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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1927-1977 (continued) | |||||||||||||
| Chamber, 1927-1974 (continued) | |||||||||||||
| Sonata para arpa, op. 55 [first draft] (continued) | |||||||||||||
| Holograph harp score in ink with marks in pencil | |||||||||||||
| On p. 1: A Carmen Benedit de Scanavino | |||||||||||||
| BOX-FOLDER 22/8 | Sonata para arpa, op. 55 [first draft] | ||||||||||||
| Holograph harp score (transparency) | |||||||||||||
| Signed and dated by the composer, Noviembre 1945 | |||||||||||||
| On p. 1: A Carmen Benedit de Scanavino | |||||||||||||
| BOX-FOLDER 46/12 | Sonata para clarinete en Sib y piano, op. 32, no. 2 | ||||||||||||
| Holograph piano-clarinet score and clarinet part (transparency) | |||||||||||||
| Signed and dated by the composer, 2-V-1937 | |||||||||||||
| On p. 1: A Filottete Martorella | |||||||||||||
| BOX-FOLDER 23/1 | Sonata para fagot y piano op. 32, no. 4 | ||||||||||||
| Holograph piano-bassoon score and bassoon part (transparency) | |||||||||||||
| Signed and dated by the composer, 30-X-1970 | |||||||||||||
| BOX-FOLDER 46/13 | Sonata para flauta, oboe y fagot, op. 68, no. 2 | ||||||||||||
| Holograph flute-oboe-bassoon score (transparency) | |||||||||||||
| Signed and date by the composer, 1949 | |||||||||||||
| BOX-FOLDER 46/14 | Sonata para flauta, oboe y fagot, op. 68, no. 2 | ||||||||||||
| Holograph parts (transparency) | |||||||||||||
| Signed and date by the composer, 1949 | |||||||||||||
| BOX-FOLDER 46/15 | Sonata para flauta y clarinete en Sib, op. 68, no. 1 | ||||||||||||
| Holograph flute-clarinet score (transparency) | |||||||||||||
| Signed and dated by the composer, 1949 | |||||||||||||
| On p. 1: Al Dr. Carleton Sprague Smith | |||||||||||||
| BOX-FOLDER 47/1 | Sonata para flauta y clarinete en Sib, op. 68, no. 1 | ||||||||||||
| Ozalid flute-clarinet score | |||||||||||||
| Signed and dated by the composer, 1949 (2 copies) | |||||||||||||
| BOX-FOLDER 47/2 | Sonata para flauta y piano, op. 32, no. 1 | ||||||||||||
| Holograph piano-flute score in ink and flute part with covers | |||||||||||||
| Dated by the composer, 1935 | |||||||||||||
| On p. 1: A Angel Martucci | |||||||||||||
| BOX-FOLDER 23/2 | Sonata para flauta y piano, op. 32, no. 1 | ||||||||||||
| Holograph piano-flute score and flute part (transparency) | |||||||||||||
| Signed and dated by the composer, 1935 | |||||||||||||
| On p. 1: A Angel Martucci | |||||||||||||
| BOX-FOLDER 23/3 | Sonata para flauta y piano, op. 32, no. 1 | ||||||||||||
| Printer's proof copy of piano-flute score and flute part (master transparency) | |||||||||||||
| On p. 1: title, composer name and Editorial Argentina de Música, Buenos Aires | |||||||||||||
| Laid in: composer notes with corrections for the printing shop | |||||||||||||
| BOX-FOLDER 47/3 | Sonata para oboe y piano, op. 32, no. 3 | ||||||||||||
| Holograph piano-oboe score in ink and oboe part | |||||||||||||
| Signed and dated by the composer, 1940 | |||||||||||||
| On p. 1: A Pedro Di Gregorio | |||||||||||||
| BOX-FOLDER 23/4 | Sonata para oboe y piano, op. 32, no. 3 | ||||||||||||
| Holograph piano-oboe score and oboe part (transparency) | |||||||||||||
| Signed and dated by the composer, 1940 | |||||||||||||
| On p. 1: A Lazare Saminsky | |||||||||||||
| BOX-FOLDER 23/5 | Sonata para oboe y piano, op. 32, no. 3 | ||||||||||||
| Printer's proof copy of piano-oboe score and oboe part (master transparency) | |||||||||||||
| On p. 1: title, composer name and Editorial Argentina de Música, Buenos Aires | |||||||||||||
| On p. 3: A Pedro Di Gregorio | |||||||||||||
| BOX-FOLDER 47/4 | Sonata para viola y piano, op. 80 | ||||||||||||
| Holograph piano-viola score in pencil | |||||||||||||
| Dated by the composer 16-XII-[1]953 | |||||||||||||
| BOX-FOLDER 23/6 | Sonata para viola y piano, op. 80 | ||||||||||||
| Holograph piano-viola score and viola part (transparency) | |||||||||||||
| Signed and dated by the composer, 1953 | |||||||||||||
| On p. 1: A Andrés Vancoillie | |||||||||||||
| BOX-FOLDER 47/5 | Sonata para violín y piano, op. 15, no. 1 | ||||||||||||
| Holograph piano-violin score in pencil | |||||||||||||
| BOX-FOLDER 23/7 | Sonata para violín y piano, op. 15, no. 1 | ||||||||||||
| Holograph piano-violin score and violin part (transparency) | |||||||||||||
| Signed and dated by the composer, 1929 | |||||||||||||
