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Music, 1927-1977 (continued) | |||||||||||||
Piano, 1932-1975 (continued) | |||||||||||||
Cinco retratos, op. 113 (continued) | |||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 17-V-1970 | |||||||||||||
BOX-FOLDER 26/14 | Cuatro invenciones a 2 voces | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Dated by the composer, 8-III-[1]949 | |||||||||||||
BOX-FOLDER 26/11 | Cuatro piezas a 2 voces, op. 29, para piano | ||||||||||||
Holograph piano score in pencil | |||||||||||||
Dated by the composer, 17-X-[1]934 | |||||||||||||
Holograph piano score (transparency) | |||||||||||||
BOX-FOLDER 26/12 | Cuatro piezas a 2 voces, op. 29, para piano | ||||||||||||
Signed and dated by the composer, 17-X-1934 | |||||||||||||
BOX-FOLDER 26/13 | Cuatro preludios para piano, op. 119 | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 5-XII-1971 | |||||||||||||
BOX-FOLDER 26/15 | Poema, op. 106, para 2 pianos | ||||||||||||
Holograph two-piano score (transparency) | |||||||||||||
Signed and dated by the composer, 1966 | |||||||||||||
On p. 1: A Xiomara Audino y Elda Carella | |||||||||||||
BOX-FOLDER 26/16 | Polca | ||||||||||||
Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 2-III-[1]948 | |||||||||||||
BOX-FOLDER 48/12 |
Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi"
see also Orchestral subseries: Preludio, coral y fuga, op. 54-B |
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Holograph piano score in pencil [first draft] | |||||||||||||
Signed and dated by the composer, 19-VII-[1]945 | |||||||||||||
BOX-FOLDER 48/13 | Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi" | ||||||||||||
Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 21-VII-[1]945 | |||||||||||||
On p. 1: A Cecilia Benedit de Debenedetti | |||||||||||||
BOX-FOLDER 26/17 | Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi" | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 21-VII-1945 | |||||||||||||
BOX-FOLDER 26/18 | Preludio, siciliana y fuga, op. 111, para piano a 4 manos | ||||||||||||
Holograph piano for 4 hands score (transparency) | |||||||||||||
Signed and dated by the composer, 27-VII-1969 | |||||||||||||
BOX-FOLDER 26/19 | Preludio, siciliana y fuga, op. 111, para piano a 4 manos | ||||||||||||
Ozalid piano for 4 hands score with covers (2 copies) | |||||||||||||
Signed and dated by the composer, 27-VII-1969 | |||||||||||||
BOX-FOLDER 26/20 | Preludio y fuga, op. 31 | ||||||||||||
Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 12-IX-[1]935 | |||||||||||||
BOX-FOLDER 27/1 |
Seis danzas americanas op. 66
see also Seis tangos y milongas para piano, op. 66 |
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Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 3-IV-[1]948 | |||||||||||||
"Blues" only | |||||||||||||
BOX-FOLDER 27/2 | Seis fábulas, op. 38, piezas infantiles, 1a. serie [2 to 6 only] | ||||||||||||
Holograph piano score in ink with poems pasted on p. 1 | |||||||||||||
Signed and dated by the composer, 16-XI-[1]940 | |||||||||||||
On p. 1: A Myra | |||||||||||||
BOX-FOLDER 27/3 |
Seis fábulas, op. 59, piezas infantiles, 2a. serie
see also Orchestral subseries: Seis fábulas (segunda serie), op. 59-B |
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Holograph piano score in ink with marks in red and black pencil | |||||||||||||
Signed and dated by the composer, 23-III-[1]946 | |||||||||||||
BOX-FOLDER 27/4 |
Seis tangos y milongas para piano, op. 66
see also Seis danzas americanas op. 66 |
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Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 2-IX-[1]959 | |||||||||||||
Missing Tango no. 1 | |||||||||||||
BOX-FOLDER 27/5 | Seis tangos y milongas para piano, op. 66 | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 2-IX-[1]959 | |||||||||||||
