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| Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
| Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
| Lectures & Speeches (continued) | |||||||||||||
| The composer and his audience, 1956 (continued) | |||||||||||||
| 10 | |||||||||||||
| BOX-FOLDER 210/29 |
The composer as critic, 1961
See also: Writings by AC, Articles: The composer as critic |
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| 91-A | |||||||||||||
| BOX-FOLDER 210/30 | The composer as critic, n.d. | ||||||||||||
| 33-LV | |||||||||||||
| BOX-FOLDER 210/31 | Composer attitudes of the twenties, n.d. | ||||||||||||
| BOX-FOLDER 210/32 | The composer in the modern world, 1957 | ||||||||||||
| 10-LG | |||||||||||||
| BOX-FOLDER 210/33 | Composer looks at music in America, 1954 | ||||||||||||
| 25-LV | |||||||||||||
| BOX-FOLDER 210/34 | Composer today, n.d. | ||||||||||||
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The composer's viewpoint
See: Writings by AC, Lectures & Speeches: The meaning of music |
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| BOX-FOLDER 210/35 | Composers and conductors conference, 1942? | ||||||||||||
| BOX-FOLDER 210/36 | Composers on criticism, n.d. | ||||||||||||
| BOX-FOLDER 210/37 |
Composing in America (then and now), 1962, 1964
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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| 18-LG | |||||||||||||
| BOX-FOLDER 210/38 | Compositional phases [on my three piano works], 1959, 1961 | ||||||||||||
| 13-LG | |||||||||||||
| BOX-FOLDER 210/39 | Compositional techniques in the 20th cent[ury], 1961 | ||||||||||||
| 32-LV | |||||||||||||
| BOX-FOLDER 211/1 | [Contemporary composers in the United States], n.d. | ||||||||||||
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Contemporary music, 1960
See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music |
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| BOX-FOLDER 211/2 |
Contemporary music: Living composers, 1938
See also: Writings by AC, Lectures & Speeches: Music in contemporary life See also: Writings by AC, Lectures & Speeches: Survey of contemporary music |
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| BOX-FOLDER 211/3 | Contemporary music: Music in the American scene, 1948 | ||||||||||||
| BOX-FOLDER 211/4 | Contemporary music and its controversies, 1944 | ||||||||||||
| 16-LV | |||||||||||||
| BOX-FOLDER 211/5 | [Contemporary music in the U. S.]: The musical panorama in the 70's, n.d. | ||||||||||||
| BOX-FOLDER 211/6 | Contemporary music in the United States, 1951, 1964 | ||||||||||||
| BOX-FOLDER 211/7 | The contemporary music in the United States, n.d. | ||||||||||||
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Cont[emporary] music seminar
See: Writings by AC, Lectures & Speeches: Seminar in contemporary music |
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| BOX-FOLDER 211/8 | Contemporary trends in music abroad, 1954 | ||||||||||||
| BOX-FOLDER 211/9-10 |
Contemporary trends in music today, 1962
See also: Writings by AC, Lectures & Speeches: The pleasures of music See also: Writings by AC, Articles: The pleasures of music |
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| BOX-FOLDER 211/11 | Contrapuntal writing in cont[emporary] music in relation to Bach, 1950 | ||||||||||||
| 9-LV | |||||||||||||
| BOX-FOLDER 211/12 | Convocation, 1967, 1969 | ||||||||||||
| 23A-LG | |||||||||||||
| BOX-FOLDER 230/11 | Copland at USD, 1975 | ||||||||||||
| BOX-FOLDER 211/13 | Copland-Sessions Concerts 1928-31, 1971 | ||||||||||||
| 28-LG | |||||||||||||
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Cowell, Henry
See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell |
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La création du monde
See: Writings by AC, Lectures & Speeches: Darius Milhaud |
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| BOX-FOLDER 211/14 | Creativity and the composer, 1972, 1973 | ||||||||||||
| 29-LG,_35-LV | |||||||||||||
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Creativity and the creative artist
See: Writings by AC, Lectures & Speeches: Creativity and the composer |
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Creativity in America
See: Writings by AC, Articles: Creativity in America |
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| BOX-FOLDER 211/15 | Creativity in America today, 1953, 1956, 1965, 1968 | ||||||||||||
| 6-LG | |||||||||||||
| BOX-FOLDER 211/16 | Cultural conference, n.d. | ||||||||||||
| BOX-FOLDER 211/17 |
Current trends in cont[emporary] music, 1954, 1960, 1961
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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| 21-LV | |||||||||||||
| BOX-FOLDER 211/18 | Darius Milhaud, 1948 | ||||||||||||
| 2-LV | |||||||||||||
| BOX-FOLDER 211/19-20 |
The dilemma of our symphony orchestra, 1956
See also: Writings by AC, Articles: The dilemma of our symphony orchestra |
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| 14-LG | |||||||||||||
| BOX-FOLDER 211/21 | Dinner for W[illia]m Schuman, 1967 | ||||||||||||
| BOX-FOLDER 211/22 | Dmitri Shostakovitch and the new simplicity, n.d. | ||||||||||||
| 5-LV | |||||||||||||
| BOX-FOLDER 211/23 | Effect of the cold war on the artist in the United States, [1949?] | ||||||||||||
| BOX-FOLDER 211/24 | Emergence of the Amer[ican] composer 1940-1955, 1956 | ||||||||||||
| BOX-FOLDER 211/25 | La emergéncia de la música norteamericana, 1961, 1962, 1963 | ||||||||||||
| BOX-FOLDER 211/26 | Fauré, n.d. | ||||||||||||
| 17-LV | |||||||||||||
| BOX-FOLDER 211/27 | [50th anniversary Pulitzer Prize dinner], 1966 | ||||||||||||
| BOX-FOLDER 211/28-29 |
Film music, 1940
See also: Writings by AC, Lectures & Speeches: Music in the movies |
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| BOX-FOLDER 211/30 | Film music: Civitas Club, 1940 | ||||||||||||
| BOX-FOLDER 211/31-32 | Film talk, 1971 | ||||||||||||
| 35? | |||||||||||||
| BOX-FOLDER 211/33 | For Alvin Johnson, n.d. | ||||||||||||
| BOX-FOLDER 211/34 | For 8-13 year olds, 1969 | ||||||||||||
| 25-LG | |||||||||||||
| BOX-FOLDER 211/35-36 | Forms of modern music, [193?] | ||||||||||||
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Four lectures on contemporary music
See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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| BOX-FOLDER 212/1 | [Gold medal for music], 1956 | ||||||||||||
| BOX-FOLDER 212/2 | History of American music, 1947 | ||||||||||||
| BOX-FOLDER 212/3 |
Influence of jazz and "Everyday Music", n.d.
