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Writings, 1920-1995 (continued) | |||||||||||||
Articles (continued) | |||||||||||||
BOX 17 | Old and new Russia. Review of The Political and Diplomatic History of Russia, by George Vernadsky.Christian Science Monitor, 12 June 1936. | ||||||||||||
BOX 17 | Old Russian song. Keyboard Classics7, no. 4 (June/July 1987). [piano music by N.S.] | ||||||||||||
BOX 17 | Omnibus of music. [typescript, 22 p.] | ||||||||||||
BOX 17 | On listening to words about music.Medical Opinion and Review1, no. 10 (July 1966). | ||||||||||||
BOX 17 | On music criticism. L.A. Philharmonic(Mar. 1967). | ||||||||||||
BOX 17 | On the contrary. [typescript, 4 p.] | ||||||||||||
BOX 17 | Onward to 2000. [typescript, 8 p.] | ||||||||||||
BOX 17 | Opera at Covent Garden. Christian Science Monitor, 30 Sept. 1952. | ||||||||||||
BOX 17 | Operas by return mail. Review of A Working Friendship. The Correspondence between Richard Strauss and Hugo von Hofmannsthal, translated by Hanns Hammelmann and Ewald Osers.Christian Science Monitor, 30 Aug. 1962. | ||||||||||||
BOX 17 | The orchestra situation in Latin America, 1942. [typescript, 12 p.] | ||||||||||||
BOX 17 | Oxford companion to music, a one-man dictionary. Review of The Oxford Companion to Music, compiled by Percy A. Scholes. Christian Science Monitor, 18 Mar. 1939. | ||||||||||||
BOX 17 | [Oxford companion to music (Concise Oxford Dictionary)-drafts, correspondence, etc.] | ||||||||||||
BOX 17 | Pandiatonicism. [typescript, 2 p.] | ||||||||||||
BOX 17 | Papa Haydn is cheerful. Christian Science Monitor, 18 Apr. 1953. | ||||||||||||
BOX 17 | The paradoxical Richard Wagner. Christian Science Monitor, 14 Feb. 1953. | ||||||||||||
BOX 17 | Patroness of a genius. Review of Beloved Friend, by Catherine Drinker Bowers and Barbara von Meek.Christian Science Monitor, undated | ||||||||||||
BOX 17 | Perfect pitch. Grand Street 6, no. 1 (autumn 1986). | ||||||||||||
BOX 17 | The perfect pitch. Medical Opinion and Review1, no. 6 (Mar. 1966). | ||||||||||||
BOX 17 | Peter Ibbetson by Deems Taylor. [typescript, 4 p.] | ||||||||||||
BOX 17 | Petrushka. [typescript, 9 p.] | ||||||||||||
BOX 18 | Pianist lauds musical intellect of audience. Christian Science Monitor, 10 Nov. 1959. | ||||||||||||
BOX 18 | Pianists-teachers and virtuosi. Program Notes3, no. 6 (Nov. 1967). | ||||||||||||
BOX 18 | Piano playing at home. Christian Science Monitor, 2 Sept. 1955. | ||||||||||||
BOX 18 | Piano teachers. [typescript, 7 p.; inscribed: Medical Opinion and Review, 1969] | ||||||||||||
[Piston, Walter] | |||||||||||||
BOX 18 | [Program notes for] Suite for orchestra. Boston Civic Orchestra, 18 Apr. 1945. | ||||||||||||
BOX 18 | Violin sonata. [typescript, 3 p.] | ||||||||||||
BOX 18 | The pit they have hollowed for Toscanini. Boston Evening Transcript, 2 Nov. 1929. | ||||||||||||
BOX 18 | Pitfalls of musical chronology. The Music Journal(Nov./Dec. 1946). | ||||||||||||
BOX 18 | Playing music together. Social philosophers have been fascinated by the wonder of collective harmony.Christian Science Monitor, 15 Dec. 1945. | ||||||||||||
