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Writings, 1920-1995 (continued) | |||||||||||||
Articles (continued) | |||||||||||||
[Haydn, Joseph] | |||||||||||||
BOX 13 | Seven last words of Christ. [typescript, 2 p.] | ||||||||||||
BOX 13 | Symphonie concertante. [typescript, 2 p.] | ||||||||||||
BOX 13 | [Liner notes for] Symphony no. 104 in D major ("London"). Columbia Masterworks, Set M- 409-AM-409-MM-409. | ||||||||||||
BOX 13 | Hearty applause for Mr. Delius. Review of Frederick Delius, by Sir Thomas Beecham.Christian Science Monitor, 4 Aug. 1960. | ||||||||||||
BOX 13 | Heitor Villa-Lobos. The musical soul of Brazil. Show(Nov. 1962). | ||||||||||||
[Herbert, Victor] | |||||||||||||
BOX 13 | [Liner notes for] The Music of Victor Herbert. Columbia Masterworks, Set M- 415. | ||||||||||||
BOX 13 | The heroic days of modern music. [typescript with annotations, 26 p.] | ||||||||||||
BOX 13 | His "melody of life." Christian Science Monitor, 3 Jan. 1964. | ||||||||||||
BOX 13 | His signature. SRG PRKFV. Christian Science Monitor, 1 Aug. 1958. | ||||||||||||
BOX 13 | [Liner notes for] History Making Premiers: Varese, Ives Ruggles, etc. conducted by N.S.[galley sheet] | ||||||||||||
BOX 13 | [Hollywood Bowl program notes, 1967] | ||||||||||||
[Holst, Gustav] | |||||||||||||
BOX 13 | St. Paul's suite for strings. [typescript, 1 p.] | ||||||||||||
BOX 13 | How I orchestrate. [typescript, 3 p.; inscribed: N.S. ca. 1935] | ||||||||||||
BOX 13 | How to terrorize a conductor into playing your music. [typescript, 4 p.] | ||||||||||||
[Humperdinck, Engelbert] | |||||||||||||
BOX 13 | [Liner notes for] Hansel and Gretel suite. Columbia Masterworks, Set M-424-AM-424-MM- 424. | ||||||||||||
BOX 14 | Igor Stravinsky. [typescript, 3 p.] | ||||||||||||
BOX 14 | Igor Stravinsky. As the analyst looks at the logical development of next week's visitor. [newspaper article, undated] | ||||||||||||
BOX 14 | Impressionism. [typescript, 5 p.] | ||||||||||||
BOX 14 | Incredible mayor. Christian Science Monitor, 10 July 1952. | ||||||||||||
BOX 14 | In epitome the career of Roussel. From the sea and the school into the clear-minded and individual composer.Christian Science Monitor, 23 Oct. 1930. | ||||||||||||
BOX 14 | Instruments are for playing. Medical Opinion and Review3, no. 10 (Oct. 1967). | ||||||||||||
BOX 14 | Interview with myself. Christian Science Monitor, 27 Oct. 1955. | ||||||||||||
BOX 14 | Introduction to Twentieth century music, by Richard Burbank. New York: Facts on File, 1984. [includes typescript, 48 p.; inscribed: Musical millennium] | ||||||||||||
BOX 14 | Introduction to Some Twentieth Century American Composers. A Selective Bibliography, by John Edmunds and Gordon Boelzner. New York: The New York Public Library, 1960. | ||||||||||||
BOX 14 | An introductory speech in Rumanian before a lecture in French. Bucharest, 31 Mar. 1963. [typescript, 1 p.] | ||||||||||||
BOX 14 | If anyone is sleepy let him go to sleep. Review of Silence. Lectures and Writings, by John Cage. Christian Science Monitor, 14 Dec. 1961. | ||||||||||||
BOX 14 | I remember the heart and the mind of Wallingford Riegger. [typescript, 3 p.] | ||||||||||||
BOX 14 | Is jazz serious music? [typescript, 6 p.] | ||||||||||||
BOX 14 | Ives. [typescript, 9 p.; inscribed: Civic Orchestra, New Haven program book, May 20, 1973] | ||||||||||||
BOX 14 | Ives, Charles Edward. [typescript, 15 p.] | ||||||||||||
[Ibert, Jacques] | |||||||||||||
BOX 14 | Capriccioso, Divertissement, Suite elisabethaine. [typescript, 3 p.] | ||||||||||||
BOX 14 | Jazz, swing and boogie woogie. Christian Science Monitor, 20 May 1944. | ||||||||||||
BOX 14 | Kaleidoscope of composers in exhibition. Boston Evening Transcript, 3 Nov. 1934. | ||||||||||||
