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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1927-1977 (continued) | |||||||||||||
| Chamber, 1927-1974 (continued) | |||||||||||||
| BOX-FOLDER 46/5 |
Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea
see also Melodía hebrea para cello y piano, op. 31, no. 2 |
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| Holograph piano/violin score in pencil | |||||||||||||
| Danza hebrea op. 12, no. 2 only | |||||||||||||
| Dated by the composer 4-VI-1969 | |||||||||||||
| BOX-FOLDER 21/5 | Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea | ||||||||||||
| Holograph piano-violin score and violin part (transparency) | |||||||||||||
| Danza hebrea op. 12, no. 2 only | |||||||||||||
| Signed and dated by the composer, 4-VI-1969 | |||||||||||||
| BOX-FOLDER 21/6 | Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea | ||||||||||||
| Bound ozalid piano-violin score and violin part | |||||||||||||
| Danza hebrea op. 12, no. 2 only | |||||||||||||
| Signed and dated by the composer, 4-VI-1969 | |||||||||||||
| BOX-FOLDER 21/7 | Grave y presto, op. 3, para violin solo | ||||||||||||
| Holograph violin score (transparency) | |||||||||||||
| Signed and dated by the composer, 1923-1951 | |||||||||||||
| On p. 1: Reelaborado en 1951 | |||||||||||||
| BOX-FOLDER 21/8 | Grave y presto, op. 3, para violin solo | ||||||||||||
| Ozalid violin score (4 copies) | |||||||||||||
| On copy 1, p. 1: A Alfredo Hess | |||||||||||||
| On copy 3 and 4: A Alfredo Zubrisky | |||||||||||||
| BOX-FOLDER 21/9 | Hora [Jewish dance] | ||||||||||||
| Holograph violin and cello parts in ink | |||||||||||||
| Presumably parts of an unidentified work | |||||||||||||
| BOX-FOLDER 21/10 | Introducción y movimiento perpetuo, op. 92 | ||||||||||||
| Holograph piano-violin score and violin part in ink | |||||||||||||
| On p. 1: A Miguel; signed and dated by the composer, 19-III-1947 | |||||||||||||
| BOX-FOLDER 21/11 | Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118 | ||||||||||||
| Holograph full score (transparency) | |||||||||||||
| Signed and dated by the composer, 27-VIII-1971 | |||||||||||||
| BOX-FOLDER 21/12 | Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118 | ||||||||||||
| Bound ozalid full score | |||||||||||||
| Signed and dated by the composer, 27-VIII-1971 | |||||||||||||
| BOX-FOLDER 21/13 | Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118 | ||||||||||||
| Holograph parts (transparency) | |||||||||||||
| Signed and dated by the composer, 1971 | |||||||||||||
| BOX-FOLDER 21/14 |
Melodía hebrea para cello y piano, op. 31, no. 2
see also Dos piezas hebreas para violín y piano op. 12 |
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| Holograph piano-cello score in ink | |||||||||||||
| Dated by the composer, 13-VII-1930 | |||||||||||||
| BOX-FOLDER 46/6 | Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108 | ||||||||||||
| Holograph score in pencil | |||||||||||||
| Dated by the composer 17-IV-1969 | |||||||||||||
| BOX-FOLDER 22/1 | Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108 | ||||||||||||
| Holograph score (transparency) | |||||||||||||
| Signed and dated by the composer, Filadelfia-Buenos Aires, 17-IV-1969 | |||||||||||||
| BOX-FOLDER 22/2 | Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108 | ||||||||||||
| Holograph parts (transparency) | |||||||||||||
| Signed and dated by the composer, 1969 | |||||||||||||
| BOX-FOLDER 46/7 | Quinteto para piano y cuarteto de cuerdas, op. 96 | ||||||||||||
| Holograph score in pencil | |||||||||||||
| Dated by the composer 22-V-1961 | |||||||||||||
| BOX-FOLDER 46/8 | Quinteto para piano y cuarteto de cuerdas, op. 96 | ||||||||||||
| Holograph score (transparency) | |||||||||||||
| Signed and dated by the composer, 1961 | |||||||||||||
| BOX-FOLDER 22/3 | Quinteto para piano y cuarteto de cuerdas, op. 96 | ||||||||||||
| Holograph string parts (transparency) | |||||||||||||
| Signed and dated by the composer, 1961 | |||||||||||||
| BOX-FOLDER 22/4 | Serenata, op. 61 [string orchestra] | ||||||||||||
| Copyist's manuscript full score in ink (transparency) | |||||||||||||
| On p. 1: A Luis Gianneo | |||||||||||||
| BOX-FOLDER 22/5 | Serenata, op. 61 [string orchestra] | ||||||||||||
| Copyist's manuscript parts in ink (transparency) | |||||||||||||
