| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1841-1988 (continued) | |||||||||||||
| Music by Others, 1912-1988 (continued) | |||||||||||||
| Printed Music by Others, 1841-1986 (continued) | |||||||||||||
| Christy's minstrels': 145 new songs and choruses in vocal score. London: C. Sheard, n.d. (continued) | |||||||||||||
| Piano-vocal score. | |||||||||||||
| (complete edition, 3 volumes in 1) | |||||||||||||
| Wagner, Richard | |||||||||||||
| BOX-FOLDER 191/5 | Lohengrin : a romantic opera in three acts. New York: G. Schirmer, n.d. | ||||||||||||
| Piano-vocal score. | |||||||||||||
| BOX-FOLDER 192/1 | The mastersingers of Nuremberg : complete vocal score. Mainz: B. Schott's Söhne, [1903] . | ||||||||||||
| BOX-FOLDER 192/1 | The mastersingers of Nuremberg : complete vocal score. New York: G. Schirmer, [1904] . | ||||||||||||
| BOX-FOLDER 192/2 | Parsifal : vocal score with piano accompaniment.... Cincinnati: The John Church Company, [1904] . | ||||||||||||
| BOX-FOLDER 193/1 | Das Rheingold : piano selection. New York: G. Schirmer, [1904] . | ||||||||||||
| BOX-FOLDER 193/2 | Siegfried Idyll. New York: Associated Music Publishers, n.d. | ||||||||||||
| Score. | |||||||||||||
| BOX-FOLDER 193/3 | Tristan and Isolda : drama in three acts. New York: G. Schirmer, [1906] . | ||||||||||||
| BOX-FOLDER 193/4 | Wagner-Liszt album : for pianoforte. New York: G. Schirmer, [1896] . | ||||||||||||
| Walker, William (compiler) | |||||||||||||
| BOX-FOLDER 196B/5 | The southern harmony, and musical companion : containing a choice collection of.... Philadelphia: E. W. Miller, [ca. 1854] . | ||||||||||||
| Walton, William | |||||||||||||
| BOX-FOLDER 193/5 | Portsmouth point : an overture : full score. London: Oxford University Press, [1928] . | ||||||||||||
| Weber, Carl Maria von | |||||||||||||
| BOX-FOLDER 193/6 | Concertino für Klarinette und Orchester, op. 26. Wiesbaden: Breitkopf & Härtel, n.d. | ||||||||||||
| BOX-FOLDER 193/7 | Der Freischüz : romantische Oper in drei Aufzügen. Wolfenbüttel: L. Holle, n.d. | ||||||||||||
| Piano-vocal score. | |||||||||||||
| Webern, Anton | |||||||||||||
| BOX-FOLDER 193/8 | 11. Kantate, op. 31 : Klavierauszug mit Singstimmen. Vienna: Universal, [1951] . | ||||||||||||
| Vocal score. | |||||||||||||
| BOX-FOLDER 193/9 | Drei Gesänge, op. 23 : Gesang und Klavier. [Austria]: Universal Edition, [1936] . | ||||||||||||
| BOX-FOLDER 193/10 | Quartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 22 : partitur. Vienna: Universal Edition, [1932] . | ||||||||||||
| (2 copies) | |||||||||||||
| BOX-FOLDER 193/11 | Variationen für Klavier, op. 27. Vienna: Universal Edition, [1937] . | ||||||||||||
| BOX-FOLDER 193/12 | Vier Stücke, op. 7 : Geige und Klavier. Vienna: Universal Edition, [1922] . | ||||||||||||
| Weill, Kurt | |||||||||||||
| BOX-FOLDER 194/1 | Aufstieg und Fall der Stadt Mahagonny : Klavierauszug. Vienna: Universal Edition, [1929] . | ||||||||||||
| Includes note in AC's hand re: characters. | |||||||||||||
| Weisgall, Hugo | |||||||||||||
| BOX-FOLDER 194/2 | Six characters in search of an author : opera in three acts. Bryn Mawr, PA: Merion Music, Inc., [1957] . | ||||||||||||
| Piano-vocal score. | |||||||||||||
| BOX-FOLDER 194/3 | The stronger : opera in one act. Bryn Mawr, PA: Merion Music, Inc., [1957] . | ||||||||||||
| Piano-vocal score. | |||||||||||||
| BOX-FOLDER 194/4 | The tenor : opera in one act. Bryn Mawr, PA: Merion Music, Inc., [1957] . | ||||||||||||
| Piano-vocal score. | |||||||||||||
