| Container | Contents | ||||||||||||
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| Writings and Oral Presentations, 1925-1988 (continued) | |||||||||||||
| Writings by Aaron Copland, 1925-1988 (continued) | |||||||||||||
| Articles (continued) | |||||||||||||
| BOX-FOLDER 200/7 | Music since 1920, 1928 | ||||||||||||
| 10 | |||||||||||||
| BOX-FOLDER 200/8 |
La música como aspecto del espiritu humano, n.d.
See also: Writings by AC, Articles: Music and the human spirit |
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| Tr70 | |||||||||||||
| BOX-FOLDER 200/9 | La música en el extranjero, 1941 | ||||||||||||
| 36A | |||||||||||||
| BOX-FOLDER 200/10 | La música moderna è nata in reazione a Wagner, 1951 | ||||||||||||
| BOX-FOLDER 200/11 | La música per film: nuovo mezzo di espressione musicale, n.d. | ||||||||||||
| Tr53 | |||||||||||||
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Musical world honors teacher Nadia Boulanger
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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| BOX-FOLDER 200/12 |
Musikalisches Schaffen in Amerika, 1965
See also: Writings by AC, Articles: Creativity in America |
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Nadia Boulanger, master teacher: She fans musical spark
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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| BOX-FOLDER 200/13 | Nadia Boulanger: An affectionate portrait, 1960 | ||||||||||||
| 84 | |||||||||||||
| BOX-FOLDER 200/14 | Nadia Boulanger: Mother of modern music, 1981 | ||||||||||||
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Nadia Boulanger at 80 still foremost music teacher
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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| BOX-FOLDER 200/15 | Neglected works: A symposium, 1946 | ||||||||||||
| 44 | |||||||||||||
| BOX-FOLDER 200/16 |
Eine neue amerikanische Komponistengeneration, 1948
See also: Writings by AC, Articles: The new 'school' of American composers See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos New music in the U.S.A. See also: Writings by AC, Articles: The composer in America, 1923-1933 |
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| Tr49 | |||||||||||||
| BOX-FOLDER 229/17 |
The new 'school' of American composers, 1948
See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos |
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| 49 | |||||||||||||
| BOX-FOLDER 200/17 |
A note on Irving Fine, 1962
See also: Writings by AC, Articles: Irving Fine (1914-1962) |
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| BOX-FOLDER 229/18 | A note on Nadia Boulanger, 1928 | ||||||||||||
| 14 | |||||||||||||
| BOX-FOLDER 200/18 | A note on young composers, 1935 | ||||||||||||
| 21A | |||||||||||||
| BOX-FOLDER 200/19 | Notes on a cowboy ballet, n.d. | ||||||||||||
| 42 | |||||||||||||
| BOX-FOLDER 200/20 |
Notes without music , by Darius Milhaud [Book review], 1953
See also: Writings by AC, Articles: Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review] |
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| BOX-FOLDER 200/21 |
Nueva generatión de compositores norteaméricanos, 1947
See also: Writings by AC, Articles: The new 'school' of American composers See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration |
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| Tr49 | |||||||||||||
| BOX-FOLDER 200/22 | On being a composer, n.d. | ||||||||||||
| BOX-FOLDER 200/23 | On the notation of music, 1944 | ||||||||||||
| 41 | |||||||||||||
| BOX-FOLDER 200/24 | On the occasion of the 70th birthday of Serge Prokofieff, 1961 | ||||||||||||
| BOX-FOLDER 200/25 | One hundred and fourteen songs, 1934 | ||||||||||||
| 20 | |||||||||||||
| BOX-FOLDER 201/1 | An open letter about the BBC, 1965 | ||||||||||||
| 103 | |||||||||||||
| BOX-FOLDER 201/2 | Oper für Amerika, 1960 | ||||||||||||
| 87 | |||||||||||||
| BOX-FOLDER 201/3 | Opera for America], 1959 | ||||||||||||
| BOX-FOLDER 201/4 | Our younger generation - ten years later, 1936 | ||||||||||||
| 25 | |||||||||||||
| BOX-FOLDER 201/5 | Outline of history (Nef), n.d. | ||||||||||||
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Paris octogenarian is a musical marvel
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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| BOX-FOLDER 201/6 | The personality of Stravinsky, 1949 | ||||||||||||
| BOX-FOLDER 201/7 | [Phonograph recordings], n.d. | ||||||||||||
| BOX-FOLDER 201/8 | Piano fantasy , 1957 | ||||||||||||
| BOX-FOLDER 201/9 | Piano fantasy - the commission, n.d. | ||||||||||||
| BOX-FOLDER 201/10 | Piano music of Noël Lee, n.d. | ||||||||||||
| 114 | |||||||||||||
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Pioneer listener
See: Writings by AC, Articles: Discoveries of a music critic, by Paul Rosenfeld [Book review] |
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| BOX-FOLDER 201/11 | Playing safe at Zurich, 1926 | ||||||||||||
| BOX-FOLDER 201/12 |
The pleasures of music, 1959
See also: Writings by AC, Lectures & Speeches: The pleasures of music See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today |
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| 81A | |||||||||||||
| BOX-FOLDER 230/1 |
The pleasures of music, 1959