BOX 18 | The plush era of music in the U.S. American concert life since 1861. [typescript, 27 p.] | ||||||||||||
BOX 18 | [Pocket manual of musical terms-drafts, correspondence, etc.] | ||||||||||||
BOX 18 | Poet of cheerful melancholy. Christian Science Monitor, 2 July 1959. | ||||||||||||
BOX 18 | Poet of musical fantasy. Christian Science Monitor, 29 June 1954. | ||||||||||||
BOX 18 | A poet of musical impressions Christian Science Monitor, 4 June 1952. | ||||||||||||
BOX 18 | The poet of Russia. Christian Science Monitor, 5 Feb. 1954. | ||||||||||||
BOX 18 | Port town in premiere. Christian Science Monitor, 6 Aug. 1960. | ||||||||||||
BOX 18 | Preface to Note Perfect, by Giveon Cornfield. Honolulu: Chaminade University Press, 1993. [typescript, 1 p.; inscribed: N.S. Sept. 1992] | ||||||||||||
BOX 18 | Presenting the great Rimsky. Christian Science Monitor, 6 July 1951. | ||||||||||||
BOX 18 | Problemas de la música moderna. Boletin Latino Americano de Música4, no. 4 (Oct. 1938). [also:Música Viva(Mar. 1941).] | ||||||||||||
BOX 18 | Problems of notation and harmony; biography and assorted footnotes.Boston Evening Transcript, 5 Jan. 1935. | ||||||||||||
BOX 18 | [Program notes for] The Music Center Monthly 3, no. 4 (Apr. 1969). [Prelude and Good Friday spell from "Parsifal", by Wagner ;Concerto no. 25 in C major, by Mozart ; Symphony no. 1, by Dorati ;Khovanshchina, by Mussorgsky ;Symphonie concertante in E minor for cello and orchestra, op. 125, by Prokofiev ;Symphony no. 9 in E minor, op. 95 ("From the New World"), by Dvořák ;The Damnation of Faust, op. 24, by Berlioz] | ||||||||||||
BOX 18 | [Program notes: performances and notes by N.S. et al., 1931-52] | ||||||||||||
BOX 18 | Progressive and reactionary forces in American music. [typescript, 31 p.] | ||||||||||||
[Prokofiev, Sergei] | |||||||||||||
BOX 18 | [Liner notes for] Classical Symphony in D major, op. 25. Minneapolis Symphony Orchestra. Columbia Masterworks, Set X-166. | ||||||||||||
BOX 18 | Peter and the Wolf. [typescript, 3 p.] | ||||||||||||
BOX 18 | [Liner notes for] Quartet, op. 50. Columbia Masterworks, Set M-448. | ||||||||||||
BOX 18 | Prokofiev. A full length portrait. Review of Sergei Prokofiev. His Musical Life, by Israel Nestyev. New York Times Book Review, 7 July 1946. | ||||||||||||
BOX 18 | A proposal. [typescript, 3 p.; at bottom: N.S. music lecturer at UCLA, March 22, 1965] | ||||||||||||
BOX 18 | Proposal for a comprehensive encyclopedia of music. [typescript, 5 p.] | ||||||||||||
BOX 18 | Psychedelic music. [typescript, 9 p.; inscribed: Medical Opinion and Review, 1968] | ||||||||||||
BOX 18 | A quarter of a century: 1951-1976. [typescript, 26 p.; inscribed: High Fidelity, sent off Jan. 1976] | ||||||||||||
BOX 18 | Rachmaninoff gives concert. The Boston Herald, 26 Mar. 1928. | ||||||||||||
[Ravel, Maurice] | |||||||||||||
BOX 18 | [Liner notes for] Bolero. All-American Youth Orchestra. Columbia Masterworks, Set X- 174. | ||||||||||||
BOX 18 | [Liner notes for] Introduction and Allegro ; Maid with the Flaxen hair, by Debussy. Columbia Masterworks, Set X-167. | ||||||||||||