| White, John and George Shackley (arrangers) | |||||||||||||
| BOX-FOLDER 196B/6 | The lonesome cowboy : songs of the plains and hills. New York: Geo. T. Worth & Co., [1930] . | ||||||||||||
| For voice and piano. | |||||||||||||
| Wilson, Domingo Santa Cruz | |||||||||||||
| BOX-FOLDER 194/5 | Viñetas : cuatro piezas para piano solo. S. Diego, Chile: Casa Amarillo, [1932] . | ||||||||||||
| Wilson, Richard | |||||||||||||
| BOX-FOLDER 195/1 | Eclogue : for piano. New York: Boosey & Hawkes, [1980] . | ||||||||||||
| Wolfe, Stanley | |||||||||||||
| BOX-FOLDER 195/2 | Symphony no. 3 : full score. New York: Boosey & Hawkes, [1964] . | ||||||||||||
| Wolpe, Stefan | |||||||||||||
| BOX-FOLDER 195/3 | Dance : in form of a chaconne. New York: Arrow Music Press, Inc., [1941] . | ||||||||||||
| BOX-FOLDER 195/4 | Passacaglia : for piano solo. New York: New Music Edition, [1947] . | ||||||||||||
| BOX-FOLDER 195/5 | Sonata for violin and piano. New York: McGinnis and Marx, [1955] . | ||||||||||||
| Score & part. | |||||||||||||
| Workers' Music Association (compiler) | |||||||||||||
| BOX-FOLDER 196C/6 | Pocket song book. London: Workers' Music Association, 1948 . | ||||||||||||
| Lead sheet with text. | |||||||||||||
| BOX-FOLDER 196C/7 | Sing and learn: a song book for children with tonic & staff notation. London: Workers' Music Association, 1940 . | ||||||||||||
| Piano-vocal score. | |||||||||||||
| (second edition) | |||||||||||||
| Yashirō, Akio | |||||||||||||
| BOX-FOLDER 195/6, 7 | Symphonie pour grand orchestre. Tokyo: Ongaku No Tomo Sha, [1959] . | ||||||||||||
| BOX 197-232 BOX 565 BOX-FOLDER 25/39 MAPCASE C-Drw 2/1-2 | Writings and Oral Presentations, 1925-1988 | ||||||||||||
| The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland and is divided into to main subseries: Writings by Aaron Copland and Writings by Others. The subseries, Writings by Aaron Copland is divided into 5 subseries: Articles, Books, Lectures & Speeches, Radio and Television. The subseries, Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information. | |||||||||||||
| Arranged by suberies. | |||||||||||||
| BOX 197-230 BOX 565 MAPCASE C-Drw 2/1-2 | Writings by Aaron Copland, 1925-1988 | ||||||||||||
| The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, "What Europe Means to the Aspiring Composer", after his return from three years of musical study in France. This series is divided into Articles, Books, Lectures & Speeches, Radio and Television. Includes unpublished manuscripts, notes and outlines; letters, typescripts, galley and page proofs; published articles clippings, reviews and promotional material. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information. | |||||||||||||
| Arranged by author, title or chronologically. | |||||||||||||
| BOX 197-202 BOX 229 BOX 230 BOX 565 | Articles | ||||||||||||
| BOX-FOLDER 197/1 | A.C. (A composer) looks at LP, n.d. | ||||||||||||
| BOX-FOLDER 197/2 | A.C.: Foreword to Modern Music reprints of articles about Igor Strav[insky], n.d. | ||||||||||||
|
Aaron Copland. Arthur Berger [Book review]
See: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland |
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| BOX-FOLDER 197/3 | Aaron Copland: A visit to Israel, 1969 | ||||||||||||
| 113 | |||||||||||||
|
Aaron Copland remembers Nadia
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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| BOX-FOLDER 197/4 | Aaron Copland talks about American music to-day, 1958 | ||||||||||||
