The Library of Congress >  Researchers >  Search Finding Aids  >  Aaron Copland collection, 1841-1991
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Writings and Oral Presentations, 1925-1988 (continued)
Writings by Aaron Copland, 1925-1988 (continued)
Articles (continued)
BOX-FOLDER 200/21 Nueva generatión de compositores norteaméricanos, 1947
See also: Writings by AC, Articles: The new 'school' of American composers
See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration
Tr49
BOX-FOLDER 200/22 On being a composer, n.d.
BOX-FOLDER 200/23 On the notation of music, 1944
41
BOX-FOLDER 200/24 On the occasion of the 70th birthday of Serge Prokofieff, 1961
BOX-FOLDER 200/25 One hundred and fourteen songs, 1934
20
BOX-FOLDER 201/1 An open letter about the BBC, 1965
103
BOX-FOLDER 201/2 Oper für Amerika, 1960
87
BOX-FOLDER 201/3 Opera for America], 1959
BOX-FOLDER 201/4 Our younger generation - ten years later, 1936
25
BOX-FOLDER 201/5 Outline of history (Nef), n.d.
Paris octogenarian is a musical marvel
See: Writings by AC, Articles: A tribute to Nadia Boulanger
BOX-FOLDER 201/6 The personality of Stravinsky, 1949
BOX-FOLDER 201/7 [Phonograph recordings], n.d.
BOX-FOLDER 201/8 Piano fantasy, 1957
BOX-FOLDER 201/9 Piano fantasy - the commission, n.d.
BOX-FOLDER 201/10 Piano music of Noël Lee, n.d.
114
Pioneer listener
See: Writings by AC, Articles: Discoveries of a music critic, by Paul Rosenfeld [Book review]
BOX-FOLDER 201/11 Playing safe at Zurich, 1926
BOX-FOLDER 201/12 The pleasures of music, 1959
See also: Writings by AC, Lectures & Speeches: The pleasures of music
See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today
81A
BOX-FOLDER 230/1 The pleasures of music, 1959
See also: Writings by AC, Lectures & Speeches: The pleasures of music
81B
BOX-FOLDER 201/13 Portrait of a symphony, n.d.
BOX-FOLDER 201/14 A quarter-century reflection, 1963
94
BOX-FOLDER 201/15 Questions on music, n.d.
Quiet city
See: Writings by AC, Articles: Composers in Russia
BOX-FOLDER 201/16 Ralph Hawkes: In memorium, 1950
BOX-FOLDER 201/17 Report on American music, 1956
75
BOX-FOLDER 201/18 Rubin Goldmark: A tribute, 1956
74
BOX-FOLDER 201/19 Salute to the arts and artists of Latin America, 1967
BOX-FOLDER 201/20 A salute to the Schwann, n.d.
123
BOX-FOLDER 201/21 Scherchen on conducting and Ewen on composers [Book review], 1935
21
BOX-FOLDER 201/22 Schoenberg and his school, by René Leibowitz [Book review], n.d.
BOX-FOLDER 201/23 Scores and records, 1936
26
BOX-FOLDER 201/24 Scores and records, Jan.-Feb. 1937
BOX-FOLDER 201/25 Scores and records, May-June 1937
BOX-FOLDER 201/26 Scores and records, 1938
BOX-FOLDER 201/27 Second thoughts on Hollywood, 1940
30
BOX-FOLDER 202/1 Serge Koussevitzky and the American composer, 1944
40
She has taught the greatest...
See: Writings by AC, Articles: A tribute to Nadia Boulanger
She taught many of the world's best musicians
See: Writings by AC, Articles: A tribute to Nadia Boulanger
Shoptalk: On the notation of music
See: Writings by AC, Articles: On the notation of music
BOX-FOLDER 202/2 Sobre la música en el cine, n.d.