Complete set | |||||||||||||
BOX-FOLDER 48/14 | 2a. sonata para piano, op. 49 | ||||||||||||
Holograph piano score in pencil | |||||||||||||
Other title: Sonata no. 2 | |||||||||||||
Dated by the composer, 30-IX-[1]943 | |||||||||||||
BOX-FOLDER 48/15 | 2a. sonata para piano, op. 49 | ||||||||||||
Copyist's manuscript piano score in ink | |||||||||||||
Other title: Sonata no. 2 | |||||||||||||
On p. 1: A Lily Saslavsky Litvin | |||||||||||||
BOX-FOLDER 48/16 | Tercera sonata para piano, op. 71 | ||||||||||||
Holograph piano score in ink with marks in red pencil | |||||||||||||
Other title: Sonata no. 3 | |||||||||||||
Signed and dated by the composer, 18-VII-[1]950 | |||||||||||||
On p. 1: A Haydée Loustaunau | |||||||||||||
BOX-FOLDER 48/17 | Cuarta sonata, op. 72, para piano | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Other title: Sonata no. 4 | |||||||||||||
Signed and dated by the composer, 17-X-[1]950 | |||||||||||||
On p. 1: A Tom Bromley | |||||||||||||
BOX-FOLDER 27/6 | Cuarta sonata, op. 72, para piano | ||||||||||||
Ozalid piano score with marks in red and black pencil | |||||||||||||
Other title: Sonata no. 4 | |||||||||||||
BOX-FOLDER 27/7 | Sonata op. 87, no. 5, para piano | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Other title: Sonata no. 5 | |||||||||||||
Signed and dated by the composer, 16-IX-1956 | |||||||||||||
BOX-FOLDER 27/8 | Sonata no. 6, op. 97, para piano | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 1961 | |||||||||||||
BOX-FOLDER 27/9 | Sonata no. 7, op. 101, para piano | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 22-I-1964 | |||||||||||||
BOX-FOLDER 27/10 | Sonata no. 8, op. 115, para piano | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 29-I-1971 | |||||||||||||
BOX-FOLDER 27/11 | Sonata no. 9, op. 122, para piano | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 24-IX-1972 | |||||||||||||
BOX-FOLDER 27/12 | Sonata no. 9, op. 122, para piano Buenos Aires: Editorial Argentina de Compositores, 1972 . | ||||||||||||
Bound ozalid printed piano score | |||||||||||||
(EAC, no. 124, 1972) | |||||||||||||
BOX-FOLDER 28/1 |
Suite para piano, and untitled vocal work, beginning with the words, "gerdink main Kind..."
see also Vocal subseries: Untitled song |
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Holograph piano score and piano-vocal sketch in ink; p. 7-13 | |||||||||||||
BOX-FOLDER 28/2 | Tres danzas en estilo popular argentino, op. 43 | ||||||||||||
Holograph piano score in ink with marks in red, blue and black pencil | |||||||||||||
Signed and dated by the composer, 19-VI-[1]941 | |||||||||||||
On p. 1: A Valentín Zubrisky | |||||||||||||
BOX-FOLDER 48/18 | Tres danzas hebraicas, op. 64, for two pianos | ||||||||||||
Holograph two-piano score (transparency) | |||||||||||||
Signed and dated by the composer, 1948 | |||||||||||||
BOX-FOLDER 28/3 | Tres estampas, op. 37 | ||||||||||||
Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 24-II-[1]938 | |||||||||||||
On p. 1: A Francisco Curt Lange | |||||||||||||
BOX-FOLDER 28/4 | Tres estampas, op. 42, para piano (2a. serie) | ||||||||||||
Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 2-VI-[1]941 | |||||||||||||
BOX-FOLDER 28/5 | Tres estampas, op. 42, para piano (2a. serie) | ||||||||||||
Holograph piano score (transparency) | |||||||||||||
Signed and dated by the composer, 2-VI-[1]941 | |||||||||||||
BOX-FOLDER 28/6 | Tres piezas para piano, op. 19 | ||||||||||||
Holograph piano score in ink | |||||||||||||
Signed and dated by the composer, 9-I-1932 | |||||||||||||
first version | |||||||||||||
Only no. III Danza | |||||||||||||
BOX-FOLDER 28/7 | Tres piezas para piano, op. 19, segunda versión | ||||||||||||
Holograph piano score in ink | |||||||||||||
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