Container | Contents | ||||||||||||
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Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
Lectures & Speeches (continued) | |||||||||||||
BOX-FOLDER 211/19-20 |
The dilemma of our symphony orchestra, 1956
See also: Writings by AC, Articles: The dilemma of our symphony orchestra |
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14-LG | |||||||||||||
BOX-FOLDER 211/21 | Dinner for W[illia]m Schuman, 1967 | ||||||||||||
BOX-FOLDER 211/22 | Dmitri Shostakovitch and the new simplicity, n.d. | ||||||||||||
5-LV | |||||||||||||
BOX-FOLDER 211/23 | Effect of the cold war on the artist in the United States, [1949?] | ||||||||||||
BOX-FOLDER 211/24 | Emergence of the Amer[ican] composer 1940-1955, 1956 | ||||||||||||
BOX-FOLDER 211/25 | La emergéncia de la música norteamericana, 1961, 1962, 1963 | ||||||||||||
BOX-FOLDER 211/26 | Fauré, n.d. | ||||||||||||
17-LV | |||||||||||||
BOX-FOLDER 211/27 | [50th anniversary Pulitzer Prize dinner], 1966 | ||||||||||||
BOX-FOLDER 211/28-29 |
Film music, 1940
See also: Writings by AC, Lectures & Speeches: Music in the movies |
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BOX-FOLDER 211/30 | Film music: Civitas Club, 1940 | ||||||||||||
BOX-FOLDER 211/31-32 | Film talk, 1971 | ||||||||||||
35? | |||||||||||||
BOX-FOLDER 211/33 | For Alvin Johnson, n.d. | ||||||||||||
BOX-FOLDER 211/34 | For 8-13 year olds, 1969 | ||||||||||||
25-LG | |||||||||||||
BOX-FOLDER 211/35-36 | Forms of modern music, [193?] | ||||||||||||
Four lectures on contemporary music
See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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BOX-FOLDER 212/1 | [Gold medal for music], 1956 | ||||||||||||
BOX-FOLDER 212/2 | History of American music, 1947 | ||||||||||||
BOX-FOLDER 212/3 |
Influence of jazz and "Everyday Music", n.d.
See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music See also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music |
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7-LV | |||||||||||||
BOX-FOLDER 212/4 | Influence of jazz on modern music, n.d. | ||||||||||||
BOX-FOLDER 212/5-6 | Intelligent music-listening, 1937 | ||||||||||||
The interpreter
See: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint |
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BOX-FOLDER 212/7 | Introducing Shostakovitch at dinner, 1949 | ||||||||||||
BOX-FOLDER 212/8 | Intro[duction] of N[adia] Boulanger as teacher, 1958 | ||||||||||||
17-LG | |||||||||||||
BOX-FOLDER 212/9 |
Introduction to my music, 1952
See also: Writings by AC, Lectures & Speeches: On my music |
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9-LG | |||||||||||||
BOX-FOLDER 212/10-11 |
Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958
See also: Writings by AC, Lectures & Speeches: Composing in America (then and now) See also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music |
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20 | |||||||||||||
BOX-FOLDER 212/12 |
Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d.
See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music See also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music" |
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7-LV | |||||||||||||
BOX-FOLDER 212/13 | [Introductory remarks for film "Brute Force"], n.d. | ||||||||||||