BOX 18 | [Liner notes for] Quartet in F. Columbia Masterworks, Set M-425-AM-425-MM- 425. | ||||||||||||
BOX 18 | [Liner notes for] Sonatine. Columbia Masterworks, Set X-179. | ||||||||||||
BOX 18 | [Liner notes for] Valses nobles et sentimentales. Columbia Masterworks, Set X- 194. | ||||||||||||
BOX 18 | Ravel's piano concerto. [Record review for Concerto for Piano and Orchestra. Maurice Ravel conducting pianist Marguerite Long and the Symphony Orchestra, C-LFX257 to C-LFX259.] | ||||||||||||
BOX 18 | Rebarbarization of the musical armamentarium. City Celebration[San Francisco] (June 1979). | ||||||||||||
BOX 18 | The Red Army sings. Christian Science Monitor, 6 Nov. 1943, weekly magazine section. | ||||||||||||
BOX 18 | Red music. [typescript, 2 p.] | ||||||||||||
BOX 18 | Reference dictionary of music. [typescript, 370 p.] | ||||||||||||
BOX 19 | Reinhold Gliére. The American Quarterly on the Soviet Union 1, no. 2 (July 1938). | ||||||||||||
BOX 19 | Relevant paragraphs, Jan. 7, 14, 28 and Apr. 15, 1945. [typescript, 8 p.] | ||||||||||||
BOX 19 | Reminiscences of a vanished world and a great teacher. The Piano Teacher( Sept./Oct. 1963). | ||||||||||||
BOX 19 | Rengaw at the Microchron. Christian Science Monitor, 22 Jan. 1962. | ||||||||||||
BOX 19 | Report and impressions-N.S., American specialist in music, traveling on a State Department grant, Bucharest, Mar. 22, 1963. [typescript, 7 p.] | ||||||||||||
BOX 19 | Report on the sojourn in Bulgaria of N.S., American musicologist traveling on a grant of the State Department, Sofia, Mar. 7, 1963. [typescript, 5 p.] | ||||||||||||
[Respighi, Ottorino] | |||||||||||||
BOX 19 | Concerto a cinque. [typescript, 2 p.] | ||||||||||||
BOX 19 | Resplendent musician.Christian Science Monitor, 10 Feb. 1956. | ||||||||||||
BOX 19 | The responsibility of genius. [typescript for seminar description. Norman, Oklahoma, 9-13 Oct. 1988; 1 p.] | ||||||||||||
[Reznicek, Emil] | |||||||||||||
BOX 19 | Overture to the opera Donna Diana. [typescript, 2 p.] | ||||||||||||
BOX 19 | Rimsky-Korsakov. A personal portrait. [typescript, 4 p.] | ||||||||||||
[Rimsky-Korsakov, Nicolai] | |||||||||||||
BOX 19 | [Liner notes for] Capriccio Español, op. 34. Columbia Masterworks, Set X-185. | ||||||||||||
BOX 19 | Quintet for piano, flute, clarinet, French horn, and bassoon ; Capriccio Español, op. 34. [typescript, 3 p.] | ||||||||||||
BOX 19 | The Road to Music. New York: Dodd, Mead, 1966. | ||||||||||||
BOX 19 | Romantic. Medical Opinion and Review 1, no. 12 (Sept. 1966). | ||||||||||||
BOX 19 | Roy Harris. The Musical Quarterly 33, no. 1 (Jan. 1947). | ||||||||||||
BOX 19 | A royal game. Christian Science Monitor, 22 Mar. 1954. | ||||||||||||
BOX 19 | Russian folk music. [typescript, 6 p.] | ||||||||||||
BOX 19 | Russian music. Encyclopedia Americana (1973). [drafts, correspondence, etc.] | ||||||||||||
BOX 19 | Russian music is important. [newspaper article, 6/8/39.] | ||||||||||||
BOX 19 | Russian music warms to war. Christian Science Monitor, 12 July 1941. | ||||||||||||
