985, n.d.
  • 230/8 Miscellany: Article, 1984
  • 203/2 Miscellany: Notes; Promotional material; Reviews, 1981-1984, n.d.
  • 203/3 Uncorrected proof (bound), 1984
  • 565/2 Draft: Introduction; The Mittenthals and the Coplands
  • 565/3 Draft: Brooklyn, 1900-1921; Fontainebleau, Summer, 1921
  • 565/4 Draft: Brooklyn, 1900-1921
  • 565/5 Draft: Fontainebleau, Summer 1921
  • 565/6 Draft: Paris, 1921-1924
  • 565/7 Draft: New York, 1924-1926
  • 565/8 Draft: Interlude II
  • 565/9 Draft: Music for Musicians, 1928-1930
  • 565/10 Draft: Yaddo and Mexico, 1930-1932
  • 565/11 Miscellaneous manuscripts
  • 565/12 Notes
  • 565/13 Chronology and works list
  • 565/14 Publications and bibliography
BOX-FOLDER 203/4-13 Copland on music (1960), 1959-1962, n.d.
Folders:
  • 203/4 Correspondence, 1959-1960
  • 203/5 Manuscript
  • 203/6 Miscellany: Notes; Promotional Material; Reviews; Sources, 1960-1962, n.d.
  • 203/7 Notes
  • 203/8 Outlines
  • 203/9 Outlines: Revised versions
  • 203/10 Proofs, page
  • 203/11 Typescript, draft
  • 203/12 Typescript, corrected
  • 203/13 Typescript, final
BOX-FOLDER 204/1-9 Music and imagination (1952), 1952-1974, n.d.
Folders:
  • 204/1 Correspondence, 1952
  • 204/2 Manuscripts
  • 204/3 Miscellany: Promotional Material; Reviews, 1952-1974, n.d.
  • 230/9 Miscellany: Review, proof, 1953
  • 204/4 Proofs, galley
  • 204/5 Proofs, galley (author's copy)
  • 204/6 Proofs, page (incomplete)
  • 204/7-8 Typescript, corrected
  • 204/9 Typescript, final
BOX-FOLDER 205/1-9 BOX-FOLDER 206/1-7 The new music (1968), 1962-1969, n.d.
Folders:
  • 205/1 Correspondence, 1962-1968, n.d.
  • 205/2 Index
  • 205/3 Manuscripts
  • 205/4 Miscellany: Notes; Reviews, 1968-1969, n.d.
  • 205/5-9 Proofs, corrected
  • 206/1 Proofs, galley, 8/16/67
  • 206/2 Proofs, galley, 9/21/67
  • 206/3 Proofs, galley, 11/02/67
  • 206/4-5 Rejected pages, Our new music
  • 206/6 Typescript, corrected
  • 206/7 Typescript, final
BOX-FOLDER 207/1-10 Our new music (1941), 1941-1948, n.d.
Folders:
  • 207/1 Correspondence, 1941-1948, n.d.
  • 207/2 Miscellany: Promotional material; Reviews, 1941-1947, n.d.
  • 207/3 Outlines
  • 207/4 Spanish edition
  • 207/5 Typescript, draft
  • 207/6-9 Typescript, corrected
  • 207/10 Typescript, final
BOX-FOLDER 208/1-11 MAPCASE-DRAWER C-Drw 2/1 What to listen for in music (1939), 1937-1954, n.d.
Folders:
  • 208/1 Correspondence, 1937-1939, 1953, n.d.
  • 208/2 Hebrew edition, 1954
  • 208/3 Miscellany: Promotional material; Reviews, 1938-1940, n.d.
  • 230/10 Miscellany: Promotional material
  • 208/4 Proofs, galley
  • 208/5 Proofs, page
  • MapCaseC-Drw 2/1 Proofs, page
  • 208/6 Typescript, draft
  • 208/7-8 Typescript, corrected
  • 208/9 Typescript, final (author's copy)
  • 208/10-11 Typescript, final (printer's copy)
BOX-FOLDER 209/1-8 What to listen for in music (1957), 1956-1966, n.d.
Folders:
  • 209/1 Correspondence, 1956
  • 209/2 Miscellany: Reviews, 1957-1966, n.d.
