| Container | Contents | ||||||||||||
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| Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
| Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
| Lectures & Speeches (continued) | |||||||||||||
| Address, graduating class, Toronto Conservatory of Music, 1950 (continued) | |||||||||||||
| 1-LG | |||||||||||||
| BOX-FOLDER 210/2 | Address, graduating exercises, Brooklyn College, 1975 | ||||||||||||
| BOX-FOLDER 210/3 | Address, graduating exercises, Juilliard School of Music, 1981 | ||||||||||||
| BOX-FOLDER 210/4-7 |
The aesthetic climate of today (English and Spanish), 1963
See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music |
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| BOX-FOLDER 210/8 |
Aesthetics of modern music, 1927
See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955 See also: Writings by AC, Lectures & Speeches: Masterpieces of modern music, Lecture I: America in music |
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| BOX-FOLDER 210/9 | An American composer: Charles Ives, n.d. | ||||||||||||
| BOX-FOLDER 210/9 |
The American composer today
See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music See: Writings by AC, Lectures & Speeches: Composing in America (then and now) |
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| BOX-FOLDER 210/10 | The American Composers Alliance, 1977 | ||||||||||||
| BOX-FOLDER 210/11 | American contemporaries: Younger generation, 1957 | ||||||||||||
| 19-LG | |||||||||||||
| BOX-FOLDER 210/12 | American music, ca. 1936 | ||||||||||||
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American music
See: Writings by AC, Lectures & Speeches: "Modern" American music - Part II |
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| BOX-FOLDER 210/13 | American music - a survey, n.d. | ||||||||||||
| BOX-FOLDER 210/14 | American music and the American scene, 1940, 1950 | ||||||||||||
| BOX-FOLDER 210/15 | American scene in music, 1949 | ||||||||||||
| 11-LV | |||||||||||||
| BOX-FOLDER 210/16 | Americans, 1940 | ||||||||||||
| BOX-FOLDER 210/17 | Das amerikanische Musikleben, 1954, 1964 | ||||||||||||
| BOX-FOLDER 210/18 | L'amerique et sa musique, 1949 | ||||||||||||
| BOX-FOLDER 210/19 | The annual American Music Festival, n.d. | ||||||||||||
| BOX-FOLDER 210/20 | Appalachian spring , n.d. | ||||||||||||
| BOX-FOLDER 210/21 | Appreciation of modern music, 1927 | ||||||||||||
| BOX-FOLDER 210/22 | The artist and society, 1959 | ||||||||||||
| 15-LG | |||||||||||||
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Arts in the university
See: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university) |
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| BOX-FOLDER 210/23 | Berlioz - from the composer's standpoint, 1954 | ||||||||||||
| 22-LV | |||||||||||||
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Bernstein, Leonard
See: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] |
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| BOX-FOLDER 210/24 | Boulez, 1977 | ||||||||||||
| BOX-FOLDER 210/25 | Central European composers, 1950 | ||||||||||||
| 12-LV | |||||||||||||
| BOX-FOLDER 210/26 |
Claire Reis, 1978
See also: Writings by AC, Articles: Claire Reis (1889-1978) |
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| BOX-FOLDER 210/27 | Comparative trends of recent European & American music, 1956, 1961 | ||||||||||||
| 26-LV | |||||||||||||
| BOX-FOLDER 210/28 | The composer and his audience, 1956 | ||||||||||||
| 10 | |||||||||||||
| BOX-FOLDER 210/29 |
The composer as critic, 1961
See also: Writings by AC, Articles: The composer as critic |
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| 91-A | |||||||||||||
| BOX-FOLDER 210/30 | The composer as critic, n.d. | ||||||||||||
| 33-LV | |||||||||||||
| BOX-FOLDER 210/31 | Composer attitudes of the twenties, n.d. | ||||||||||||
| BOX-FOLDER 210/32 | The composer in the modern world, 1957 | ||||||||||||
| 10-LG | |||||||||||||
| BOX-FOLDER 210/33 | Composer looks at music in America, 1954 | ||||||||||||
| 25-LV | |||||||||||||
| BOX-FOLDER 210/34 | Composer today, n.d. | ||||||||||||
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The composer's viewpoint
See: Writings by AC, Lectures & Speeches: The meaning of music |
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| BOX-FOLDER 210/35 | Composers and conductors conference, 1942? | ||||||||||||
| BOX-FOLDER 210/36 | Composers on criticism, n.d. | ||||||||||||
| BOX-FOLDER 210/37 |
Composing in America (then and now), 1962, 1964
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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| 18-LG | |||||||||||||
| BOX-FOLDER 210/38 | Compositional phases [on my three piano works], 1959, 1961 | ||||||||||||
| 13-LG | |||||||||||||
| BOX-FOLDER 210/39 | Compositional techniques in the 20th cent[ury], 1961 | ||||||||||||
| 32-LV | |||||||||||||
| BOX-FOLDER 211/1 | [Contemporary composers in the United States], n.d. | ||||||||||||
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Contemporary music, 1960
See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music |
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| BOX-FOLDER 211/2 |
Contemporary music: Living composers, 1938
See also: Writings by AC, Lectures & Speeches: Music in contemporary life See also: Writings by AC, Lectures & Speeches: Survey of contemporary music |
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| BOX-FOLDER 211/3 | Contemporary music: Music in the American scene, 1948 | ||||||||||||
| BOX-FOLDER 211/4 | Contemporary music and its controversies, 1944 | ||||||||||||
| 16-LV | |||||||||||||
| BOX-FOLDER 211/5 | [Contemporary music in the U. S.]: The musical panorama in the 70's, n.d. | ||||||||||||
