Container | Contents | ||||||||||||
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Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
Articles (continued) | |||||||||||||
El compositor en los Estados Unidos, 1959 (continued) | |||||||||||||
75 | |||||||||||||
BOX-FOLDER 198/19 | Contemporaries at Oxford, 1931 | ||||||||||||
16 | |||||||||||||
BOX-FOLDER 198/20 | Contemporary music -- Is it peculiar?, n.d. | ||||||||||||
BOX-FOLDER 198/21 | The contemporary scene, 1966 | ||||||||||||
104 | |||||||||||||
BOX-FOLDER 198/22 | Copland on Carter, 1978 | ||||||||||||
BOX-FOLDER 198/23 | Copland salutes Boulanger, 1977 | ||||||||||||
117 | |||||||||||||
BOX-FOLDER 198/24 | Cousin Michael, 1964 | ||||||||||||
BOX-FOLDER 198/25 | Creativity in America, 1952 | ||||||||||||
65 | |||||||||||||
BOX-FOLDER 198/26 | Current chronicle: United States, New York, 1951 | ||||||||||||
61 | |||||||||||||
BOX-FOLDER 198/27 | The danger of writing concert music, n.d. | ||||||||||||
BOX-FOLDER 198/28 | Defends the music of Mahler [Letter to the editor], 1925 | ||||||||||||
4 | |||||||||||||
BOX-FOLDER 198/29 |
The dilemma of our symphony orchestra, 1956
See also: Writings by AC, Lectures & Speeches: The dilemma of our symphony orchestra |
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76 | |||||||||||||
BOX-FOLDER 198/30 | Discoveries of a music critic , by Paul Rosenfeld [Book review], 1936 | ||||||||||||
24 | |||||||||||||
BOX-FOLDER 198/31 | [Dmitri Shostakovich - 60th birthday], 1966 | ||||||||||||
BOX-FOLDER 229/4 |
The essence remained. The life and music of Béla Bartók . Halsey Stevens [Book review], 1953
See also: Writings by AC, Articles: The life and music of Béla Bartók |
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67 | |||||||||||||
BOX-FOLDER 198/32 | European festivals and premiers: A glance backward, 1960 | ||||||||||||
Famous pupil recalls famous teacher
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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BOX-FOLDER 198/33 | Faure [sic] festival at Harvard, 1945 | ||||||||||||
40 | |||||||||||||
Also: Faure [sic] centennial in America | |||||||||||||
BOX-FOLDER 198/34 | Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954 | ||||||||||||
69 | |||||||||||||
BOX-FOLDER 198/35 | Five post-romantics, 1941 | ||||||||||||
36 | |||||||||||||
BOX-FOLDER 199/1 | For composers news record, n.d. | ||||||||||||
BOX-FOLDER 199/2 | For the record! [Letter to editor?], n.d. | ||||||||||||
BOX-FOLDER 199/3 | Foreword to Gardner Reed's book, Thesaurus of orchestral devices , n.d. | ||||||||||||
BOX-FOLDER 199/4 | Foreword to new collection of 'The Gift to be Simple', May 1970 | ||||||||||||
Four Weeks in the Soviet Union - 1960
See: Writings by AC, Articles: Composers in Russia |
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BOX-FOLDER 199/5 | Franz Liszt, n.d. | ||||||||||||
BOX-FOLDER 199/6 | From a composer's journal, n.d. | ||||||||||||
BOX-FOLDER 199/7 | From a composer's notebook, 1929 | ||||||||||||
13 | |||||||||||||
BOX-FOLDER 229/5 | From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts [Letter to editor], 1942 | ||||||||||||
BOX-FOLDER 199/8 | From the '20's to the '40's and beyond, 1943 | ||||||||||||
39 | |||||||||||||
BOX-FOLDER 229/6 | Gabriel Fauré, a neglected master, n.d. | ||||||||||||
BOX-FOLDER 199/9 | The gifted listener, 1952 | ||||||||||||
64 | |||||||||||||
Her best pupils are famous
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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BOX-FOLDER 199/10 | How we listen, n.d. | ||||||||||||
BOX-FOLDER 229/7 | In appreciation.... [Leonard Bernstein], 1978 | ||||||||||||
BOX-FOLDER 199/11 | In memory of Marc Blitzstein (1905-1964), 1964 | ||||||||||||
100 | |||||||||||||
BOX-FOLDER 229/8 | An indictment of the fourth B, 1952 | ||||||||||||
63 | |||||||||||||
BOX-FOLDER 199/12 | Intro[duction] to Claire Reis' book, Composers, conductors and critics , 1974 | ||||||||||||
BOX-FOLDER 199/13 | Irving Fine (1914-1962), 1962 | ||||||||||||
106 | |||||||||||||
BOX-FOLDER 199/14 | Is the university too much with us?, 1970 | ||||||||||||
116 | |||||||||||||
BOX-FOLDER 199/15 | Is there a revolution in the arts?, 1940 | ||||||||||||
29 | |||||||||||||
BOX-FOLDER 229/9 | Jak słuchać muzyki współczesnej (Listening to contemporary music)(in Polish), n.d. | ||||||||||||
BOX-FOLDER 199/16 | Jazz structure and influence, 1927 | ||||||||||||
7 | |||||||||||||
BOX-FOLDER 199/17 | Komponisten ohne Glorienschen (Composers without a halo), 1947 | ||||||||||||
BOX-FOLDER 199/18 | Latin Americans in music, 1942 | ||||||||||||
BOX-FOLDER 199/19 | Leon Kirchner: Duo for violin and piano [Music review], 1950 | ||||||||||||
58 | |||||||||||||
BOX-FOLDER 199/20 | [Letter from composer], 1954 | ||||||||||||
[Letter to editor] From the mail pouch: The composer's ob[?]
