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Copland Library, 1908-1988
(continued) |
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By Author
(continued) |
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The golden slippers. Friends of the Jewish Theatre for Children, 1967. |
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Clermont-Tonnerre, E. de |
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Robert de Montequiou et Marcel Proust. Flammarion, 1925. |
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Cober,
Alan |
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The forgotten society. Dover, 1975. |
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Note: signed. |
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Cocteau, Jean |
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Carte blanche. Éditions de la Sirene, 1920. |
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Lettre à Jacques Maritain. Librairie Stock, 1926. |
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Mon premier voyage. Gallimard, 1936. |
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Opium. Librairie Stock, 1930. |
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Cogley, John |
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Report on blacklisting: II Radio-television. The Fund for the Republic, 1956. |
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Conteurs Anglais |
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La Venus Indienne. Bibliothèque des curieux, 1921. |
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Copland, Aaron |
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Att lyssna tíll muśik. Stockholm: Gebers, 1949. |
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Note: What to listen for, Swedish transl.; 2
hard copies. |
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Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957. |
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Note: What to listen for, Swedish transl.;
1970 printing, soft copy. |
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Az új zene, 1900-1960. Zenemükiadó, 1973. |
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Note: The new music, revised and enlarged
edition, Hungarian transl.; 2 copies, 1 signed, Budapest. |
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Come ascoltare la musica. Garzanti, 1950. |
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Note: What to listen for, Italian transl.; 2
paper copies. |
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Come ascoltare la musica. Garzanti, 1954. |
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Note: What to listen for, Italian transl.;
paperback. |
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Come ascoltare la musica. Garzanti, 1959. |
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Note: What to listen for, Italian transl.;
hard copy. |
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Cómo escuchar la música. Fondo de Cultura Económica, 1955. |
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Note: What to listen for, Spanish transl.; 2
paper copies: 8th reprint, 1984 and 10th reprint, 1988. |
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Cómo escuchar la música. Fondo de Cultura Económica. |
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Note: What to listen for, Spanish transl.; 3
hard copies: 1st edition, 1955; 2nd edition, 1961; 3rd
edition,1967. |
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Como ouvir (e entender) música. Editôra Artenova, 1974. |
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Note: What to listen for, Portuguese
transl. |
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Copland on music. Doubleday, 1960. |
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Copland on music. Andre Deutsch, 1961. |
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Copland on music. Da Capo, 1960. |
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Note: 1976 reprint. |
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Copland on music. Norton, n.d. |
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Note: soft copy, pages msg. |
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Lerne Musik hören. Kasparek, 1948. |
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Note: What to listen for, German transl.; 2
copies. |
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Luister zo naar muziek. Zomer & Keunings, n.d. |
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Note: What to listen for, Dutch transl.; 1
hard copy, 1 soft copy. |
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Music & imagination. Mentor, 1952. |
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Note: paperback. |
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Music and imagination. Harvard, 1952. |
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Note: composer copy, 2nd printing
1953. |
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Music and imagination. Harvard, 1952. |
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Note: paperback, sixth printing,
1972. |
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Music and imagination. Oxford, 1952. |
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[
Music and imagination ]. Shorinsha, Tokyo, 1962. |
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Note: Japanese transl. |
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[
Music and imagination ]. Shridhar Hari, 1962. |
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Note: Annotated; Marathi transl.,
Bombay. |
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[
Music and imagination ]. 1968. |
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Note: Russian transl., in three
parts. |
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Música e imaginación. Emece, 1955. |
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Note: 3 soft copies. |
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Música y músicos contemporáneos. Editorial Losada, 1945. |
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Note: Our new music, 2 copies. |
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Musik von heute. Humboldt, 1947. |
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Note: Our new music. |
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The new music, 1900-1960. Norton, 1968. |
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Note: rev. and enlarged edition; 1 soft
copy, 2 hard copies, one cased in hard cover. |
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The new music, 1900-1960. MacDonald, 1968. |
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Note: rev. and enlarged edition; 2 hard
copies. |
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A nova música. Gráfica Record Editôra, 1969. |
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Note: The new music; 2 soft
copies. |
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Nueva música, 1900-1960. Editorial Letras, 1969. |
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Note: The new music, rev. and enlarged
edition, Spanish transl.; 2 hard copies. |
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Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941. |
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Note: 3 hard copies, 1 with notations for
1966 revision. |
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Unsere neue Musik. Kasparek, 1947. |
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Note: Our new music, German
transl. |
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Vom richtigen anhören der Musik. Rowohlts, 1967. |
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Note: What to listen for, revised and
enlarged edition, German transl.; paperback. |
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What to listen for in music. Whittlesey, 1939. |
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Note: Accomp. Study Outline, 2 copies,
annotated. |
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What to listen for in music. Mentor, 1953. |
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Note: 2 copies. |
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[
What to listen for in music ] Tehran, Iran: Zavar, 1956. |
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Note: Persian transl. |
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What to listen for in music. McGraw-Hill, 1957. |
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Note: revised edition. |
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[
What to listen for in music ]. Cairo: Hassan Irani, 1958. |
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Note: Arabic transl. |
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[
What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965. |
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Note: Japanese tranls., signed by
Tsukatami. |
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Copland, Aaron and Vivian Perlis |
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Copland, 1900 through 1942. St. Martin's, 1984. |
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Note: hardback, signed by Copland. |
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Coulette, Henri |
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The war of the secret agents. Scribner's, 1966. |
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Counterattack |
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Red Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950. |
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Note: annotations on Copland
entry. |
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Crevel, René |
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Le clavecin de Diderot. Editions Surrealistes, 1932. |
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Note: signed, gift to Copland. |
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Davison, Alvin |
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The human body and health. American Book Company, 1908. |
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Derais, François and Henri Rambaud |
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L'envers du journal de Gide. Le nouveau portique, 1951. |
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Diamond, David |
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The Alice and Frederick Slee lectures. University of Buffalo, 1961. |
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Dolan,
Robert Emmett |
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Music modern media. Schirmer, 1967. |
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Note: signed by author. |
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Drutman, Irving |
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Good company. Little, Brown, 1976. |
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Edwards, Arthur |
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The art of melody. Philosophical Library, 1956. |
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Note: signed by author. |
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Eekhoud, George |
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Escal-Vigor. Mercure de France, n.d. |
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Le terroir incarné. La Renaissance d'Occident, 1923. |
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Elöd,
Juhász |
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Amerikai variációk. Zenemükiadó, 1969. |
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Note: signed by author. |
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Bernstein Story. Zenemükiadó, 1972. |
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Note: signed by author. |
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Engel,
Gabriel |
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Gustav Mahler: song-symphonist. Bruckner Society of America, 1932. |
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Note: signed by author. |
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