[Kalinnikov, Vasili] | |||||||||||||
BOX 14 | [Program notes for] Symphony in G minor, no. 1, undated | ||||||||||||
BOX 14 | Keeper of the Russian tradition. Christian Science Monitor, 4 Jan. 1957. | ||||||||||||
BOX 14 | Kiddies on the keys. Christian Science Monitor, 23 Feb. 1946. | ||||||||||||
BOX 14 | The "King of the fortepianists." Christian Science Monitor, 7 Mar. 1960. | ||||||||||||
BOX 14 | A king with a flute. Christian Science Monitor, 17 Jan. 1953. | ||||||||||||
BOX 14 | Knight of poetic opera. Christian Science Monitor, 15 May 1954. | ||||||||||||
BOX 14 | The Koussevitzky mission. The Saturday Review, 30 June 1951. | ||||||||||||
BOX 14 | The last word. Musical Journal(May 1977). | ||||||||||||
BOX 14 | [Latin American music] | ||||||||||||
[typescripts, 11 p., 5 p.; inscribed on one draft: Not used in E.B. material used for Book of Knowledge; inscribed on second draft: Vanguard record co.] | |||||||||||||
[Leclair, Jean Marie (1697-1764)] | |||||||||||||
BOX 14 | Suite for flute and strings. [typescript, 3 p.] | ||||||||||||
BOX 14 | Les noces. [typescript, 10 p.; inscribed: Preface to translated text] | ||||||||||||
[Letters to the Editor] | |||||||||||||
BOX 14 | 1928 Mar. 8 [Latin of Stravinsky's Oedipus-Rex].Boston Herald. | ||||||||||||
BOX 14 | 1929 Sept. 30 A dramatic test. Boston Evening Transcript. | ||||||||||||
BOX 14 | 1930 July 8 It was Benjamin Franklin. Boston Evening Transcript. | ||||||||||||
BOX 14 | 1933 Mar. 24 Of course; we were speaking figuratively. Boston Evening Transcript. | ||||||||||||
BOX 14 | 1933 Oct. 27 Example, but no precept. Boston Evening Transcript. | ||||||||||||
BOX 14 | 1934 Apr. 2 Unbearable affliction. Boston Evening Transcript. | ||||||||||||
BOX 14 | 1935 Sept. 2 Joyce v. Kelly. New York Times. | ||||||||||||
BOX 14 | 1937 Sept. 2 Headline slanguage. Christian Science Monitor. | ||||||||||||
BOX 14 | 1938 May 25 [Delius' birth date]. Musical America. | ||||||||||||
BOX 14 | 1939 May 10 [Birth date of Jean Philippe Rameau]. Musical America. | ||||||||||||
BOX 14 | 1939 Dec. 25 [Musical boners by supposedly respectable writers]. Musical America. | ||||||||||||
BOX 14 | 1942 Apr. 10 [Rosa Calvet or Emma de Roquer].Musical America. | ||||||||||||
BOX 14 | 1945 Aug. [Ice cream history]. New York Times. | ||||||||||||
BOX 14 | 1945 Aug. 22 Churchill story not new. New York Times. | ||||||||||||
BOX 14 | [1945 Dec.] Transition of Nemoy. New York Times. | ||||||||||||
BOX 14 | 1948 May 6 Origin of the phrase used by [F. D.] Roosevelt. New York Times. | ||||||||||||
BOX 14 | 1951 Aug. 19 From the mail pouch: Schönberg. New York Times. [N.S. and Roy Harris letter] | ||||||||||||
BOX 14 | 1951 Dec. 2 Mail pouch: late musicologist [Hugo Leichtentritt]. New York Times. | ||||||||||||
BOX 14 | 1952 Nov. 2 Tribute to E. B. Hill. New York Times. | ||||||||||||
BOX 14 | 1955 May 15 Mail pouch: Viotti bicentennial. New York Times. | ||||||||||||
BOX 14 | 1961 June 12 Henry Hudson an Englishman. New York Times. | ||||||||||||
BOX 14 | 1962 Feb. 24 Clear now. New York Times. | ||||||||||||
BOX 14 | 1969 Oct. 30 Family matters. The Listener. | ||||||||||||
BOX 14 | 1979 Feb. 4 Framed by skill. Calendar. | ||||||||||||
BOX 14 | 1981 July 20 To "The man whom society forbids to die." New York Times. | ||||||||||||
[Leoncavallo, Ruggero] | |||||||||||||
BOX 14 | Pagliacci. [typescript, 5 p.] | ||||||||||||
BOX 14 | Lexicographis secundus post herculem labor.Notes(undated). | ||||||||||||
[Liszt, Franz] | |||||||||||||
BOX 14 | [Liner notes for] Les preludes. Columbia Masterworks, Set X-198. | ||||||||||||
BOX 14 | Liszt tidbits. [typescript, 2 p.] | ||||||||||||
BOX 14 | Listening to Music. [inscribed: Medical Opinion and Review1969] | ||||||||||||
