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Copland Library, 1908-1988
(continued) |
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By Author
(continued) |
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Az új zene, 1900-1960. Zenemükiadó, 1973. (continued) |
|
Note: The new music, revised and
enlarged edition, Hungarian transl.; 2 copies, 1 signed,
Budapest. |
|
Come ascoltare la musica. Garzanti, 1950. |
|
Note: What to listen for, Italian
transl.; 2 paper copies. |
|
Come ascoltare la musica. Garzanti, 1954. |
|
Note: What to listen for, Italian
transl.; paperback. |
|
Come ascoltare la musica. Garzanti, 1959. |
|
Note: What to listen for, Italian
transl.; hard copy. |
|
Cómo escuchar la música. Fondo de Cultura Económica, 1955. |
|
Note: What to listen for, Spanish
transl.; 2 paper copies: 8th reprint, 1984 and 10th reprint,
1988. |
|
Cómo escuchar la música. Fondo de Cultura Económica. |
|
Note: What to listen for, Spanish
transl.; 3 hard copies: 1st edition, 1955; 2nd edition, 1961;
3rd edition,1967. |
|
Como ouvir (e entender) música. Editôra Artenova, 1974. |
|
Note: What to listen for, Portuguese
transl. |
|
Copland on music. Doubleday, 1960. |
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Copland on music. Andre Deutsch, 1961. |
|
Copland on music. Da Capo, 1960. |
|
Note: 1976 reprint. |
|
Copland on music. Norton, n.d. |
|
Note: soft copy, pages
msg. |
|
Lerne Musik hören. Kasparek, 1948. |
|
Note: What to listen for, German
transl.; 2 copies. |
|
Luister zo naar muziek. Zomer & Keunings, n.d. |
|
Note: What to listen for, Dutch
transl.; 1 hard copy, 1 soft copy. |
|
Music & imagination. Mentor, 1952. |
|
Note: paperback. |
|
Music and imagination. Harvard, 1952. |
|
Note: composer copy, 2nd printing
1953. |
|
Music and imagination. Harvard, 1952. |
|
Note: paperback, sixth printing,
1972. |
|
Music and imagination. Oxford, 1952. |
|
[ Music and imagination ]. Shorinsha, Tokyo, 1962. |
|
Note: Japanese transl. |
|
[ Music and imagination ]. Shridhar Hari, 1962. |
|
Note: Annotated; Marathi transl.,
Bombay. |
|
[ Music and imagination ]. 1968. |
|
Note: Russian transl., in three
parts. |
|
Música e imaginación. Emece, 1955. |
|
Note: 3 soft copies. |
|
Música y músicos contemporáneos. Editorial Losada, 1945. |
|
Note: Our new music, 2
copies. |
|
Musik von heute. Humboldt, 1947. |
|
Note: Our new music. |
|
The new music, 1900-1960. Norton, 1968. |
|
Note: rev. and enlarged edition; 1
soft copy, 2 hard copies, one cased in hard cover. |
|
The new music, 1900-1960. MacDonald, 1968. |
|
Note: rev. and enlarged edition; 2
hard copies. |
|
A nova música. Gráfica Record Editôra, 1969. |
|
Note: The new music; 2 soft
copies. |
|
Nueva música, 1900-1960. Editorial Letras, 1969. |
|
Note: The new music, rev. and
enlarged edition, Spanish transl.; 2 hard copies. |
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Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941. |
|
Note: 3 hard copies, 1 with
notations for 1966 revision. |
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Unsere neue Musik. Kasparek, 1947. |
|
Note: Our new music, German
transl. |
|
Vom richtigen anhören der Musik. Rowohlts, 1967. |
|
Note: What to listen for, revised
and enlarged edition, German transl.; paperback. |
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What to listen for in music. Whittlesey, 1939. |
|
Note: Accomp. Study Outline, 2
copies, annotated. |
|
What to listen for in music. Mentor, 1953. |
|
Note: 2 copies. |
|
[ What to listen for in music ] Tehran, Iran: Zavar, 1956. |
|
Note: Persian transl. |
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What to listen for in music. McGraw-Hill, 1957. |
|
Note: revised edition. |
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[ What to listen for in music ]. Cairo: Hassan Irani, 1958. |
|
Note: Arabic transl. |
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[ What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965. |
|
Note: Japanese tranls., signed by
Tsukatami. |
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Copland, Aaron and Vivian Perlis |
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Copland, 1900 through 1942. St. Martin's, 1984. |
|
Note: hardback, signed by
Copland. |
|
Coulette, Henri |
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The war of the secret agents. Scribner's, 1966. |
|
Counterattack |
|
Red Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950. |
|
Note: annotations on Copland
entry. |
|
Crevel, René |
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Le clavecin de Diderot. Editions Surrealistes, 1932. |
|
Note: signed, gift to
Copland. |
|
Davison, Alvin |
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The human body and health. American Book Company, 1908. |
|
Derais, François and Henri Rambaud |
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L'envers du journal de Gide. Le nouveau portique, 1951. |
|
Diamond, David |
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The Alice and Frederick Slee lectures. University of Buffalo, 1961. |
|
Dolan, Robert Emmett |
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Music modern media. Schirmer, 1967. |
|
Note: signed by author. |
|
Drutman, Irving |
|
Good company. Little, Brown, 1976. |
|
Edwards, Arthur |
|
The art of melody. Philosophical Library, 1956. |
|
Note: signed by author. |
|
Eekhoud, George |
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Escal-Vigor. Mercure de France, n.d. |
|
Le terroir incarné. La Renaissance d'Occident, 1923. |
|
Elöd, Juhász |
|
Amerikai variációk. Zenemükiadó, 1969. |
|
Note: signed by author. |
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Bernstein Story. Zenemükiadó, 1972. |
|
Note: signed by author. |
|
Engel, Gabriel |
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Gustav Mahler: song-symphonist. Bruckner Society of America, 1932. |
|
Note: signed by author. |
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Engel, Lehman |
|
Words with music. Macmillan, 1972. |
|
Note: signed. |
|
Ewen, David (editor) |
|
The book of modern composers. Knopf, 1942. |
|
Note: pencil marks, section on
Copland. |
|
Composers of today. Wilson, 1934. |
|
Note: Copland copy, pencil
notes. |
|
Fennell, Frederick |
|
Time and the winds. G. LeBlanc, 1954. |
|
Note: signed by author. |
|
Fernández, Justino |
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Folklore Méxicano. Eugenio Fischgrund, n.d. |
|
Note: signed. |
|
Fernández, Ramón |
|
André Gide. Éditions R.-A. Corrêa, 1931. |
|
Foote, Arthur and Walter R. Spalding |
|
Modern harmony in its theory and practice. Schmidt, 1905. |
|
Note: Copland notes. |
|
Forster, E. M. |
|
Alexandria: a history and guide. Doubleday, 1961. |
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