BOX-FOLDER 212/14 | Is America musically mature?, 1941 | ||||||||||||
BOX-FOLDER 212/15 | Japan's composers, 1960 | ||||||||||||
16-LG | |||||||||||||
BOX-FOLDER 212/16 | Jazz and folk influences, 1944 | ||||||||||||
15-LV | |||||||||||||
BOX-FOLDER 212/17 | Jewish composers in the western world, 1951 | ||||||||||||
10-LV | |||||||||||||
BOX-FOLDER 212/18 |
L. B. [Leonard Bernstein], n.d.
See also: Writings by AC, Lectures & Speeches: Talk on Leonard Bernstein |
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BOX-FOLDER 212/19 | Latin American music, 1947-1963 | ||||||||||||
31-LV | |||||||||||||
Das Lied von der Erde
See: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury] |
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BOX-FOLDER 212/20 |
London speech, 1965
See also: Writings by AC, Lectures & Speeches: Talk for the BBC |
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BOX-FOLDER 212/21 | Lotus Club, 1978 | ||||||||||||
BOX-FOLDER 212/22 | Mahler - XX cent[ury], n.d. | ||||||||||||
6-LV | |||||||||||||
BOX-FOLDER 212/23-24 |
Masterpieces of modern music, 1928-1929
See also: Writings by AC, Lectures & Speeches: Aesthetics of modern music |
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BOX-FOLDER 212/25 | The meaning of music, n.d. | ||||||||||||
24-LG | |||||||||||||
BOX-FOLDER 212/26 | MENC meeting, n.d. | ||||||||||||
Messiaen, Olivier
See: Writings by AC, Lectures & Speeches: Music: Pro & Con II - Olivier Messiaen |
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Mexican music [III]
See: Writings by AC, Lectures & Speeches: Latin American music |
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Milhaud, Darius
See: Writings by AC, Lectures & Speeches: Darius Milhaud |
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BOX-FOLDER 213/1 | "Modern" American music - Part II, 1950, 1953 | ||||||||||||
BOX-FOLDER 213/2 |
Modern Americans: Sessions; Cowell, n.d.
See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions |
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Modern Japanese music
See: Writings by AC, Lectures & Speeches: Japan's composers |
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BOX-FOLDER 213/3 | Modern piano music, 1938 | ||||||||||||
18-LV | |||||||||||||
BOX-FOLDER 213/4 | Modern piano repertoire and its interpretation, n.d. | ||||||||||||
BOX-FOLDER 213/5 | Movie music, n.d. | ||||||||||||
BOX-FOLDER 213/6 | Music - A composer's view (of music), 1967, 1971 | ||||||||||||
22-LG | |||||||||||||
BOX-FOLDER 213/7 |
Music: Pro & Con I - Sessions, 1950
See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell |
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3-LV | |||||||||||||
BOX-FOLDER 213/8 | Music: Pro & Con II - Olivier Messiaen, 1950 | ||||||||||||
4-LV | |||||||||||||
Music and imagination
See: Writings by AC, Books:Music and imagination |
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BOX-FOLDER 213/9 | Music and the other arts in contemporary America, 1955 | ||||||||||||
BOX-FOLDER 213/10 | Music for a modern world, 1949 | ||||||||||||
2-LG | |||||||||||||
BOX-FOLDER 565/15 | Music from the composer's stand point , 1970 | ||||||||||||
BOX-FOLDER 213/11 | Music in contemporary life, 1957 | ||||||||||||
11-LG | |||||||||||||
BOX-FOLDER 213/12 |
Music in the American scene I: New Phases: Cross-section, 1944
See also: Writings by AC, Lectures & Speeches: Jazz and folk influences See also: Writings by AC, Lectures & Speeches: Music of the Americas See also: Writings by AC, Lectures & Speeches: Music in the films See also: Writings by AC, Lectures & Speeches: The problem of style-Shostokovitch vs. Schoenberg |
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BOX-FOLDER 213/13 | Music in the films, n.d. | ||||||||||||
8-LV | |||||||||||||
BOX-FOLDER 213/14 |
Music in the movies, n.d.