  • 209/3 Notes
  • 209/4 Proofs, galley (author's copy)
  • 209/5 Proofs, galley (printer's copy)
  • 209/6 Typescript, corrected
  • 209/7 Typescript, final (author's copy)
  • 209/8 Typescript, final (printer's copy)
BOX-FOLDER 209/9-11 What to listen for in music , (1988, re-issue) 1988
Proofs, page
BOX 210-230 BOX 565 Lectures & Speeches
BOX-FOLDER 210/1 Address, graduating class, Toronto Conservatory of Music, 1950
1-LG
BOX-FOLDER 210/2 Address, graduating exercises, Brooklyn College, 1975
BOX-FOLDER 210/3 Address, graduating exercises, Juilliard School of Music, 1981
BOX-FOLDER 210/4-7 The aesthetic climate of today (English and Spanish), 1963
See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music
BOX-FOLDER 210/8 Aesthetics of modern music, 1927
See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955
See also: Writings by AC, Lectures & Speeches: Masterpieces of modern music, Lecture I: America in music
BOX-FOLDER 210/9 An American composer: Charles Ives, n.d.
BOX-FOLDER 210/9 The American composer today
See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music
See: Writings by AC, Lectures & Speeches: Composing in America (then and now)
BOX-FOLDER 210/10 The American Composers Alliance, 1977
BOX-FOLDER 210/11 American contemporaries: Younger generation, 1957
19-LG
BOX-FOLDER 210/12 American music, ca. 1936
American music
See: Writings by AC, Lectures & Speeches: "Modern" American music - Part II
BOX-FOLDER 210/13 American music - a survey, n.d.
BOX-FOLDER 210/14 American music and the American scene, 1940, 1950
BOX-FOLDER 210/15 American scene in music, 1949
11-LV
BOX-FOLDER 210/16 Americans, 1940
BOX-FOLDER 210/17 Das amerikanische Musikleben, 1954, 1964
BOX-FOLDER 210/18 L'amerique et sa musique, 1949
BOX-FOLDER 210/19 The annual American Music Festival, n.d.
BOX-FOLDER 210/20 Appalachian spring , n.d.
BOX-FOLDER 210/21 Appreciation of modern music, 1927
BOX-FOLDER 210/22 The artist and society, 1959
15-LG
Arts in the university
See: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university)
BOX-FOLDER 210/23 Berlioz - from the composer's standpoint, 1954
22-LV
Bernstein, Leonard
See: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein]
BOX-FOLDER 210/24 Boulez, 1977
BOX-FOLDER 210/25 Central European composers, 1950
12-LV
BOX-FOLDER 210/26 Claire Reis, 1978
See also: Writings by AC, Articles: Claire Reis (1889-1978)
BOX-FOLDER 210/27 Comparative trends of recent European & American music, 1956, 1961
26-LV
BOX-FOLDER 210/28 The composer and his audience, 1956
10
BOX-FOLDER 210/29 The composer as critic, 1961
See also: Writings by AC, Articles: The composer as critic
91-A
BOX-FOLDER 210/30 The composer as critic, n.d.
33-LV
BOX-FOLDER 210/31 Composer attitudes of the twenties, n.d.
BOX-FOLDER 210/32 The composer in the modern world, 1957
10-LG
BOX-FOLDER 210/33 Composer looks at music in America, 1954
25-LV
BOX-FOLDER 210/34 Composer today, n.d.
The composer's viewpoint
See: Writings by AC, Lectures & Speeches: The meaning of music
BOX-FOLDER 210/35 Composers and conductors conference, 1942?
BOX-FOLDER 210/36 Composers on criticism, n.d.
BOX-FOLDER 210/37 Composing in America (then and now), 1962, 1964
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music
18-LG
BOX-FOLDER 210/38 Compositional phases [on my three piano works], 1959, 1961
13-LG
BOX-FOLDER 210/39 Compositional techniques in the 20th cent[ury], 1961
32-LV
BOX-FOLDER 211/1 [Contemporary composers in the United States], n.d.
Contemporary music, 1960
See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music
BOX-FOLDER 211/2 Contemporary music: Living composers, 1938
See also: Writings by AC, Lectures & Speeches: Music in contemporary life
See also: Writings by AC, Lectures & Speeches: Survey of contemporary music
BOX-FOLDER 211/3 Contemporary music: Music in the American scene, 1948
BOX-FOLDER 211/4 Contemporary music and its controversies, 1944
16-LV
BOX-FOLDER 211/5 [Contemporary music in the U. S.]: The musical panorama in the 70's, n.d.
BOX-FOLDER 211/6 Contemporary music in the United States, 1951, 1964
BOX-FOLDER 211/7 The contemporary music in the United States, n.d.
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