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Victor Kraft Materials, 1918-1976
(continued) |
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Contact Sheets
(continued) |
|
BOX 562 |
Brazil [assorted
subjects] |
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BOX-FOLDER 544/1 |
Europe |
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Includes: France and Spain |
|
BOX-FOLDER 541/1-2 |
Guatemala [curled
prints] |
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Includes: "Gran Banda Sinfonica de
Miami" |
|
BOX 562 |
Haiti [rolled contact
strips] |
|
BOX-FOLDER 542/1 BOX-FOLDER 543/1 |
Italy, Puglia region
[photos for L'Oeil magazine] [badly curled
prints] |
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See also: Professional Papers,
Miscellaneous |
|
BOX-FOLDER 538/5-6 |
Mexico |
|
BOX 562 |
Mexico [assorted
subjects] |
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BOX 545 |
Mexico [story
boards] |
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BOX-FOLDER 538/7 |
Miscellaneous |
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BOX-FOLDER 544/2 |
Unidentified |
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BOX-FOLDER 544/3 |
Travel / Landscapes, miscellaneous and unidentified |
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BOX-FOLDER 536/8 |
Story photos |
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BOX-FOLDER 536/9 |
Fashion model |
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Includes: Garman, Frances |
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BOX-FOLDER 536/10-11 |
Fashion models |
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BOX-FOLDER 546/4 |
Fashion models |
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BOX-FOLDER 536/12 |
Miscellaneous subjects |
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Contents:
- "1st Nikon Test"
- "Jablon-Infra-red-Warfield" [Jablonski] Is
Jablonski a photographer?
|
|
BOX-FOLDER 536/13 |
Miscellaneous subjects |
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BOX 562 |
Miscellaneous subjects and unidentified |
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BOX 554-555 |
Color Slides
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BOX 554 |
Russian slides, "Sikhote-Alin Reserve", Produced by Novosti Press Agency
[Nature scenes] |
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FOLDER |
|
FRAGILE, DO NOT EXPOSE TO BRIGHT LIGHT |
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BOX 554 |
Victor and Jeremy Kraft, 1974 Sept. |
|
BINDER |
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BOX 554 |
AC
with two unidentified people |
|
BOX 554 |
[Brazil] |
|
The dates below are the processing dates printed on the boxes in which these
negatives were stored.
- 1951 Aug. 29
- 1952 May 20
- 1952 May 21
- 1952 Aug. 29, "R74"
- 1953 [April?]
- 1953 July 27
|
|
BOX 554 |
Italy [Pisa] |
|
BOX 555 |
[Mexico?], 1954 Sept. 24, A-B-C-D |
|
BINDER |
|
BOX 555 |
1955 Sept. 14, [Unidentified] |
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BOX 555 |
1956 Mar. 16, [Unidentified] |
|
BOX 555 |
Undated and unidentified |
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BOX 556-559 BOX 563 |
Negatives
|
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BOX 556-558 BOX 563 |
35mm
negatives and 8x10 copy negatives |
|
Negatives: Not to be served see: following Explanation to code system. |
|
BOX 559 |
35mm,
2.5x2.5, 4x5 negatives and transparencies (Color) |
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Negatives: Not to be served see: following Explanation to code system. |
|
BOX 560 |
Negative Sleeves and
Wrappers
|
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BOX 560 |
Sampling of
sleeves with notes and identification codes by VK |
|
BOX 564 |
Artwork and
Miscellaneous
|
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BOX-FOLDER 564/9 |
Brazil, 1948-49,
Fundaçao Brasil Central (F.B.C.) [3 maps] |
|
BOX-FOLDER 564/1 |
Davison, Robert[?],
watercolor landscape, signed, 1948 Oct. |
|
BOX-FOLDER 564/4-5 |
Kraft,
Victor |
|
Folders:
- 564/4 "The Story of Licorice," MacAndrews and Forbes Company
[photos]
- 564/5 "Sao Paulo Celebrates Hemisphere's First Art Biennial", LOOK magazine, vol. 16, no.5, Feb. 26, 1952
[photos]
|
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BOX-FOLDER 564/7 |
Junior Bazaar and Harper's Bazaar , miscellaneous magazine pages [photos]
|
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BOX-FOLDER 564/3 |
Miscellaneous post
cards [Reproductions of artwork] |
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BOX-FOLDER 564/2 |
Tsachacbosov,
numbered etching print of a fish, signed, 1946 |
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BOX-FOLDER 564/6 |
Miscellaneous
magazine and newspaper clippings |
|
Contents:
- American composer portraits, 1948 [photos]
- Copland, Aaron, "The Story Behind El Salon Mexico"
|
|
BOX-FOLDER 564/8 |
Miscellaneous
foreign publications |
|
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Copland Library, 1908-1988
|
|
The Copland Library series comprises selected books on a wide range of musical and
general subjects from Copland's personal library. Most are signed, usually by the
author, or contain annotations or information about Copland. The books reflect
Copland's wide and varied interests and include those books written by Copland and
translated into various languages. Many books concentrate on Copland's interest in
French culture after his years of study in Paris. |
|
Includes published hardbacks and softbacks. Arranged in alphabetical order by
author, then by title. |
|
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Title only
|
