| | | | | | | | | | | | | |
|
Victor Kraft Materials, 1918-1976
(continued) |
|
Color Slides
(continued) |
|
BOX 554 |
[Brazil] |
|
The dates below are the processing dates printed on the boxes in
which these negatives were stored.
- 1951 Aug. 29
- 1952 May 20
- 1952 May 21
- 1952 Aug. 29, "R74"
- 1953 [April?]
- 1953 July 27
|
|
BOX 554 |
Italy [Pisa] |
|
BOX 555 |
[Mexico?], 1954 Sept. 24,
A-B-C-D |
|
BINDER |
|
BOX 555 |
1955 Sept. 14,
[Unidentified] |
|
BOX 555 |
1956 Mar. 16,
[Unidentified] |
|
BOX 555 |
Undated and
unidentified |
|
BOX 556-559 BOX 563 |
Negatives
|
|
BOX 556-558 BOX 563 |
35mm negatives and 8x10 copy
negatives |
|
Negatives: Not to be served see: following Explanation to code
system. |
|
BOX 559 |
35mm, 2.5x2.5, 4x5 negatives
and transparencies (Color) |
|
Negatives: Not to be served see: following Explanation to code
system. |
|
BOX 560 |
Negative Sleeves and
Wrappers
|
|
BOX 560 |
Sampling
of sleeves with notes and identification codes by VK |
|
BOX 564 |
Artwork and
Miscellaneous
|
|
BOX-FOLDER 564/9 |
Brazil,
1948-49, Fundaçao Brasil Central (F.B.C.) [3 maps] |
|
BOX-FOLDER 564/1 |
Davison,
Robert[?], watercolor landscape, signed, 1948 Oct. |
|
BOX-FOLDER 564/4-5 |
Kraft,
Victor |
|
Folders:
- 564/4 "The Story of Licorice," MacAndrews and Forbes Company
[photos]
- 564/5 "Sao Paulo Celebrates Hemisphere's First Art Biennial",
LOOK magazine, vol. 16, no.5,
Feb. 26, 1952 [photos]
|
|
BOX-FOLDER 564/7 |
Junior Bazaar and Harper's Bazaar , miscellaneous magazine pages [photos]
|
|
BOX-FOLDER 564/3 |
Miscellaneous post cards [Reproductions of artwork] |
|
BOX-FOLDER 564/2 |
Tsachacbosov, numbered etching print of a fish, signed,
1946 |
|
BOX-FOLDER 564/6 |
Miscellaneous magazine and newspaper clippings |
|
Contents:
- American composer portraits, 1948 [photos]
- Copland, Aaron, "The Story Behind El Salon Mexico"
|
|
BOX-FOLDER 564/8 |
Miscellaneous foreign publications |
|
|
Copland Library, 1908-1988
|
|
The Copland Library series comprises selected books on a wide range of
musical and general subjects from Copland's personal library. Most are
signed, usually by the author, or contain annotations or information about
Copland. The books reflect Copland's wide and varied interests and include
those books written by Copland and translated into various languages. Many
books concentrate on Copland's interest in French culture after his years of
study in Paris. |
|
Includes published hardbacks and softbacks. Arranged in alphabetical order by
author, then by title. |
|
|
Title only
|
|
One hundred Japanese folk-songs. Ongaku no tomo-sha, 1960. |
|
Orquestra Sinfónica de México. 1929-30. |
|
|
By Author
|
|
Adrian, P. G. |
|
Réflexions sur l'univers sonore. Éditions Richard-Masse, 1954. |
|
Note: signed by author. |
|
Alfred Knopf |
|
Read at a luncheon given by Fannie Hurst, Anne O'Hare McCormack, and H. L. Mencken.... Alfred Knopf, 1941. |
|
Amado, Jorge |
|
ABC de Castro Alves. Livraria Martins, 1945. |
|
American Society of Composers, Authors and Publishers
(ASCAP) |