BOX 19 | Russian novelist in a "Human Portrait." Review of Dostoyevsky. A Human Portrait, by Robert Payne.Christian Science Monitor, 20 Apr. 1961. | ||||||||||||
BOX 19 | A Russian symphony and concerto. Disques (Dec. 1932). | ||||||||||||
BOX 19 | Saint Petersburg Cultural Foundation, 1992. [promotional material in Russian of a lecture given by N.S.; 7 leaves (2 copies)] | ||||||||||||
[Saint-Saëns, Camille] | |||||||||||||
BOX 19 | [Liner notes for] Concerto no. 1 in A minor for Violincello and Orchestra, op. 33. Columbia Masterworks, Set X-182. | ||||||||||||
BOX 19 | Violin sonata, op. 75. [typescript, 4 p.] | ||||||||||||
BOX 19 | A Salute to Carleton Sprague Smith. [journal article undated] | ||||||||||||
BOX 19 | Samples of entries for dictionary of American music. [typescript, 7 p.] | ||||||||||||
BOX 19 | The Schillinger system. [typescript, 9 p.] | ||||||||||||
[Schönberg, Arnold] | |||||||||||||
BOX 19 | Kammersymphonie. [typescript, 3 p.] | ||||||||||||
BOX 19 | [Liner notes for] Pierrot Lunaire. Columbia Masterworks, Set M-461. | ||||||||||||
BOX 19 | [Program notes for] A Survivor from Warsaw, op. 46. [1968-1969] | ||||||||||||
BOX 19 | Schönberg a musical prophet. Christian Science Monitor, 19 Nov. 1960. | ||||||||||||
BOX 19 | The Schönberg idea. [poem, 2 p.] | ||||||||||||
BOX 19 | Schönberg in the Soviet Mirror. Journal of the Arnold Schoenberg Institute2, no. 2 (Feb. 1978). | ||||||||||||
[Schubert, Franz] | |||||||||||||
BOX 19 | [Liner notes for] Fantasie (transcribed for piano and orchestra by Liszt). Columbia Masterworks, Set M-426-AM-426-MM-426. | ||||||||||||
BOX 19 | [Liner notes for] Symphony no. 2 in B flat major. Columbia Masterworks, Set M-420-AM-420- MM-420. | ||||||||||||
BOX 19 | Symphony no. 6. [typescript, 2 p.] | ||||||||||||
BOX 19 | The Unfinished symphony. [typescript, 3 p.] | ||||||||||||
BOX 19 | Winterreise. [typescript, 3 p.] | ||||||||||||
[Schumann, Robert] | |||||||||||||
BOX 19 | Andante and variations for two pianos, op. 46. [typescript, 3 p.] | ||||||||||||
BOX 19 | Carnival in Vienna. [typescript, 4 p.] | ||||||||||||
BOX 19 | Dichterliebe. [typescript, 3 p.] | ||||||||||||
BOX 19 | Overture, scherzo and finale, op. 52. [typescript, 2 p.] | ||||||||||||
BOX 19 | [Liner notes for] Quartet no. 1 in A minor. Columbia Masterworks, Set M-454. | ||||||||||||
BOX 19 | [Liner notes for] Sonata no. 2 in G minor, op. 22. Columbia Masterworks, Set X- 186. | ||||||||||||
BOX 19 | Symphony no. 4. [typescript, 3 p.] | ||||||||||||
BOX 19 | Scientific mind turned on music-Saminsky's provocative book about composers of this day.Boston Evening Transcript, 20 May 1933. | ||||||||||||
[Scrapbook, articles 1949-59] see: BOX 345 |
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[Scriabin, Alexander] | |||||||||||||
BOX 19 | Piano sonata no. 4, op. 30. [typescript, 3 p.] | ||||||||||||
BOX 19 | [Program notes for] Symphony no. 2 in C, op. 29. Boston Symphony Orchestra, 10 Dec. undated | ||||||||||||
BOX 19 | Scriabin. A musical seer. Christian Science Monitor, 16 Dec. 1959. | ||||||||||||
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