| On p. 1: Reelaborada en 1960 | |||||||||||||
| BOX-FOLDER 23/8 | Sonata para violín y piano, op. 56, no. 2 | ||||||||||||
| Holograph piano-violin score and violin part (transparency) | |||||||||||||
| Signed and dated by the composer, 1945, 9-I-[1]946 | |||||||||||||
| BOX-FOLDER 23/9 | Sonata para violín y piano, op. 93, no. 3 | ||||||||||||
| Holograph piano-violin score and violin part (transparency) | |||||||||||||
| Signed and dated by the composer, 1959 | |||||||||||||
| BOX-FOLDER 47/6 | Sonata para violoncello y piano, op. 48 | ||||||||||||
| Holograph piano-cello score in pencil | |||||||||||||
| Dated by the composer 12/18-VII-[1]943 | |||||||||||||
| BOX-FOLDER 23/10 | Sonata para violoncello y piano, op. 48 | ||||||||||||
| Holograph piano-cello score and cello part (transparency) | |||||||||||||
| Signed and dated by the composer, 1943 | |||||||||||||
| BOX-FOLDER 23/11 | Sonata para violoncello y piano, op. 48 | ||||||||||||
| Ozalid cello part | |||||||||||||
| Signed and dated by the composer, 1943 | |||||||||||||
| On p. 1: A Washington Castro [in ink] | |||||||||||||
| BOX-FOLDER 24/1 | Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21 | ||||||||||||
| Holograph piano-trumpet-saxophone score, and trumpet and saxophone parts in ink | |||||||||||||
| Signed and dated by the composer, Buenos Aires 1-IV-1932 | |||||||||||||
| BOX-FOLDER 24/2 | Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21 | ||||||||||||
| Copyist's manuscript piano-trumpet-saxophone score in ink | |||||||||||||
| On p. 21: Copiado por Simón Tenovsky, 20/6/[1]931, B. Aires | |||||||||||||
| BOX-FOLDER 24/3 | Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21 | ||||||||||||
| Photocopy of printed score and parts with corrections in red pencil | |||||||||||||
| On p. 1: To my friend Isaac Nuguer | |||||||||||||
| BOX-FOLDER 47/7 | Suite en estilo antiguo, op. 16 | ||||||||||||
| Holograph full score in pencil and ink [first draft] | |||||||||||||
| BOX-FOLDER 47/8 | Suite en estilo antiguo, op. 16 | ||||||||||||
| Holograph full score in ink with covers | |||||||||||||
| Signed and dated by the composer, 18-I-1930 | |||||||||||||
| BOX-FOLDER 47/9 | Suite en estilo antiguo, op. 16 | ||||||||||||
| Holograph parts in ink | |||||||||||||
| BOX-FOLDER 47/10 | Suite en estilo antiguo, op. 16 | ||||||||||||
| Holograph piano-version score in ink with covers, op. 16-a | |||||||||||||
| Signed by the composer | |||||||||||||
| On p. 1: Arreglo para piano. | |||||||||||||
| BOX-FOLDER 24/4 | Suite en estilo antiguo, op. 16 | ||||||||||||
| Holograph full score (transparency) | |||||||||||||
| Signed and dated by the composer, 1930 | |||||||||||||
| BOX-FOLDER 24/5 | Suite en estilo antiguo, op. 16 | ||||||||||||
| Holograph parts (transparency) | |||||||||||||
| Signed and dated by the composer, 1930 | |||||||||||||
| BOX-FOLDER 47/11 | Tres piezas para viola y piano, op. 76 | ||||||||||||
| Holograph piano-viola score in ink | |||||||||||||
| Dated by the composer 12-VIII-[1]953 | |||||||||||||
| BOX-FOLDER 24/6 | Tres piezas para viola y piano, op. 76 | ||||||||||||
| Holograph piano-viola score in ink | |||||||||||||
| Dated by the composer 19-VIII-[1]953 | |||||||||||||
| On p. 2: En memoria de Carlos Evaristo Goreloff | |||||||||||||
| BOX-FOLDER 24/7 | Tres piezas para viola y piano, op. 76 | ||||||||||||
| Holograph piano-viola score and viola part (transparency) | |||||||||||||
| On p. 1: "In memoriam" de Carlos Evaristo Goreloff | |||||||||||||
| BOX-FOLDER 48/1 |
Tres piezas para violin y piano, op. 65[A]
see also Orchestral subseries: Tres piezas para violín y orquesta, op. 65[B] |
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| Holograph piano-violin score and violin part in ink with marks in red and blue pencil | |||||||||||||
| Laid in: notes about copyright and proof of the printed score | |||||||||||||
| Signed and dated by the composer, 9-II-1948 | |||||||||||||
| BOX-FOLDER 48/2 | Trío, op. 30 para piano, violín y cello | ||||||||||||
| Printer's proof copy piano-violin-cello score and parts (master transparency) | |||||||||||||
| BOX-FOLDER 24/8 | Trío, op. 30 para piano, violín y cello | ||||||||||||
| Ozalid violin and cello parts | |||||||||||||
| Signed and dated by the composer, 1935 | |||||||||||||
| On p. 1: A mi esposa Ana | |||||||||||||
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