Container | Contents | ||||||||||||
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Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
Articles (continued) | |||||||||||||
Aaron Copland writes from South America, 1947 (continued) | |||||||||||||
46A | |||||||||||||
BOX-FOLDER 197/6 | About Billy the Kid , n.d. | ||||||||||||
BOX-FOLDER 197/7 | Active market in new music records, 1936 | ||||||||||||
23 | |||||||||||||
BOX-FOLDER 197/8 | Always in my thoughts, 1953 | ||||||||||||
64A | |||||||||||||
America's cultural explosion - its scope and challenge
See: Writings by Others, About AC, Interviews: The Playboy Panel. America's cultural explosion - its scope and challenge |
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99A | |||||||||||||
BOX-FOLDER 197/9 | L'america ha la sua música, 1951 | ||||||||||||
BOX-FOLDER 197/10 | America's young men of promise, 1926 | ||||||||||||
BOX-FOLDER 197/11 | The American composer gets a break, 1935 | ||||||||||||
22 | |||||||||||||
BOX-FOLDER 197/12 | The American composer today, n.d. | ||||||||||||
42 | |||||||||||||
BOX-FOLDER 197/13 | American composers on records, 1959 | ||||||||||||
BOX-FOLDER 197/14 |
American culture I: Music, 1956
See also: Writings by AC, Articles: Report on American music, 1956 |
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BOX-FOLDER 197/15 | American music since 1930, 1945 | ||||||||||||
BOX-FOLDER 229/1 | The American musical scene, 1950 | ||||||||||||
59 | |||||||||||||
BOX-FOLDER 197/16 |
Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955
See also: Writings by AC, Articles: Modern music: 'Fresh and different' |
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64 | |||||||||||||
BOX-FOLDER 197/17 |
The art of Darius Milhaud, 1948
See also: Writings by AC, Articles: Sobre la música en el cine |
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50 | |||||||||||||
BOX-FOLDER 197/18 | As a musician: Women's University Glee Club, n.d. | ||||||||||||
BOX-FOLDER 197/19 | ASCAP and the symphonic composer, 1964 | ||||||||||||
BOX-FOLDER 229/2 | ASCAP and the symphonic composer, 1964 | ||||||||||||
98 | |||||||||||||
BOX-FOLDER 197/20 | At the thought of Mozart, 1956 | ||||||||||||
73 | |||||||||||||
BOX-FOLDER 197/21 | Baden-Baden, 1927 | ||||||||||||
8 | |||||||||||||
BOX-FOLDER 197/22 | The battle of jazz and the classics, n.d. | ||||||||||||
BOX-FOLDER 197/23 | Benjamin Britten: The Rape of Lucretia , an opera in two acts [Music review], 1947 | ||||||||||||
45 | |||||||||||||
BOX-FOLDER 197/24 | Carlos Chávez - Mexican composer, 1928 | ||||||||||||
BOX-FOLDER 197/25 | Charles Ives, 1964 | ||||||||||||
BOX-FOLDER 565/1 | Charles Ives Remembered , [Foreward], 1964 | ||||||||||||
BOX-FOLDER 197/26 |
Claire Reis (1889-1978), 1978
See also: Writings by AC, Lectures & Speeches: Claire Reis |
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118 | |||||||||||||
BOX-FOLDER 197/27 | Claire Raphael Reis, n.d. | ||||||||||||
BOX-FOLDER 198/1 | The composer and his critic, 1932 | ||||||||||||
18 | |||||||||||||
BOX-FOLDER 198/2 | The composer and the audience, n.d. | ||||||||||||
BOX-FOLDER 198/3 | The composer as conductor, n.d. | ||||||||||||
BOX-FOLDER 198/4 |
The composer as critic, 1961
See also: Writings by AC, Lectures & Speeches: The composer as critic |
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91 | |||||||||||||
BOX-FOLDER 198/5 | Composer from Brooklyn: An autobiographical sketch, 1941 | ||||||||||||
BOX-FOLDER 198/6 | The composer in America, 1923-1933, 1933 | ||||||||||||
19 | |||||||||||||
BOX-FOLDER 198/7 | The composer in the United States, n.d. | ||||||||||||
BOX-FOLDER 198/8 | The composer speaks out! Meet the composer!, n.d. | ||||||||||||
BOX-FOLDER 198/9 | A composer's praise, 1962 | ||||||||||||
92 | |||||||||||||
BOX-FOLDER 198/10 |
Composer's report on music in South America, 1947
See also: Writings by AC, Articles: South American journey See also: Writings by AC, Lectures & Speeches: [La música de las americas] |
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48 | |||||||||||||
BOX-FOLDER 198/11 | Composers and composing, 1960 | ||||||||||||
86 | |||||||||||||
BOX-FOLDER 198/12 | The composers get wise, 1940 | ||||||||||||
32 | |||||||||||||
BOX-FOLDER 198/13 | Composers in Russia, 1960 | ||||||||||||