| BOX-FOLDER 46/9 | Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot) | ||||||||||||
| Holograph score in pencil | |||||||||||||
| Dated by the composer 8-XII-[1]950 | |||||||||||||
| BOX-FOLDER 22/6 | Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot) | ||||||||||||
| Holograph score (transparency) | |||||||||||||
| Signed and dated by the composer, 21-XII-[1]950 | |||||||||||||
| BOX-FOLDER 22/7 | Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot) | ||||||||||||
| Holograph parts (transparency) | |||||||||||||
| Signed by the composer | |||||||||||||
| BOX-FOLDER 46/10 | Sonata para arpa, op. 55 [first draft] | ||||||||||||
| Holograph harp score in pencil | |||||||||||||
| Dated by the composer 23-X-[1]945 | |||||||||||||
| BOX-FOLDER 46/11 | Sonata para arpa, op. 55 [first draft] | ||||||||||||
| Holograph harp score in ink with marks in pencil | |||||||||||||
| On p. 1: A Carmen Benedit de Scanavino | |||||||||||||
| BOX-FOLDER 22/8 | Sonata para arpa, op. 55 [first draft] | ||||||||||||
| Holograph harp score (transparency) | |||||||||||||
| Signed and dated by the composer, Noviembre 1945 | |||||||||||||
| On p. 1: A Carmen Benedit de Scanavino | |||||||||||||
| BOX-FOLDER 46/12 | Sonata para clarinete en Sib y piano, op. 32, no. 2 | ||||||||||||
| Holograph piano-clarinet score and clarinet part (transparency) | |||||||||||||
| Signed and dated by the composer, 2-V-1937 | |||||||||||||
| On p. 1: A Filottete Martorella | |||||||||||||
| BOX-FOLDER 23/1 | Sonata para fagot y piano op. 32, no. 4 | ||||||||||||
| Holograph piano-bassoon score and bassoon part (transparency) | |||||||||||||
| Signed and dated by the composer, 30-X-1970 | |||||||||||||
| BOX-FOLDER 46/13 | Sonata para flauta, oboe y fagot, op. 68, no. 2 | ||||||||||||
| Holograph flute-oboe-bassoon score (transparency) | |||||||||||||
| Signed and date by the composer, 1949 | |||||||||||||
| BOX-FOLDER 46/14 | Sonata para flauta, oboe y fagot, op. 68, no. 2 | ||||||||||||
| Holograph parts (transparency) | |||||||||||||
| Signed and date by the composer, 1949 | |||||||||||||
| BOX-FOLDER 46/15 | Sonata para flauta y clarinete en Sib, op. 68, no. 1 | ||||||||||||
| Holograph flute-clarinet score (transparency) | |||||||||||||
| Signed and dated by the composer, 1949 | |||||||||||||
| On p. 1: Al Dr. Carleton Sprague Smith | |||||||||||||
| BOX-FOLDER 47/1 | Sonata para flauta y clarinete en Sib, op. 68, no. 1 | ||||||||||||
| Ozalid flute-clarinet score | |||||||||||||
| Signed and dated by the composer, 1949 (2 copies) | |||||||||||||
| BOX-FOLDER 47/2 | Sonata para flauta y piano, op. 32, no. 1 | ||||||||||||
| Holograph piano-flute score in ink and flute part with covers | |||||||||||||
| Dated by the composer, 1935 | |||||||||||||
| On p. 1: A Angel Martucci | |||||||||||||
| BOX-FOLDER 23/2 | Sonata para flauta y piano, op. 32, no. 1 | ||||||||||||
| Holograph piano-flute score and flute part (transparency) | |||||||||||||
| Signed and dated by the composer, 1935 | |||||||||||||
| On p. 1: A Angel Martucci | |||||||||||||
| BOX-FOLDER 23/3 | Sonata para flauta y piano, op. 32, no. 1 | ||||||||||||
| Printer's proof copy of piano-flute score and flute part (master transparency) | |||||||||||||
| On p. 1: title, composer name and Editorial Argentina de Música, Buenos Aires | |||||||||||||
| Laid in: composer notes with corrections for the printing shop | |||||||||||||
| BOX-FOLDER 47/3 | Sonata para oboe y piano, op. 32, no. 3 | ||||||||||||
| Holograph piano-oboe score in ink and oboe part | |||||||||||||
| Signed and dated by the composer, 1940 | |||||||||||||
| On p. 1: A Pedro Di Gregorio | |||||||||||||
| BOX-FOLDER 23/4 | Sonata para oboe y piano, op. 32, no. 3 | ||||||||||||
| Holograph piano-oboe score and oboe part (transparency) | |||||||||||||
| Signed and dated by the composer, 1940 | |||||||||||||
| On p. 1: A Lazare Saminsky | |||||||||||||
| BOX-FOLDER 23/5 | Sonata para oboe y piano, op. 32, no. 3 | ||||||||||||
| Printer's proof copy of piano-oboe score and oboe part (master transparency) | |||||||||||||
| On p. 1: title, composer name and Editorial Argentina de Música, Buenos Aires | |||||||||||||
| On p. 3: A Pedro Di Gregorio | |||||||||||||
| BOX-FOLDER 47/4 | Sonata para viola y piano, op. 80 | ||||||||||||
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