See also: Writings by AC, Lectures & Speeches: The pleasures of music |
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| 81B | |||||||||||||
| BOX-FOLDER 201/13 | Portrait of a symphony, n.d. | ||||||||||||
| BOX-FOLDER 201/14 | A quarter-century reflection, 1963 | ||||||||||||
| 94 | |||||||||||||
| BOX-FOLDER 201/15 | Questions on music, n.d. | ||||||||||||
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Quiet city
See: Writings by AC, Articles: Composers in Russia |
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| BOX-FOLDER 201/16 | Ralph Hawkes: In memorium, 1950 | ||||||||||||
| BOX-FOLDER 201/17 | Report on American music, 1956 | ||||||||||||
| 75 | |||||||||||||
| BOX-FOLDER 201/18 | Rubin Goldmark: A tribute, 1956 | ||||||||||||
| 74 | |||||||||||||
| BOX-FOLDER 201/19 | Salute to the arts and artists of Latin America, 1967 | ||||||||||||
| BOX-FOLDER 201/20 | A salute to the Schwann, n.d. | ||||||||||||
| 123 | |||||||||||||
| BOX-FOLDER 201/21 | Scherchen on conducting and Ewen on composers [Book review], 1935 | ||||||||||||
| 21 | |||||||||||||
| BOX-FOLDER 201/22 | Schoenberg and his school , by René Leibowitz [Book review], n.d. | ||||||||||||
| BOX-FOLDER 201/23 | Scores and records, 1936 | ||||||||||||
| 26 | |||||||||||||
| BOX-FOLDER 201/24 | Scores and records, Jan.-Feb. 1937 | ||||||||||||
| BOX-FOLDER 201/25 | Scores and records, May-June 1937 | ||||||||||||
| BOX-FOLDER 201/26 | Scores and records, 1938 | ||||||||||||
| BOX-FOLDER 201/27 | Second thoughts on Hollywood, 1940 | ||||||||||||
| 30 | |||||||||||||
| BOX-FOLDER 202/1 | Serge Koussevitzky and the American composer, 1944 | ||||||||||||
| 40 | |||||||||||||
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She has taught the greatest...
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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She taught many of the world's best musicians
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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Shoptalk: On the notation of music
See: Writings by AC, Articles: On the notation of music |
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| BOX-FOLDER 202/2 |
Sobre la música en el cine, n.d.
See also: Writings by AC, Articles: The art of Darius Milhaud |
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| Tr50 | |||||||||||||
| BOX-FOLDER 202/3 |
Some notes on my "Music for the Theatre", 1941
See also: Writings by AC, Articles: A tribute to Nadia Boulanger See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] |
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| BOX-FOLDER 202/4 |
South American journey, 1947
See also: Writings by AC, Articles: Composer's report on music in South America See also: Writings by AC, Lectures & Speeches: [La música de las americas] |
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| BOX-FOLDER 202/5 | Special fondness for B. B. [Benjamin Britten], n.d. | ||||||||||||
| BOX-FOLDER 202/6 | Stefan Wolpe: Two songs for alto and piano [Music review], 1948 | ||||||||||||
| 51 | |||||||||||||
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The story behind El salón méxico, 1948
See: Subject File, Compositions, El salón méxico, Programs 1938-1942 |
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| BOX-FOLDER 202/7 | Stravinsky and Hindemith premieres, 1932 | ||||||||||||
| 17 | |||||||||||||
| BOX-FOLDER 202/8 | Stravinsky's "Oedipus Rex", 1928 | ||||||||||||
| 9 | |||||||||||||
| BOX-FOLDER 202/9 | Talk on N. B. [Nadia Boulanger], n.d. | ||||||||||||
| BOX-FOLDER 202/10 | Tanglewood: 1952, [1952] | ||||||||||||
| 62A | |||||||||||||
| Also: Tanglewood's future: Measures to insure continuity include extensive new scholarship program | |||||||||||||
| BOX-FOLDER 202/11 | The teacher: Nadia Boulanger, 1960 | ||||||||||||
| BOX-FOLDER 202/12 | Thomson's musical state [Book review], 1939 | ||||||||||||
| 28 | |||||||||||||
| BOX-FOLDER 230/2 |
Tip to moviegoers: Take off those ear-muffs?, 1949
See also: Writings by AC, Articles: Music and the movies See also: Writings by AC, Lectures & Speeches: Music in the movies |
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| 53 | |||||||||||||
| BOX-FOLDER 202/13 | A tribute to Nadia Boulanger, 1967 | ||||||||||||
| 110 | |||||||||||||
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The tutor of eminent composers, Mlle. Boulanger going strong at 79
See: Writings by AC, Articles: A tribute to Nadia Boulanger |
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| BOX-FOLDER 202/14 | A visit to Israel, 1969 | ||||||||||||
| 113 | |||||||||||||
| BOX-FOLDER 202/15 | A visit to Snape, 1963 | ||||||||||||
| 93 | |||||||||||||
| BOX-FOLDER 202/16 | [A visiting composer], 1958 | ||||||||||||
| BOX-FOLDER 230/3 | 'A vital and varied music', n.d. | ||||||||||||
| 82 | |||||||||||||
| BOX-FOLDER 230/4 | What Europe means to the aspiring composer, 1925 | ||||||||||||
| 2 | |||||||||||||
| BOX-FOLDER 230/5 | What is Jewish music?: The music of Israel [Book review], 1949 | ||||||||||||
| 52 | |||||||||||||
| BOX-FOLDER 202/17 | When private and public worlds meet, 1968 | ||||||||||||
| 112 | |||||||||||||
| BOX-FOLDER 202/18 | Where are we? What's been happening to so-called serious music in the sixties, n.d. | ||||||||||||
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