83 | |||||||||||||
BOX-FOLDER 198/14 | Composers in the university, 1970 | ||||||||||||
116 | |||||||||||||
BOX-FOLDER 198/15 | The composers of South America, 1941 | ||||||||||||
BOX-FOLDER 198/16 | The composers of South America, 1942 | ||||||||||||
37 | |||||||||||||
Composers without a halo
See: Writings by AC, Articles: Komponisten ohne Glorienschen |
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BOX-FOLDER 198/17 | Composers' letters, 1963 | ||||||||||||
BOX-FOLDER 198/18 | Composing for Something wild , 1961 | ||||||||||||
BOX-FOLDER 229/3 | El compositor en los Estados Unidos, 1959 | ||||||||||||
75 | |||||||||||||
BOX-FOLDER 198/19 | Contemporaries at Oxford, 1931 | ||||||||||||
16 | |||||||||||||
BOX-FOLDER 198/20 | Contemporary music -- Is it peculiar?, n.d. | ||||||||||||
BOX-FOLDER 198/21 | The contemporary scene, 1966 | ||||||||||||
104 | |||||||||||||
BOX-FOLDER 198/22 | Copland on Carter, 1978 | ||||||||||||
BOX-FOLDER 198/23 | Copland salutes Boulanger, 1977 | ||||||||||||
117 | |||||||||||||
BOX-FOLDER 198/24 | Cousin Michael, 1964 | ||||||||||||
BOX-FOLDER 198/25 | Creativity in America, 1952 | ||||||||||||
65 | |||||||||||||
BOX-FOLDER 198/26 | Current chronicle: United States, New York, 1951 | ||||||||||||
61 | |||||||||||||
BOX-FOLDER 198/27 | The danger of writing concert music, n.d. | ||||||||||||
BOX-FOLDER 198/28 | Defends the music of Mahler [Letter to the editor], 1925 | ||||||||||||
4 | |||||||||||||
BOX-FOLDER 198/29 |
The dilemma of our symphony orchestra, 1956
See also: Writings by AC, Lectures & Speeches: The dilemma of our symphony orchestra |
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76 | |||||||||||||
BOX-FOLDER 198/30 | Discoveries of a music critic , by Paul Rosenfeld [Book review], 1936 | ||||||||||||
24 | |||||||||||||
BOX-FOLDER 198/31 | [Dmitri Shostakovich - 60th birthday], 1966 | ||||||||||||
BOX-FOLDER 229/4 |
The essence remained. The life and music of Béla Bartók . Halsey Stevens [Book review], 1953
See also: Writings by AC, Articles: The life and music of Béla Bartók |
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67 | |||||||||||||
BOX-FOLDER 198/32 | European festivals and premiers: A glance backward, 1960 | ||||||||||||
Famous pupil recalls famous teacher
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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BOX-FOLDER 198/33 | Faure [sic] festival at Harvard, 1945 | ||||||||||||
40 | |||||||||||||
Also: Faure [sic] centennial in America | |||||||||||||
BOX-FOLDER 198/34 | Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954 | ||||||||||||
69 | |||||||||||||
BOX-FOLDER 198/35 | Five post-romantics, 1941 | ||||||||||||
36 | |||||||||||||
BOX-FOLDER 199/1 | For composers news record, n.d. | ||||||||||||
BOX-FOLDER 199/2 | For the record! [Letter to editor?], n.d. | ||||||||||||
BOX-FOLDER 199/3 | Foreword to Gardner Reed's book, Thesaurus of orchestral devices , n.d. | ||||||||||||
BOX-FOLDER 199/4 | Foreword to new collection of 'The Gift to be Simple', May 1970 | ||||||||||||
Four Weeks in the Soviet Union - 1960
See: Writings by AC, Articles: Composers in Russia |
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BOX-FOLDER 199/5 | Franz Liszt, n.d. | ||||||||||||
BOX-FOLDER 199/6 | From a composer's journal, n.d. | ||||||||||||
BOX-FOLDER 199/7 | From a composer's notebook, 1929 | ||||||||||||
13 | |||||||||||||
BOX-FOLDER 229/5 | From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts [Letter to editor], 1942 | ||||||||||||
BOX-FOLDER 199/8 | From the '20's to the '40's and beyond, 1943 | ||||||||||||
39 | |||||||||||||
BOX-FOLDER 229/6 | Gabriel Fauré, a neglected master, n.d. | ||||||||||||
BOX-FOLDER 199/9 | The gifted listener, 1952 | ||||||||||||
64 | |||||||||||||
Her best pupils are famous
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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BOX-FOLDER 199/10 | How we listen, n.d. | ||||||||||||
BOX-FOLDER 229/7 | In appreciation.... [Leonard Bernstein], 1978 | ||||||||||||
BOX-FOLDER 199/11 | In memory of Marc Blitzstein (1905-1964), 1964 | ||||||||||||
100 | |||||||||||||
BOX-FOLDER 229/8 | An indictment of the fourth B, 1952 | ||||||||||||
63 | |||||||||||||
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