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| Container | Contents | ||||||||||||
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| Music Manuscripts, 1895-1958 (continued) | |||||||||||||
| Part 1: Original Music Manuscripts by Bloch (continued) | |||||||||||||
| Quintet no. 2, 1957 (continued) | |||||||||||||
| Drafts and sketches; 63 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in: Note before each movement with title, date, etc. | |||||||||||||
| BOX-FOLDER 15/6 | Quintet no. 2 | ||||||||||||
| Sketches and thematic material; 50 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in: Note in second and third folder with title, date, etc. | |||||||||||||
| BOX-FOLDER 16/1 | Regrets ... pour piano seul, 1897 . | ||||||||||||
| Piano solo score; 3 p. | |||||||||||||
| Holograph in ink | |||||||||||||
| On cover: XIII. Bruxelles. Octobre 1897 | |||||||||||||
| BOX-FOLDER 16/2 | Ronde des princesses | ||||||||||||
| Score; 7 p. | |||||||||||||
| Holograph in ink | |||||||||||||
| BOX-FOLDER 16/3 | Le saule : pour piano and chant | ||||||||||||
| Piano-vocal score; 3 p. | |||||||||||||
| Holograph in ink | |||||||||||||
| BOX-FOLDER 16/4 | Scherzo fantasque, 1948 | ||||||||||||
| Sketches; 68 p. | |||||||||||||
| Holograph in pencil | |||||||||||||
| On last page: Achèvé! after innumerable changes! December 21, 1948, Agate Beach, Oregon. | |||||||||||||
| BOX-FOLDER 16/5 | Scherzo fantasque | ||||||||||||
| Sketches; 45 p. | |||||||||||||
| Holograph sketches in pencil | |||||||||||||
| BOX-FOLDER 16/6 | Serenade : morceau pour piano & violon, 1898 | ||||||||||||
| Score; 7 p. | |||||||||||||
| Holograph in ink | |||||||||||||
| On cover: Genève, 8-9 janvier 1898. | |||||||||||||
| BOX-FOLDER 16/7 | Sinfonia breve | ||||||||||||
| Final sketches and drafts; 54 p. | |||||||||||||
| Note placed before 1st and 3rd movements with title, etc. | |||||||||||||
| Laid in note in first folder: no page 4 | |||||||||||||
| BOX-FOLDER 16/8 | Sinfonia breve | ||||||||||||
| Early sketches; 71 p. | |||||||||||||
| Holograph in pencil. | |||||||||||||
| Laid in note before each movement with title, etc. | |||||||||||||
| BOX-FOLDER 17/1 | Sonate pour violon et piano, 1920 | ||||||||||||
| Score and violin part; 85 p. | |||||||||||||
| Holograph in ink and pencil. | |||||||||||||
| On cover: À mon ami Paul Rosenfeld. | |||||||||||||
| At end: New York (janvier-février 1920), Cleveland (Novembre 1920) | |||||||||||||
| BOX-FOLDER 17/2 | Sonate pour piano et violoncello, 1895 | ||||||||||||
| Score and violincello part; 22 p. | |||||||||||||
| Holograph in ink and pencil | |||||||||||||
| On cover: Allegro - Adagio - 24 nov. - 29 1897. Bruxelles. | |||||||||||||
| BOX-FOLDER 17/2 | Sonate pour piano et violoncello (1897). | ||||||||||||
| Score and part; 22 p. | |||||||||||||
| Holograph in ink and pencil | |||||||||||||
| On cover of each score: 24 Nov.-29, 1897, Bruxelles. | |||||||||||||
| BOX-FOLDER 17/3 | [Studies and exercises] : Counterpoint, II part, 1918 | ||||||||||||
| Studies and exercises workbook (bound); 73 p. | |||||||||||||
| Holograph in ink and pencil | |||||||||||||
| BOX-FOLDER 17/4 | [Studies and exercises] : Théorie musicale et harmonié élémentaire, no. 1, circa 1917-1918 | ||||||||||||
| Studies and exercises workbook; 26 p. | |||||||||||||
| Holograph in ink and pencil | |||||||||||||
| Laid in note from Suzanne Bloch: One of my very first theory books written out for me by my father - about 1917 or 1918. | |||||||||||||
| BOX-FOLDER 17/5 | [Studies and exercises] : Workbooks - from E. Bloch, 1900 | ||||||||||||
| Studies and exercises workbook; 56 p. | |||||||||||||
| Holograph in pencil and ink. | |||||||||||||
