Aaron Copland collection, 1841-1991 (Library of Congress Finding Aid)

Container	Contents

	Copland Library, 1908-1988 (continued)
		By Author (continued)
				L'étranger. Gallimard, 1942.
				Le mythe de Sisyphe. Gallimard, 1942.
				La peste. Gallimard, 1947.
			Carco, Francis
				Jésus-la-Caille. Artheme Fayard, n.d.
			Cartwright, Jean and John Cartwright
				Enjoy Santa Fe more. New Mexico Publishing Co., 1976.
			Castillo, B. Díaz del
				Conquista de la nueva españa, tomo II. Espasa-Calpe, 1928.
			Cendrars, Blaise
				Histoires vraies. Grasset, 1938.
			Chapin, Katherine Garrisoin
				Lament for the stolen. Centaur, 1938.
					Note: signed by author.
			Chevalier, Maurice and Robert Doisneau
				My Paris. Macmillan, 1972.
					Note: signed.
			Childs, Barney
				...and other poems. Privately printed, 1955.
					Note: numbered, signed by author.
			Citron, Samuel and David Diamond
				The golden slippers. Friends of the Jewish Theatre for Children, 1967.
			Clermont-Tonnerre, E. de
				Robert de Montequiou et Marcel Proust. Flammarion, 1925.
			Cober, Alan
				The forgotten society. Dover, 1975.
					Note: signed.
			Cocteau, Jean
				Carte blanche. Éditions de la Sirene, 1920.
				Lettre à Jacques Maritain. Librairie Stock, 1926.
				Mon premier voyage. Gallimard, 1936.
				Opium. Librairie Stock, 1930.
			Cogley, John
				Report on blacklisting: II Radio-television. The Fund for the Republic, 1956.
			Conteurs Anglais
				La Venus Indienne. Bibliothèque des curieux, 1921.
			Copland, Aaron
				Att lyssna tíll muśik. Stockholm: Gebers, 1949.
					Note: What to listen for, Swedish transl.; 2 hard copies.
				Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957.
					Note: What to listen for, Swedish transl.; 1970 printing, soft copy.
				Az új zene, 1900-1960. Zenemükiadó, 1973.
					Note: The new music, revised and enlarged edition, Hungarian transl.; 2 copies, 1 signed, Budapest.
				Come ascoltare la musica. Garzanti, 1950.
					Note: What to listen for, Italian transl.; 2 paper copies.
				Come ascoltare la musica. Garzanti, 1954.
					Note: What to listen for, Italian transl.; paperback.
				Come ascoltare la musica. Garzanti, 1959.
					Note: What to listen for, Italian transl.; hard copy.
				Cómo escuchar la música. Fondo de Cultura Económica, 1955.
					Note: What to listen for, Spanish transl.; 2 paper copies: 8th reprint, 1984 and 10th reprint, 1988.
				Cómo escuchar la música. Fondo de Cultura Económica.
					Note: What to listen for, Spanish transl.; 3 hard copies: 1st edition, 1955; 2nd edition, 1961; 3rd edition,1967.
				Como ouvir (e entender) música. Editôra Artenova, 1974.
					Note: What to listen for, Portuguese transl.
				Copland on music. Doubleday, 1960.
				Copland on music. Andre Deutsch, 1961.
				Copland on music. Da Capo, 1960.
					Note: 1976 reprint.
				Copland on music. Norton, n.d.
					Note: soft copy, pages msg.
				Lerne Musik hören. Kasparek, 1948.
					Note: What to listen for, German transl.; 2 copies.
				Luister zo naar muziek. Zomer & Keunings, n.d.
					Note: What to listen for, Dutch transl.; 1 hard copy, 1 soft copy.
				Music & imagination. Mentor, 1952.
					Note: paperback.
				Music and imagination. Harvard, 1952.
					Note: composer copy, 2nd printing 1953.
				Music and imagination. Harvard, 1952.
					Note: paperback, sixth printing, 1972.
				Music and imagination. Oxford, 1952.
				[ Music and imagination ]. Shorinsha, Tokyo, 1962.
					Note: Japanese transl.
				[ Music and imagination ]. Shridhar Hari, 1962.
					Note: Annotated; Marathi transl., Bombay.
				[ Music and imagination ]. 1968.
					Note: Russian transl., in three parts.
				Música e imaginación. Emece, 1955.
					Note: 3 soft copies.
				Música y músicos contemporáneos. Editorial Losada, 1945.
					Note: Our new music, 2 copies.
				Musik von heute. Humboldt, 1947.
					Note: Our new music.
				The new music, 1900-1960. Norton, 1968.
					Note: rev. and enlarged edition; 1 soft copy, 2 hard copies, one cased in hard cover.
				The new music, 1900-1960. MacDonald, 1968.
					Note: rev. and enlarged edition; 2 hard copies.
				A nova música. Gráfica Record Editôra, 1969.
					Note: The new music; 2 soft copies.
				Nueva música, 1900-1960. Editorial Letras, 1969.
					Note: The new music, rev. and enlarged edition, Spanish transl.; 2 hard copies.
				Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941.
					Note: 3 hard copies, 1 with notations for 1966 revision.
				Unsere neue Musik. Kasparek, 1947.
					Note: Our new music, German transl.
				Vom richtigen anhören der Musik. Rowohlts, 1967.
					Note: What to listen for, revised and enlarged edition, German transl.; paperback.
				What to listen for in music. Whittlesey, 1939.
					Note: Accomp. Study Outline, 2 copies, annotated.
				What to listen for in music. Mentor, 1953.
					Note: 2 copies.
				[ What to listen for in music ] Tehran, Iran: Zavar, 1956.
					Note: Persian transl.
				What to listen for in music. McGraw-Hill, 1957.
					Note: revised edition.
				[ What to listen for in music ]. Cairo: Hassan Irani, 1958.
					Note: Arabic transl.
				[ What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965.
					Note: Japanese tranls., signed by Tsukatami.
			Copland, Aaron and Vivian Perlis
				Copland, 1900 through 1942. St. Martin's, 1984.
					Note: hardback, signed by Copland.
			Coulette, Henri
				The war of the secret agents. Scribner's, 1966.
			Counterattack
				Red Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950.
					Note: annotations on Copland entry.
			Crevel, René
				Le clavecin de Diderot. Editions Surrealistes, 1932.
					Note: signed, gift to Copland.
			Davison, Alvin
				The human body and health. American Book Company, 1908.
			Derais, François and Henri Rambaud
				L'envers du journal de Gide. Le nouveau portique, 1951.
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