| BOX-FOLDER 211/6 | Contemporary music in the United States, 1951, 1964 | ||||||||||||
| BOX-FOLDER 211/7 | The contemporary music in the United States, n.d. | ||||||||||||
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Cont[emporary] music seminar
See: Writings by AC, Lectures & Speeches: Seminar in contemporary music |
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| BOX-FOLDER 211/8 | Contemporary trends in music abroad, 1954 | ||||||||||||
| BOX-FOLDER 211/9-10 |
Contemporary trends in music today, 1962
See also: Writings by AC, Lectures & Speeches: The pleasures of music See also: Writings by AC, Articles: The pleasures of music |
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| BOX-FOLDER 211/11 | Contrapuntal writing in cont[emporary] music in relation to Bach, 1950 | ||||||||||||
| 9-LV | |||||||||||||
| BOX-FOLDER 211/12 | Convocation, 1967, 1969 | ||||||||||||
| 23A-LG | |||||||||||||
| BOX-FOLDER 230/11 | Copland at USD, 1975 | ||||||||||||
| BOX-FOLDER 211/13 | Copland-Sessions Concerts 1928-31, 1971 | ||||||||||||
| 28-LG | |||||||||||||
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Cowell, Henry
See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell |
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La création du monde
See: Writings by AC, Lectures & Speeches: Darius Milhaud |
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| BOX-FOLDER 211/14 | Creativity and the composer, 1972, 1973 | ||||||||||||
| 29-LG,_35-LV | |||||||||||||
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Creativity and the creative artist
See: Writings by AC, Lectures & Speeches: Creativity and the composer |
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Creativity in America
See: Writings by AC, Articles: Creativity in America |
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| BOX-FOLDER 211/15 | Creativity in America today, 1953, 1956, 1965, 1968 | ||||||||||||
| 6-LG | |||||||||||||
| BOX-FOLDER 211/16 | Cultural conference, n.d. | ||||||||||||
| BOX-FOLDER 211/17 |
Current trends in cont[emporary] music, 1954, 1960, 1961
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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| 21-LV | |||||||||||||
| BOX-FOLDER 211/18 | Darius Milhaud, 1948 | ||||||||||||
| 2-LV | |||||||||||||
| BOX-FOLDER 211/19-20 |
The dilemma of our symphony orchestra, 1956
See also: Writings by AC, Articles: The dilemma of our symphony orchestra |
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| 14-LG | |||||||||||||
| BOX-FOLDER 211/21 | Dinner for W[illia]m Schuman, 1967 | ||||||||||||
| BOX-FOLDER 211/22 | Dmitri Shostakovitch and the new simplicity, n.d. | ||||||||||||
| 5-LV | |||||||||||||
| BOX-FOLDER 211/23 | Effect of the cold war on the artist in the United States, [1949?] | ||||||||||||
| BOX-FOLDER 211/24 | Emergence of the Amer[ican] composer 1940-1955, 1956 | ||||||||||||
| BOX-FOLDER 211/25 | La emergéncia de la música norteamericana, 1961, 1962, 1963 | ||||||||||||
| BOX-FOLDER 211/26 | Fauré, n.d. | ||||||||||||
| 17-LV | |||||||||||||
| BOX-FOLDER 211/27 | [50th anniversary Pulitzer Prize dinner], 1966 | ||||||||||||
| BOX-FOLDER 211/28-29 |
Film music, 1940
See also: Writings by AC, Lectures & Speeches: Music in the movies |
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| BOX-FOLDER 211/30 | Film music: Civitas Club, 1940 | ||||||||||||
| BOX-FOLDER 211/31-32 | Film talk, 1971 | ||||||||||||
| 35? | |||||||||||||
| BOX-FOLDER 211/33 | For Alvin Johnson, n.d. | ||||||||||||
| BOX-FOLDER 211/34 | For 8-13 year olds, 1969 | ||||||||||||
| 25-LG | |||||||||||||
| BOX-FOLDER 211/35-36 | Forms of modern music, [193?] | ||||||||||||
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Four lectures on contemporary music
See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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| BOX-FOLDER 212/1 | [Gold medal for music], 1956 | ||||||||||||
| BOX-FOLDER 212/2 | History of American music, 1947 | ||||||||||||
| BOX-FOLDER 212/3 |
Influence of jazz and "Everyday Music", n.d.
See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music See also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music |
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| 7-LV | |||||||||||||
| BOX-FOLDER 212/4 | Influence of jazz on modern music, n.d. | ||||||||||||
| BOX-FOLDER 212/5-6 | Intelligent music-listening, 1937 | ||||||||||||
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The interpreter
See: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint |
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| BOX-FOLDER 212/7 | Introducing Shostakovitch at dinner, 1949 | ||||||||||||
| BOX-FOLDER 212/8 | Intro[duction] of N[adia] Boulanger as teacher, 1958 | ||||||||||||
| 17-LG | |||||||||||||
| BOX-FOLDER 212/9 |
Introduction to my music, 1952
See also: Writings by AC, Lectures & Speeches: On my music |
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| 9-LG | |||||||||||||
| BOX-FOLDER 212/10-11 |
Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958
See also: Writings by AC, Lectures & Speeches: Composing in America (then and now) See also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music |
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| 20 | |||||||||||||
| BOX-FOLDER 212/12 |
Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d.
See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music See also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music" |
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| 7-LV | |||||||||||||
| BOX-FOLDER 212/13 | [Introductory remarks for film "Brute Force"], n.d. | ||||||||||||
| BOX-FOLDER 212/14 | Is America musically mature?, 1941 | ||||||||||||
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