See also: Writings by AC, Articles: The art of Darius Milhaud
Tr50
BOX-FOLDER 202/3 Some notes on my "Music for the Theatre", 1941
See also: Writings by AC, Articles: A tribute to Nadia Boulanger
See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft
See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre]
BOX-FOLDER 202/4 South American journey, 1947
See also: Writings by AC, Articles: Composer's report on music in South America
See also: Writings by AC, Lectures & Speeches: [La música de las americas]
BOX-FOLDER 202/5 Special fondness for B. B. [Benjamin Britten], n.d.
BOX-FOLDER 202/6 Stefan Wolpe: Two songs for alto and piano [Music review], 1948
51
The story behind El salón méxico, 1948
See: Subject File, Compositions, El salón méxico, Programs 1938-1942
BOX-FOLDER 202/7 Stravinsky and Hindemith premieres, 1932
17
BOX-FOLDER 202/8 Stravinsky's "Oedipus Rex", 1928
9
BOX-FOLDER 202/9 Talk on N. B. [Nadia Boulanger], n.d.
BOX-FOLDER 202/10 Tanglewood: 1952, [1952]
62A
Also: Tanglewood's future: Measures to insure continuity include extensive new scholarship program
BOX-FOLDER 202/11 The teacher: Nadia Boulanger, 1960
BOX-FOLDER 202/12 Thomson's musical state [Book review], 1939
28
BOX-FOLDER 230/2 Tip to moviegoers: Take off those ear-muffs?, 1949
See also: Writings by AC, Articles: Music and the movies
See also: Writings by AC, Lectures & Speeches: Music in the movies
53
BOX-FOLDER 202/13 A tribute to Nadia Boulanger, 1967
110
The tutor of eminent composers, Mlle. Boulanger going strong at 79
See: Writings by AC, Articles: A tribute to Nadia Boulanger
BOX-FOLDER 202/14 A visit to Israel, 1969
113
BOX-FOLDER 202/15 A visit to Snape, 1963
93
BOX-FOLDER 202/16 [A visiting composer], 1958
BOX-FOLDER 230/3 'A vital and varied music', n.d.
82
BOX-FOLDER 230/4 What Europe means to the aspiring composer, 1925
2
BOX-FOLDER 230/5 What is Jewish music?: The music of Israel [Book review], 1949
52
BOX-FOLDER 202/17 When private and public worlds meet, 1968
112
BOX-FOLDER 202/18 Where are we? What's been happening to so-called serious music in the sixties, n.d.
BOX-FOLDER 202/19 William Schuman: String quartet no. 4 [Music review], 1951
BOX-FOLDER 230/6 Workers sing!, 1934
BOX-FOLDER 230/7 The world of a-tonality: Schoenberg and his school [Book review], 1949
54
BOX-FOLDER 202/20 The world of the phonograph, 1937
25A
BOX-FOLDER 202/21 The youngest generation of American composers, n.d.
BOX-FOLDER 202/22 Zoltán Kodály, n.d.
BOX-FOLDER 202/23 [Zoltán Kodály - 80th birthday], 1962
BOX-FOLDER 202/24 Miscellany: Notes for articles, n.d.
BOX 203-209 BOX-FOLDER 230/8 BOX-FOLDER 565 MAPCASE C-Drw 2/1 Books
BOX-FOLDER 203/1-3 BOX-FOLDER 230/8 BOX-FOLDER 565/2-14 Copland: 1900 through 1942 (1984), 1970-1985, n.d.
Folders:
  • 203/1 Correspondence, 1970-1985, n.d.
  • 230/8 Miscellany: Article, 1984
  • 203/2 Miscellany: Notes; Promotional material; Reviews, 1981-1984, n.d.
  • 203/3 Uncorrected proof (bound), 1984
  • 565/2 Draft: Introduction; The Mittenthals and the Coplands
  • 565/3 Draft: Brooklyn, 1900-1921; Fontainebleau, Summer, 1921
  • 565/4 Draft: Brooklyn, 1900-1921
  • 565/5 Draft: Fontainebleau, Summer 1921
  • 565/6 Draft: Paris, 1921-1924
  • 565/7 Draft: New York, 1924-1926
  • 565/8 Draft: Interlude II
  • 565/9 Draft: Music for Musicians, 1928-1930
  • 565/10 Draft: Yaddo and Mexico, 1930-1932
  • 565/11 Miscellaneous manuscripts
  • 565/12 Notes
  • 565/13 Chronology and works list
  • 565/14 Publications and bibliography
BOX-FOLDER 203/4-13 Copland on music (1960), 1959-1962, n.d.