See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music See also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music |
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| 7-LV | |||||||||||||
| BOX-FOLDER 212/4 | Influence of jazz on modern music, n.d. | ||||||||||||
| BOX-FOLDER 212/5-6 | Intelligent music-listening, 1937 | ||||||||||||
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The interpreter
See: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint |
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| BOX-FOLDER 212/7 | Introducing Shostakovitch at dinner, 1949 | ||||||||||||
| BOX-FOLDER 212/8 | Intro[duction] of N[adia] Boulanger as teacher, 1958 | ||||||||||||
| 17-LG | |||||||||||||
| BOX-FOLDER 212/9 |
Introduction to my music, 1952
See also: Writings by AC, Lectures & Speeches: On my music |
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| 9-LG | |||||||||||||
| BOX-FOLDER 212/10-11 |
Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958
See also: Writings by AC, Lectures & Speeches: Composing in America (then and now) See also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music |
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| 20 | |||||||||||||
| BOX-FOLDER 212/12 |
Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d.
See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music See also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music" |
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| 7-LV | |||||||||||||
| BOX-FOLDER 212/13 | [Introductory remarks for film "Brute Force"], n.d. | ||||||||||||
| BOX-FOLDER 212/14 | Is America musically mature?, 1941 | ||||||||||||
| BOX-FOLDER 212/15 | Japan's composers, 1960 | ||||||||||||
| 16-LG | |||||||||||||
| BOX-FOLDER 212/16 | Jazz and folk influences, 1944 | ||||||||||||
| 15-LV | |||||||||||||
| BOX-FOLDER 212/17 | Jewish composers in the western world, 1951 | ||||||||||||
| 10-LV | |||||||||||||
| BOX-FOLDER 212/18 |
L. B. [Leonard Bernstein], n.d.
See also: Writings by AC, Lectures & Speeches: Talk on Leonard Bernstein |
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| BOX-FOLDER 212/19 | Latin American music, 1947-1963 | ||||||||||||
| 31-LV | |||||||||||||
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Das Lied von der Erde
See: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury] |
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| BOX-FOLDER 212/20 |
London speech, 1965
See also: Writings by AC, Lectures & Speeches: Talk for the BBC |
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| BOX-FOLDER 212/21 | Lotus Club, 1978 | ||||||||||||
| BOX-FOLDER 212/22 | Mahler - XX cent[ury], n.d. | ||||||||||||
| 6-LV | |||||||||||||
| BOX-FOLDER 212/23-24 |
Masterpieces of modern music, 1928-1929
See also: Writings by AC, Lectures & Speeches: Aesthetics of modern music |
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| BOX-FOLDER 212/25 | The meaning of music, n.d. | ||||||||||||
| 24-LG | |||||||||||||
| BOX-FOLDER 212/26 | MENC meeting, n.d. | ||||||||||||
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Messiaen, Olivier
See: Writings by AC, Lectures & Speeches: Music: Pro & Con II - Olivier Messiaen |
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Mexican music [III]
See: Writings by AC, Lectures & Speeches: Latin American music |
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Milhaud, Darius
See: Writings by AC, Lectures & Speeches: Darius Milhaud |
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| BOX-FOLDER 213/1 | "Modern" American music - Part II, 1950, 1953 | ||||||||||||
| BOX-FOLDER 213/2 |
Modern Americans: Sessions; Cowell, n.d.
See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions |
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Modern Japanese music
See: Writings by AC, Lectures & Speeches: Japan's composers |
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| BOX-FOLDER 213/3 | Modern piano music, 1938 | ||||||||||||
| 18-LV | |||||||||||||
| BOX-FOLDER 213/4 | Modern piano repertoire and its interpretation, n.d. | ||||||||||||
| BOX-FOLDER 213/5 | Movie music, n.d. | ||||||||||||
| BOX-FOLDER 213/6 | Music - A composer's view (of music), 1967, 1971 | ||||||||||||
| 22-LG | |||||||||||||
| BOX-FOLDER 213/7 |
Music: Pro & Con I - Sessions, 1950
See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell |
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| 3-LV | |||||||||||||
| BOX-FOLDER 213/8 | Music: Pro & Con II - Olivier Messiaen, 1950 | ||||||||||||
| 4-LV | |||||||||||||
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Music and imagination
See: Writings by AC, Books:Music and imagination |
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