BOX 14 | [Program notes for] Little Orchestra Society concerts of 1948-1949. | ||||||||||||
BOX 14 | Locked-up sound set free. Review of Ancient European Musical Instruments, by Nicholas Bessaraboff.Christian Science Monitor, 29 May 1942. | ||||||||||||
BOX 14 | [Los Angeles Philharmonic program notes, 1968-69] | ||||||||||||
BOX 15 | Lullistes, a vos pièces! Guide du Concert(1 Feb. 1952). | ||||||||||||
BOX 15 | Lyric poet of French opera. Christian Science Monitor, 11 Apr. 1959. | ||||||||||||
BOX 15 | Lyrical poet of music. Christian Science Monitor, 26 Nov. 1955. | ||||||||||||
BOX 15 | Magician of the violin. Christian Science Monitor, 14 Aug. 1959. | ||||||||||||
[Mahler, Gustav] | |||||||||||||
BOX 15 | Kindertotenlieder. [typescript, 3 p.] | ||||||||||||
BOX 15 | Das Lied von der Erde. [typescript, 4 p.] | ||||||||||||
BOX 15 | Mahler's tenth symphony. [typescript, 1 p.] | ||||||||||||
BOX 15 | The man of eighteen symphonies. The American Quarterly on the Soviet Union1, no. 1 (Apr. 1938). | ||||||||||||
BOX 15 | The man of twenty-three symphonies. [typescript, 4 p.] | ||||||||||||
BOX 15 | Many melodies out of one. Boston News, undated | ||||||||||||
BOX 15 | Marginal notes on the Russian film. Background, directors and the place of "Chapayev" in the Soviet cinema.Boston Evening Transcript, 23 Feb. 1935. | ||||||||||||
BOX 15 | The marvelous season 1912-1913. The Juilliard Review Annual 1962-1963. | ||||||||||||
BOX 15 | Masks and bergamasks. Excerpts from the forthcoming Lectionary of Musical Information, Instruction, and Entertainment.High Fidelity Magazine, Jan. 1976. | ||||||||||||
BOX 15 | Medieval musical notation. Review of The Notation of Polyphonic Music, 909-1600, by Willi Apel.Christian Science Monitor, undated | ||||||||||||
BOX 15 | Meeting Zappa. Harper's Magazine, Apr. 1988. [excerpt from Perfect Pitch. A Life Story, by N.S.] | ||||||||||||
BOX 15 | Memory. Medical Opinion and Review 2, no. 2 (Nov. 1966). | ||||||||||||
[Mendelssohn, Felix] | |||||||||||||
BOX 15 | [Liner notes for] Capriccio Brilliant, op. 22. Columbia Masterworks, Set X-197. | ||||||||||||
BOX 15 | Minstrels from the emerald isle. Christian Science Monitor, 31 July 1956. | ||||||||||||
BOX 15 | Modern composers of Brazil. Christian Science Monitor, 28 Sept. and 19 Oct. 1940. | ||||||||||||
BOX 15 | Modern composition in Rumania. The Musical Quarterly51, no. 1 (Jan. 1965). | ||||||||||||
BOX 15 | Modern immortals. The Saturday Review, 30 Sept. 1950. | ||||||||||||
BOX 15 | Modern Italian music. Christian Science Monitor, 1 Feb. 1938. | ||||||||||||
BOX 15 | Modern music. [typescript, 10 p.] | ||||||||||||
BOX 15 | Modern music-an airplane view. The Critic3, no. 1 (4 Mar. 1926). | ||||||||||||
BOX 15 | Modernist sprung from the ancients. Casella as the concert of his chamber pieces will reveal him. Boston Evening Transcript, 28 May 1929. | ||||||||||||
[Moore, Douglas] | |||||||||||||
BOX 15 | Farm journal. [typescript, 2 p.] | ||||||||||||
BOX 15 | Moscow. Musical interlude. Christian Science Monitor, 21 Aug. 1963. | ||||||||||||
BOX 15 | The most amazing romance in musical history, part 1. The Etude(Oct. 1935). | ||||||||||||
BOX 15 | Mountain melody revived. Review of Armenian Folksongs, by Sivart Poladian.Christian Science Monitor, 3 Oct. 1932. | ||||||||||||
[Mozart, Wolfgang Amadeus] | |||||||||||||
BOX 15 | Concerto for clarinet and orchestra, A major, K. 622. [typescript, 1 p.] | ||||||||||||
BOX 15 | Concerto for flute and harp, K. 299. [typescript, 1 p.] | ||||||||||||
BOX 15 | Concerto for three pianos, F major, K. 242. [typescript, 1 p.] | ||||||||||||
BOX 15 | [Liner notes for] Eine kleine Nachtmusik (Serenade in G major) (K. 525). Columbia Masterworks, Set X-187. | ||||||||||||
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