See: Writings by AC, Articles: From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts |
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BOX-FOLDER 199/21 | [Letter to editor], New York Times , 27 April 1972 | ||||||||||||
BOX-FOLDER 199/22 | [Letter to editor], New York Times , n.d. | ||||||||||||
[Letter to the editor] Defends the music of Mahler
See: Writings by AC, Articles: Defends the music of Mahler |
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BOX-FOLDER 199/23 | [Letter to editor re: Olin Downes], n.d. | ||||||||||||
BOX-FOLDER 199/24 | [Letter to music editor], New York Times , 4 Oct. 1954 | ||||||||||||
BOX-FOLDER 229/10 | [Letters to the editor], New York Times Magazine , 14 Jan. 1950 | ||||||||||||
56A | |||||||||||||
BOX-FOLDER 229/11 | [Letters to the editor], New York Times Magazine , 4 Sept. 1966 | ||||||||||||
BOX-FOLDER 199/25 | The life and music of Béla Bartók . Halsey Stevens [Book review], 1953 | ||||||||||||
List of recorded works on contemporary American composers
See: Writings by AC, Articles: American composers on records |
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Listening to contemporary music
See: Writings by AC, Articles: Jak słuchać muzyki współczesnej |
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BOX-FOLDER 199/26 | The live composer, 1939 | ||||||||||||
Looking back with Aaron Copland
See: Writings by AC, Books, Copland: 1900 through 1942, Miscellany: Article |
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BOX-FOLDER 199/27 | The lyricism of Milhaud, 1929 | ||||||||||||
12 | |||||||||||||
BOX-FOLDER 199/28 |
Making music in the star-spangled manner, 1960
See also: Writings by AC, Lectures & Speeches: Search for an "American" music |
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89 | |||||||||||||
Man's right to knowledge
See: Writings by AC, Articles: Music and the human spirit |
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Marc Blitzstein remembered
See: Writings by AC, Articles: In memory of Marc Blitzstein |
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BOX-FOLDER 199/29 | [Mellers, Wilfred Howard], 1965 | ||||||||||||
Memorial to Paul Rosenfeld
See: Writings by AC, Articles: Benjamin Britten: The Rape of Lucretia, an opera in two acts |
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BOX-FOLDER 229/12 | Mexican composer, n.d. | ||||||||||||
27 | |||||||||||||
BOX-FOLDER 199/30 | Miklós Rósza and Bernard Herrmann, n.d. | ||||||||||||
BOX-FOLDER 199/31 | Milhaud: First Symphony ; In Memoriam ; Protée [Record review], n.d. | ||||||||||||
Mlle. Boulanger, 80 this month, has taught greatest composers
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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Mlle. Boulanger and her bakery
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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BOX-FOLDER 229/13 | Modern music: 'Fresh and different', 1955 | ||||||||||||
71(72) | |||||||||||||
BOX-FOLDER 199/32 | Modern orchestration surveyed, 1930 | ||||||||||||
15 | |||||||||||||
BOX-FOLDER 229/14 | A modernist defends modern music, 1949 | ||||||||||||
56 | |||||||||||||
BOX-FOLDER 229/15 | Music: My way of life, 1964 | ||||||||||||
102 | |||||||||||||
BOX-FOLDER 199/33 |
Music and the human spirit, 1954
See also: Writings by AC, Articles: La música como aspecto del espiritu humano |
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70,_070A | |||||||||||||
BOX-FOLDER 200/1 |
Music and the movies, 1949
See also: Writings by AC, Articles: Tip to movie goers: Take off those ear-muffs See also: Writings by AC, Lectures & Speeches: Music in the movies |
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Music as an aspect of the human spirit
See: Writings by AC, Articles: Music and the human spirit See: Writings by AC, Articles: La música como aspecto del espiritu humano |
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BOX-FOLDER 200/2 | Music for the theatre , n.d. | ||||||||||||
40 | |||||||||||||
BOX-FOLDER 200/3 | Music in America: Past, present, and future, n.d. | ||||||||||||
BOX-FOLDER 200/4 | Music in Cuba, 1941 | ||||||||||||
BOX-FOLDER 200/5 | Music in the air, n.d. | ||||||||||||
BOX-FOLDER 200/6 | The music of Israel [Book review], n.d. | ||||||||||||
BOX-FOLDER 229/16 | Music out of everywhere: Notes without music. An autobiography , by Darius Milhaud [Book review], 1953 | ||||||||||||
66 | |||||||||||||
BOX-FOLDER 200/7 | Music since 1920, 1928 | ||||||||||||
10 | |||||||||||||
BOX-FOLDER 200/8 |
La música como aspecto del espiritu humano, n.d.
See also: Writings by AC, Articles: Music and the human spirit |
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Tr70 | |||||||||||||
BOX-FOLDER 200/9 | La música en el extranjero, 1941 | ||||||||||||
36A | |||||||||||||
BOX-FOLDER 200/10 | La música moderna è nata in reazione a Wagner, 1951 | ||||||||||||
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