| BOX-FOLDER 197/5 | Aaron Copland writes from South America, 1947 | ||||||||||||
| 46A | |||||||||||||
| BOX-FOLDER 197/6 | About Billy the Kid , n.d. | ||||||||||||
| BOX-FOLDER 197/7 | Active market in new music records, 1936 | ||||||||||||
| 23 | |||||||||||||
| BOX-FOLDER 197/8 | Always in my thoughts, 1953 | ||||||||||||
| 64A | |||||||||||||
|
America's cultural explosion - its scope and challenge
See: Writings by Others, About AC, Interviews: The Playboy Panel. America's cultural explosion - its scope and challenge |
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| 99A | |||||||||||||
| BOX-FOLDER 197/9 | L'america ha la sua música, 1951 | ||||||||||||
| BOX-FOLDER 197/10 | America's young men of promise, 1926 | ||||||||||||
| BOX-FOLDER 197/11 | The American composer gets a break, 1935 | ||||||||||||
| 22 | |||||||||||||
| BOX-FOLDER 197/12 | The American composer today, n.d. | ||||||||||||
| 42 | |||||||||||||
| BOX-FOLDER 197/13 | American composers on records, 1959 | ||||||||||||
| BOX-FOLDER 197/14 |
American culture I: Music, 1956
See also: Writings by AC, Articles: Report on American music, 1956 |
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| BOX-FOLDER 197/15 | American music since 1930, 1945 | ||||||||||||
| BOX-FOLDER 229/1 | The American musical scene, 1950 | ||||||||||||
| 59 | |||||||||||||
| BOX-FOLDER 197/16 |
Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955
See also: Writings by AC, Articles: Modern music: 'Fresh and different' |
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| 64 | |||||||||||||
| BOX-FOLDER 197/17 |
The art of Darius Milhaud, 1948
See also: Writings by AC, Articles: Sobre la música en el cine |
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| 50 | |||||||||||||
| BOX-FOLDER 197/18 | As a musician: Women's University Glee Club, n.d. | ||||||||||||
| BOX-FOLDER 197/19 | ASCAP and the symphonic composer, 1964 | ||||||||||||
| BOX-FOLDER 229/2 | ASCAP and the symphonic composer, 1964 | ||||||||||||
| 98 | |||||||||||||
| BOX-FOLDER 197/20 | At the thought of Mozart, 1956 | ||||||||||||
| 73 | |||||||||||||
| BOX-FOLDER 197/21 | Baden-Baden, 1927 | ||||||||||||
| 8 | |||||||||||||
| BOX-FOLDER 197/22 | The battle of jazz and the classics, n.d. | ||||||||||||
| BOX-FOLDER 197/23 | Benjamin Britten: The Rape of Lucretia , an opera in two acts [Music review], 1947 | ||||||||||||
| 45 | |||||||||||||
| BOX-FOLDER 197/24 | Carlos Chávez - Mexican composer, 1928 | ||||||||||||
| BOX-FOLDER 197/25 | Charles Ives, 1964 | ||||||||||||
| BOX-FOLDER 565/1 | Charles Ives Remembered , [Foreward], 1964 | ||||||||||||
| BOX-FOLDER 197/26 |
Claire Reis (1889-1978), 1978
See also: Writings by AC, Lectures & Speeches: Claire Reis |
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| 118 | |||||||||||||
| BOX-FOLDER 197/27 | Claire Raphael Reis, n.d. | ||||||||||||
| BOX-FOLDER 198/1 | The composer and his critic, 1932 | ||||||||||||
| 18 | |||||||||||||
| BOX-FOLDER 198/2 | The composer and the audience, n.d. | ||||||||||||
| BOX-FOLDER 198/3 | The composer as conductor, n.d. | ||||||||||||
| BOX-FOLDER 198/4 |
The composer as critic, 1961
See also: Writings by AC, Lectures & Speeches: The composer as critic |
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| 91 | |||||||||||||
| BOX-FOLDER 198/5 | Composer from Brooklyn: An autobiographical sketch, 1941 | ||||||||||||
| BOX-FOLDER 198/6 | The composer in America, 1923-1933, 1933 | ||||||||||||
| 19 | |||||||||||||
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