Folders:
  • 203/4 Correspondence, 1959-1960
  • 203/5 Manuscript
  • 203/6 Miscellany: Notes; Promotional Material; Reviews; Sources, 1960-1962, n.d.
  • 203/7 Notes
  • 203/8 Outlines
  • 203/9 Outlines: Revised versions
  • 203/10 Proofs, page
  • 203/11 Typescript, draft
  • 203/12 Typescript, corrected
  • 203/13 Typescript, final
BOX-FOLDER 204/1-9 Music and imagination (1952), 1952-1974, n.d.
Folders:
  • 204/1 Correspondence, 1952
  • 204/2 Manuscripts
  • 204/3 Miscellany: Promotional Material; Reviews, 1952-1974, n.d.
  • 230/9 Miscellany: Review, proof, 1953
  • 204/4 Proofs, galley
  • 204/5 Proofs, galley (author's copy)
  • 204/6 Proofs, page (incomplete)
  • 204/7-8 Typescript, corrected
  • 204/9 Typescript, final
BOX-FOLDER 205/1-9 BOX-FOLDER 206/1-7 The new music (1968), 1962-1969, n.d.
Folders:
  • 205/1 Correspondence, 1962-1968, n.d.
  • 205/2 Index
  • 205/3 Manuscripts
  • 205/4 Miscellany: Notes; Reviews, 1968-1969, n.d.
  • 205/5-9 Proofs, corrected
  • 206/1 Proofs, galley, 8/16/67
  • 206/2 Proofs, galley, 9/21/67
  • 206/3 Proofs, galley, 11/02/67
  • 206/4-5 Rejected pages, Our new music
  • 206/6 Typescript, corrected
  • 206/7 Typescript, final
BOX-FOLDER 207/1-10 Our new music (1941), 1941-1948, n.d.
Folders:
  • 207/1 Correspondence, 1941-1948, n.d.
  • 207/2 Miscellany: Promotional material; Reviews, 1941-1947, n.d.
  • 207/3 Outlines
  • 207/4 Spanish edition
  • 207/5 Typescript, draft
  • 207/6-9 Typescript, corrected
  • 207/10 Typescript, final
BOX-FOLDER 208/1-11 MAPCASE-DRAWER C-Drw 2/1 What to listen for in music (1939), 1937-1954, n.d.
Folders:
  • 208/1 Correspondence, 1937-1939, 1953, n.d.
  • 208/2 Hebrew edition, 1954
  • 208/3 Miscellany: Promotional material; Reviews, 1938-1940, n.d.
  • 230/10 Miscellany: Promotional material
  • 208/4 Proofs, galley
  • 208/5 Proofs, page
  • MapCaseC-Drw 2/1 Proofs, page
  • 208/6 Typescript, draft
  • 208/7-8 Typescript, corrected
  • 208/9 Typescript, final (author's copy)
  • 208/10-11 Typescript, final (printer's copy)
BOX-FOLDER 209/1-8 What to listen for in music (1957), 1956-1966, n.d.
Folders:
  • 209/1 Correspondence, 1956
  • 209/2 Miscellany: Reviews, 1957-1966, n.d.
  • 209/3 Notes
  • 209/4 Proofs, galley (author's copy)
  • 209/5 Proofs, galley (printer's copy)
  • 209/6 Typescript, corrected
  • 209/7 Typescript, final (author's copy)
  • 209/8 Typescript, final (printer's copy)
BOX-FOLDER 209/9-11 What to listen for in music, (1988, re-issue) 1988
Proofs, page
BOX 210-230 BOX 565 Lectures & Speeches
BOX-FOLDER 210/1 Address, graduating class, Toronto Conservatory of Music, 1950
1-LG
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