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One hundred Japanese folk-songs. Ongaku no tomo-sha, 1960. |
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Orquestra Sinfónica de México. 1929-30. |
|
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By Author
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Adrian,
P. G. |
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Réflexions sur l'univers sonore. Éditions Richard-Masse, 1954. |
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Note: signed by author. |
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Alfred
Knopf |
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Read at a luncheon given by Fannie Hurst, Anne O'Hare McCormack, and H. L. Mencken.... Alfred Knopf, 1941. |
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Amado,
Jorge |
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ABC de Castro Alves. Livraria Martins, 1945. |
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American Society of Composers, Authors and Publishers (ASCAP) |
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Copyright Law Symposium, no. 21-34. Columbia University, 1986. |
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Note: front cover embossed with Aaron
Copland. |
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Andreis, Josip and Slavko Zlatic (editors) |
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Yugoslav music. Edition Jugoslavija Beograd, 1959. |
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Andrews, Edward D. |
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The gift to be simple. J. J. Augustin, 1940. |
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Anouilh, Jean |
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Pièces brillantes. La Table Ronde, 1951. |
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Antek,
Samuel |
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This was Toscanini. Vanguard, 1963. |
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Note: Presented to Copland by the Toscanini
Association. |
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Ausubel, Nathan (editor) |
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A treasury of Jewish folklore. Crown, 1948. |
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Bacon,
Ernst |
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Notes on the piano. Syracuse, 1963. |
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Note: signed by author. |
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Bakeless, Katherine Little |
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Story-lives of American composers. Stokes, 1941. |
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Note: includes Copland. |
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Balzac, Honoré de |
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Le Lys dans la Vallée. Éditions R. Simon, n.d. |
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Bang,
Herman |
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Erzentrische Novellen. Fischer, 1921. |
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Barolini, Antonio |
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Elegie di Croton. Feltrinelli, 1959. |
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Note: signed by author. |
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Bator,
Victor |
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The Béla Bartók Archives: history and catalogue. Bartók Archives, 1963. |
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Note: signed by author. |
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Bayard, Samuel Preston (editor) |
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Hill country tunes. American Folklore Society, 1944. |
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Bearsley, Aubrey |
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The later work of Aubrey Beardsley. Dover, 1967 |
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Note: signed. |
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Beck,
Georg |
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Guide to the beauty of Bamberg. Bayerische, 1969. |
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Note: annotations by Copland. |
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Beck,
Georges |
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Darius Milhaud. Heugel, 1949. |
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Becker, John |
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After Geneva. London Magazine Editions, 1975. |
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Note: signed by author. |
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Berger, Arthur |
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Aaron Copland. Oxford, 1953. |
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Note: notated. |
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Aaron Copland. Club du Libre Americain, 1962. |
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Berger, Melvin |
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Masters of modern music. Lothrop, 1970. |
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Note: includes Copland. |
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Bergson, Henri |
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The two sources of morality and religion. Doubleday, 1954. |
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Bernanos, Georges |
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Sous le soleil de Satan. Plon, 1926. |
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Bernstein, Leonard |
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