Aaron Copland collection, 1841-1991 (Library of Congress Finding Aid)

Container	Contents

	Copland Library, 1908-1988 (continued)
		By Author (continued)
			Citron, Samuel and David Diamond
				The golden slippers. Friends of the Jewish Theatre for Children, 1967.
			Clermont-Tonnerre, E. de
				Robert de Montequiou et Marcel Proust. Flammarion, 1925.
			Cober, Alan
				The forgotten society. Dover, 1975.
					Note: signed.
			Cocteau, Jean
				Carte blanche. Éditions de la Sirene, 1920.
				Lettre à Jacques Maritain. Librairie Stock, 1926.
				Mon premier voyage. Gallimard, 1936.
				Opium. Librairie Stock, 1930.
			Cogley, John
				Report on blacklisting: II Radio-television. The Fund for the Republic, 1956.
			Conteurs Anglais
				La Venus Indienne. Bibliothèque des curieux, 1921.
			Copland, Aaron
				Att lyssna tíll muśik. Stockholm: Gebers, 1949.
					Note: What to listen for, Swedish transl.; 2 hard copies.
				Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957.
					Note: What to listen for, Swedish transl.; 1970 printing, soft copy.
				Az új zene, 1900-1960. Zenemükiadó, 1973.
					Note: The new music, revised and enlarged edition, Hungarian transl.; 2 copies, 1 signed, Budapest.
				Come ascoltare la musica. Garzanti, 1950.
					Note: What to listen for, Italian transl.; 2 paper copies.
				Come ascoltare la musica. Garzanti, 1954.
					Note: What to listen for, Italian transl.; paperback.
				Come ascoltare la musica. Garzanti, 1959.
					Note: What to listen for, Italian transl.; hard copy.
				Cómo escuchar la música. Fondo de Cultura Económica, 1955.
					Note: What to listen for, Spanish transl.; 2 paper copies: 8th reprint, 1984 and 10th reprint, 1988.
				Cómo escuchar la música. Fondo de Cultura Económica.
					Note: What to listen for, Spanish transl.; 3 hard copies: 1st edition, 1955; 2nd edition, 1961; 3rd edition,1967.
				Como ouvir (e entender) música. Editôra Artenova, 1974.
					Note: What to listen for, Portuguese transl.
				Copland on music. Doubleday, 1960.
				Copland on music. Andre Deutsch, 1961.
				Copland on music. Da Capo, 1960.
					Note: 1976 reprint.
				Copland on music. Norton, n.d.
					Note: soft copy, pages msg.
				Lerne Musik hören. Kasparek, 1948.
					Note: What to listen for, German transl.; 2 copies.
				Luister zo naar muziek. Zomer & Keunings, n.d.
					Note: What to listen for, Dutch transl.; 1 hard copy, 1 soft copy.
				Music & imagination. Mentor, 1952.
					Note: paperback.
				Music and imagination. Harvard, 1952.
					Note: composer copy, 2nd printing 1953.
				Music and imagination. Harvard, 1952.
					Note: paperback, sixth printing, 1972.
				Music and imagination. Oxford, 1952.
				[ Music and imagination ]. Shorinsha, Tokyo, 1962.
					Note: Japanese transl.
				[ Music and imagination ]. Shridhar Hari, 1962.
					Note: Annotated; Marathi transl., Bombay.
				[ Music and imagination ]. 1968.
					Note: Russian transl., in three parts.
				Música e imaginación. Emece, 1955.
					Note: 3 soft copies.
				Música y músicos contemporáneos. Editorial Losada, 1945.
					Note: Our new music, 2 copies.
				Musik von heute. Humboldt, 1947.
					Note: Our new music.
				The new music, 1900-1960. Norton, 1968.
					Note: rev. and enlarged edition; 1 soft copy, 2 hard copies, one cased in hard cover.
				The new music, 1900-1960. MacDonald, 1968.
					Note: rev. and enlarged edition; 2 hard copies.
				A nova música. Gráfica Record Editôra, 1969.
					Note: The new music; 2 soft copies.
				Nueva música, 1900-1960. Editorial Letras, 1969.
					Note: The new music, rev. and enlarged edition, Spanish transl.; 2 hard copies.
				Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941.
					Note: 3 hard copies, 1 with notations for 1966 revision.
				Unsere neue Musik. Kasparek, 1947.
					Note: Our new music, German transl.
				Vom richtigen anhören der Musik. Rowohlts, 1967.
					Note: What to listen for, revised and enlarged edition, German transl.; paperback.
				What to listen for in music. Whittlesey, 1939.
					Note: Accomp. Study Outline, 2 copies, annotated.
				What to listen for in music. Mentor, 1953.
					Note: 2 copies.
				[ What to listen for in music ] Tehran, Iran: Zavar, 1956.
					Note: Persian transl.
				What to listen for in music. McGraw-Hill, 1957.
					Note: revised edition.
				[ What to listen for in music ]. Cairo: Hassan Irani, 1958.
					Note: Arabic transl.
				[ What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965.
					Note: Japanese tranls., signed by Tsukatami.
			Copland, Aaron and Vivian Perlis
				Copland, 1900 through 1942. St. Martin's, 1984.
					Note: hardback, signed by Copland.
			Coulette, Henri
				The war of the secret agents. Scribner's, 1966.
			Counterattack
				Red Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950.
					Note: annotations on Copland entry.
			Crevel, René
				Le clavecin de Diderot. Editions Surrealistes, 1932.
					Note: signed, gift to Copland.
			Davison, Alvin
				The human body and health. American Book Company, 1908.
			Derais, François and Henri Rambaud
				L'envers du journal de Gide. Le nouveau portique, 1951.
			Diamond, David
				The Alice and Frederick Slee lectures. University of Buffalo, 1961.
			Dolan, Robert Emmett
				Music modern media. Schirmer, 1967.
					Note: signed by author.
			Drutman, Irving
				Good company. Little, Brown, 1976.
			Edwards, Arthur
				The art of melody. Philosophical Library, 1956.
					Note: signed by author.
			Eekhoud, George
				Escal-Vigor. Mercure de France, n.d.
				Le terroir incarné. La Renaissance d'Occident, 1923.
			Elöd, Juhász
				Amerikai variációk. Zenemükiadó, 1969.
					Note: signed by author.
				Bernstein Story. Zenemükiadó, 1972.
					Note: signed by author.
			Engel, Gabriel
				Gustav Mahler: song-symphonist. Bruckner Society of America, 1932.
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