See also: Writings by AC, Lectures & Speeches: Film music See also: Writings by AC, Lectures & Speeches: Film music: Civitas Club See also: Writings by AC, Lectures & Speeches: Film talk See also: Writings by AC, Lectures & Speeches: Writing for films See also: Writings by AC, Articles: Music and the movies |
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BOX-FOLDER 213/15 | Music in the theatre, n.d. | ||||||||||||
Music of Argentina [IV]
See: Writings by AC, Lectures & Speeches: Latin American music |
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BOX-FOLDER 213/16 |
Music of the Americas, 1958
See also: Writings by AC, Lectures & Speeches: Latin American music |
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BOX-FOLDER 213/17 | Music of today, 1935-1936 | ||||||||||||
[13?] | |||||||||||||
BOX-FOLDER 213/18 | Music of today, 1936 | ||||||||||||
BOX-FOLDER 213/19 | Music of the 20s, 1942, 1963 | ||||||||||||
BOX-FOLDER 230/12 | Music of the 20s, 1942 | ||||||||||||
BOX-FOLDER 213/20 | Music of the 20s, 1960 | ||||||||||||
BOX-FOLDER 213/21-22 |
Music of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962
See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music |
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19-LV | |||||||||||||
BOX-FOLDER 213/23 | Musica americana: Part I; La nuova generazione di compositori americani: Part II, 1951 | ||||||||||||
La música contemporanea negli Stati Uniti
See: Writings by AC, Lectures & Speeches: The contemporary music in the United States, n.d. |
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BOX-FOLDER 213/24 |
[La música de las americas], n.d.
See also: Writings by AC, Articles: Composer's report on music in South America See also: Writings by AC, Articles: South American journey |
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BOX-FOLDER 213/25 | La música en las peliculas, n.d. | ||||||||||||
La música norte americana y la escena norte americana
See: Writings by AC, Lectures & Speeches: Panorama of American composers |
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La musique contemporaine aux États Unis
See: Writings by AC, Lectures & Speeches: The contemporary music in the United States |
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N[adia] B[oulanger] as teacher
See: Writings by AC, Lectures & Speeches: Intro[duction] of N[adia] Boulanger as teacher |
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BOX-FOLDER 213/26 | Nationalism in Amer[ican] music, n.d. | ||||||||||||
BOX-FOLDER 213/27 | Nationalist trends in contemporary music, 1961 | ||||||||||||
29-LV | |||||||||||||
New music from Latin America
See: Writings by AC, Lectures & Speeches: Latin American music |
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BOX-FOLDER 213/28 | New music in the Americas, n.d. | ||||||||||||
New music seminar [II], Brazilian music
See: Writings by AC, Lectures & Speeches: Latin American music |
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New phases: Cross-section, 1944
See: Writings by AC, Lectures & Speeches: Music in the American scene I |
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BOX-FOLDER 213/29 |
New trends in cont[emporary] music, 1964
See also: Writings by AC, Lectures & Speeches: The aesthetic climate of today |
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34-LV | |||||||||||||
BOX-FOLDER 213/30 | New trends in contemporary music, 1965 | ||||||||||||
34 | |||||||||||||
North and South American composers
See: Writings by AC, Lectures & Speeches: Latin American music |
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BOX-FOLDER 213/31 | Notes on G. W. Chadwick, n.d. | ||||||||||||
Notes onTender land
See: Writings by AC, Lectures & Speeches: The operatic problem |
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La nueva generación de compositores
See: Writings by AC, Lectures & Speeches: Panorama of American composers |
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La nuova generazione di compositori americani
See: Writings by AC, Lectures & Speeches: Musica americana: Part I |
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BOX-FOLDER 214/1 | Oedipus Rex , 1957 | ||||||||||||
28-LV | |||||||||||||
BOX-FOLDER 214/2 | On American music, [?], 1978 | ||||||||||||
BOX-FOLDER 214/3 | On conducting Amer[ican] music; The interpreter from the composer's viewpoint, 1964 | ||||||||||||
21-LG | |||||||||||||
BOX-FOLDER 214/4 | On my music, 1946, n.d. | ||||||||||||
5-LG | |||||||||||||
BOX-FOLDER 214/5 | Opera symposium, 1953 | ||||||||||||
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