|
Copyright Law Symposium, no. 21-34. Columbia University, 1986. |
|
Note: front cover embossed with
Aaron Copland. |
|
Andreis, Josip and Slavko Zlatic (editors) |
|
Yugoslav music. Edition Jugoslavija Beograd, 1959. |
|
Andrews, Edward D. |
|
The gift to be simple. J. J. Augustin, 1940. |
|
Anouilh, Jean |
|
Pièces brillantes. La Table Ronde, 1951. |
|
Antek, Samuel |
|
This was Toscanini. Vanguard, 1963. |
|
Note: Presented to Copland by the
Toscanini Association. |
|
Ausubel, Nathan (editor) |
|
A treasury of Jewish folklore. Crown, 1948. |
|
Bacon, Ernst |
|
Notes on the piano. Syracuse, 1963. |
|
Note: signed by author. |
|
Bakeless, Katherine Little |
|
Story-lives of American composers. Stokes, 1941. |
|
Note: includes Copland. |
|
Balzac, Honoré de |
|
Le Lys dans la Vallée. Éditions R. Simon, n.d. |
|
Bang, Herman |
|
Erzentrische Novellen. Fischer, 1921. |
|
Barolini, Antonio |
|
Elegie di Croton. Feltrinelli, 1959. |
|
Note: signed by author. |
|
Bator, Victor |
|
The Béla Bartók Archives: history and catalogue. Bartók Archives, 1963. |
|
Note: signed by author. |
|
Bayard, Samuel Preston (editor) |
|
Hill country tunes. American Folklore Society, 1944. |
|
Bearsley, Aubrey |
|
The later work of Aubrey Beardsley. Dover, 1967 |
|
Note: signed. |
|
Beck, Georg |
|
Guide to the beauty of Bamberg. Bayerische, 1969. |
|
Note: annotations by
Copland. |
|
Beck, Georges |
|
Darius Milhaud. Heugel, 1949. |
|
Becker, John |
|
After Geneva. London Magazine Editions, 1975. |
|
Note: signed by author. |
|
Berger, Arthur |
|
Aaron Copland. Oxford, 1953. |
|
Note: notated. |
|
Aaron Copland. Club du Libre Americain, 1962. |
|
Berger, Melvin |
|
Masters of modern music. Lothrop, 1970. |
|
Note: includes Copland. |
|
Bergson, Henri |
|
The two sources of morality and religion. Doubleday, 1954. |
|
Bernanos, Georges |
|
Sous le soleil de Satan. Plon, 1926. |
|
Bernstein, Leonard |
|
Findings. Simon and Schuster, 1982. |
|
Note: signed by author. |
|
The joy of music. Simon and Schuster, 1959. |
|
Note: signed by author. |
|
Bever, Adolphe van and Paul Léautaud |
|
Poètes d'aujourd'hui. Mercure, 1922. |
|
Boccaccio, Giovanni |
|
Decameròn. Rizzoli, 1950. |
|
Note: 2 vols. |
|
Borevitz, Victor |
|
B. C. E. Biggest Century Enterprise. Borevitz, 1972. |
|
Botkin, B. A. (editor) |
|
The pocket treasury of American folklore. Pocket, 1950. |
|
Boucher, Maurice |
|
La philosophie de Hermann Keyserling. Les Éditions Rieder, 1927. |
|
Breton, André |
|
Situation du surréalisme entre les deux guerres. Éditions de la Revue Fontaine, 1945. |
|
Brincourt, André |
|
La farandole. La Table Ronde, 1952. |
|
Brindle, Reginald Smith |
|
Serial composition. Oxford, 1967. |
|
Brooks, Van Wyck |
|
The pilgrimage of Henry James. Dutton, 1925. |
|
Bruyr, José |
|
L'écran des musiciens. Les Cahiers de France, 1930. |
|
Note: signed by author. |
|
Honegger et son oeuvre. Éditions Corrêa, 1947. |
|
Bynner, Witter |
|
Cake. Knopf, 1926. |
|
Note: signed by author. |
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