| Laid in note: 2 Work books - from E. Bloch exercises when studying with Prof. Ivan Knorr in Frankfort, 1900 | |||||||||||||
| BOX-FOLDER 18/1 | Suite I for viola solo, undated . | ||||||||||||
| Score; 5 p. | |||||||||||||
| Holograph in ink | |||||||||||||
| BOX-FOLDER 18/2 | Suite I for violin solo, 1958 | ||||||||||||
| Draft; 8 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in note with title, date, etc. | |||||||||||||
| At end: April 17, 1958, Agate Beach. | |||||||||||||
| BOX-FOLDER 18/3 | Suite I for violin solo | ||||||||||||
| Sketches; 10 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in note with title and date | |||||||||||||
| BOX-FOLDER 18/4 | Suite I for violoncello, 1956 | ||||||||||||
| Sketches; 22 p. | |||||||||||||
| Holograph in pencil | |||||||||||||
| Laid in notes with title, dates, duration of movements | |||||||||||||
| BOX-FOLDER 18/5 | Suite II for violin solo, 1958 | ||||||||||||
| Draft and thematic notes; 14 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in note with title, date | |||||||||||||
| BOX-FOLDER 18/6 | Suite II for violin solo | ||||||||||||
| Sketches; 9 p. | |||||||||||||
| Holograph in pencil | |||||||||||||
| Laid in note with title | |||||||||||||
| BOX-FOLDER 18/7 | Suite II for violoncello solo, 1956 | ||||||||||||
| Sketches; 25 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in note with title and dates | |||||||||||||
| BOX-FOLDER 18/8 | Suite III for violoncello solo, 1956-1957 | ||||||||||||
| Sketches; 15 p. | |||||||||||||
| Holograph in pencil | |||||||||||||
| Laid in notes with title and dates and durations of movements. | |||||||||||||
| BOX-FOLDER 18/9 | Suite for viola and piano or orchestra. | ||||||||||||
| Orchestral draft; 116 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| BOX-FOLDER 18/10 | Suite for viola and piano or orchestra. | ||||||||||||
| Sketches; 4 p. | |||||||||||||
| Holograph in ink and pencil Thematic material |
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| BOX-FOLDER 18/11 | Suite for viola and piano (or orchestra) | ||||||||||||
| Viola part; 15 p. | |||||||||||||
| Holograph in ink and pencil | |||||||||||||
| On cover: Keep for L. Bailly; "Sapientra, meditatio non mortis, sed vitae" | |||||||||||||
| BOX-FOLDER 18/12 | Suite pour alto solo et orchestre | ||||||||||||
| Orchestral score; 132 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
| Laid in note in front of first 3 folders with title, etc. | |||||||||||||
| BOX-FOLDER 18/13 | Suite for piano and viola | ||||||||||||
| Partial score; 37 p. | |||||||||||||
| Holograph in ink and pencil Movements 2, 3, 4 |
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| BOX-FOLDER 18/14 | Suite Hebraïque for viola (or violin) and orchestra. | ||||||||||||
| Sketches; 68 p. | |||||||||||||
| Holograph in ink | |||||||||||||
Contents:
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| BOX-FOLDER 18/15 | Suite Hebraïque for viola (or violin) and orchestra, undated
Title on inside page: I. Rhapsodie |
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| Violin score; 6 p. | |||||||||||||
| Holograph in ink | |||||||||||||
| BOX-FOLDER 19/1 | Suite modale for flute and piano, 1956 | ||||||||||||
| Score; 18 p. | |||||||||||||
| Holograph in ink and pencil | |||||||||||||
| On cover: To Elaine Shaffer (Mm. Efrem Kurtz); July 15-Aug. 31, 1956 | |||||||||||||
| At end: Agate Beach, Oregon, August 31, 1956 | |||||||||||||
| List of duration of movements laid in | |||||||||||||
| BOX-FOLDER 19/2 | Suite modale pour flûte et piano | ||||||||||||
| Drafts; 23 p. | |||||||||||||
| Holograph in pencil and ink | |||||||||||||
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