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BOX 13-17 |
Writings, 1915-1999
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George Antheil, 1915-1954
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Books
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The shape of the war to come
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BOX-FOLDER 13/1-13 |
Typescript
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GA annotations and hand-drawn maps |
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BOX-FOLDER 13/14 |
Photocopied printed edition
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GA personal home copy |
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BOX-FOLDER 13/15 |
Reviews
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Titled articles, essays, and interviews
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BOX-FOLDER 14/1 |
6 sharps that beat in 3⁄4 time. Esquire (March 1938): 107-108
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BOX-FOLDER 14/1 |
Abstraction and time in music. Little Review (Autumn-Winter 1924-1925): 13-15
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BOX-FOLDER 14/1 |
Abstraction und Zeit in der Musik: 2 p.
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GA annotations |
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BOX-FOLDER 14/1 |
After dinner witch doctor. Esquire (December 1936): 79, 214, 216, 219
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BOX-FOLDER 14/1 |
The American composer’s heritage: 18 p.
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BOX-FOLDER 14/1 |
Antheil interview (November 1952): [4] p.
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BOX-FOLDER 14/1 |
Arnold Schoenberg: 10 p.
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BOX-FOLDER 14/2 |
Baby starlet: a portrait. Esquire (January 1939): 39, 163-166
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BOX-FOLDER 14/2 |
Backstage with Esquire. Esquire: 36
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BOX-FOLDER 14/2 |
Bad boy of music. Omnibook Magazine (January 1946): 41-80
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BOX-FOLDER 14/2 |
Ballet Mécanique: 3 p.
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Notes for Columbia Records |
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BOX-FOLDER 14/2 |
The brothers: 6 p.
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BOX-FOLDER 14/2 |
Composers in movieland. Modern Music, 12 (January-February 1935): 62-68
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GA annotations |
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BOX-FOLDER 14/2 |
Composing a modern opera: 7 p.
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BOX-FOLDER 14/3 |
The death of cities: 2 p.
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GA annotations |
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BOX-FOLDER 14/3 |
Don’t be a composer: 12 p.
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BOX-FOLDER 14/3 |
(George Antheil protests) Down-at-the-heels ballet. Stage (March 1935): 19
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BOX-FOLDER 14/3 |
The Duartean Club. Music with the masters. Program notes: 8 p.
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BOX-FOLDER 14/4 |
An earnest plea: [1] p.
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GA annotations |
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BOX-FOLDER 14/4 |
The end of art: [1] p.
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GA annotations |
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BOX-FOLDER 14/4 |
The essence of musical revolution: 9 p.
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GA annotations |
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BOX-FOLDER 14/4 |
Every man his own detective (1937): [1] p.
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Chart |
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An explanation of my evolution since 1924: 4 p.
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Holograph manuscript |
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Laid in: Examples of my work since 1925 |
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see ML 95.A?? |
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BOX-FOLDER 14/4 |
Fanelli: 4 p.
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GA annotations |
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BOX-FOLDER 14/4 |
Fanelli. The Transatlantic Review (November 1924): 563-567
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BOX-FOLDER 14/5 |
George Antheil : autobiographical notes: 2 p.
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BOX-FOLDER 14/5 |
George Antheil on Tom Scott. Bulletin of the American Composers Alliance, 6 (1957): 3
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BOX-FOLDER 14/5 |
Germany never had a chance. Esquire (November 1939): 5, 52-53, 161-162
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BOX-FOLDER 14/5 |
Gershwin (1938): 115-119
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BOX-FOLDER 14/5 |
Glandbook for the questing male. Esquire (May 1936): 40-41,184
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GA annotations |
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BOX-FOLDER 14/5 |
Glands on a hobby horse. Esquire (April 1936) 47, 174, 176, 178
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Laid in: GA notes found with article |
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BOX-FOLDER 14/5 |
Government subsidy of symphony-opera, or not?: [1] p.
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BOX-FOLDER 14/6 |
Has new musical Europe been misrepresented?: 3 p.
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BOX-FOLDER 14/6 |
Hollywood and the new music. Cinema Arts (July 1937): 28-29
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BOX-FOLDER 14/6 |
Hollywood composer. College Prose (1942): 370-384
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GA annotations? |
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BOX-FOLDER 14/6 |
How to compose an opera: 18 p.
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GA annotations |
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BOX-FOLDER 14/6 |
How to play two-handed piano. Esquire (January 1938): 52-53, 120
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BOX-FOLDER 14/7 |
Illusion: [1] p.
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Holograph manuscript |
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BOX-FOLDER 14/7 |
The immediate future of War II: 2 p.
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BOX-FOLDER 14/7 |
The importance of other names: 3 p.
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BOX-FOLDER 14/7 |
Instructions for my system of orchestral indication: [2] p.
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Photocopied holograph manuscript |
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BOX-FOLDER 14/7 |
Interviews with Mrs. Mercedes O’Leary Tucker: [14] p.
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Laid in: GA notes |
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BOX-FOLDER 14/7 |
It can’t happen here. New York Times (October 1979: [2] p.
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Reprinted from Esquire, 1939 |
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BOX-FOLDER 14/7 |
Jazz: 3 p.
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GA annotations |
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Laid in: "belongs to article Jazz"; [3] p. |
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BOX-FOLDER 14/7 |
Jazz is a bore: 6 p.
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BOX-FOLDER 14/7 |
Jazz is music: [4] p.
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Laid in: Spaeth, Sigmund. Jazz is not music; [5] p. |
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BOX-FOLDER 14/7 |
Know thyself. Esquire (July 1936): 34, 192, 193-195
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GA annotations |
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BOX-FOLDER 14/7 |
The last year of the Great War. Esquire (April 1942): 27, 168-169
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GA annotations |
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BOX-FOLDER 14/7 |
Lecture notes: 8 p.
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Holograph manuscript |
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Topics include: Ballet Mécanique; origin of nickname "bad boy of music"; musical philosophies, et al. |
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BOX-FOLDER 14/8 |
Mama! (or The Americans don’t like me): [4] p.
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GA annotations |
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BOX-FOLDER 14/8 |
The man I want my son to be (February 1940): 22
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BOX-FOLDER 14/8 |
Manifest of musico-mechanics: 3 p.
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BOX-FOLDER 14/8 |
Martha Graham (1937): 71-77
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BOX-FOLDER 14/8 |
Miro: 3 p.
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BOX-FOLDER 14/8 |
Modern music ... and how it gets that way. Panorama (June 1931): 12, 22
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BOX-FOLDER 14/8 |
More melody, please!: 21-22
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BOX-FOLDER 14/8 |
Mother of the Earth. Musical supplement: 226-227
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BOX-FOLDER 14/8 |
Mozart could laugh. In this I Believe (1954): 6-7
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BOX-FOLDER 14/8 |
Music: 19 p.
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BOX-FOLDER 14/8 |
The music box. The Hollywood Tribune (July 1939): [2] p.
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BOX-FOLDER 14/8 |
Music in 1955 (December 1936): 83-89
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BOX-FOLDER 14/8 |
Music in 2000 A.D.: 2 p.
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BOX-FOLDER 14/8 |
Music in America: 9 p.
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GA annotations |
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BOX-FOLDER 14/8 |
Music in film: 14-15
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BOX-FOLDER 14/8 |
Musical neofism (1923): 3 p.
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BOX-FOLDER 14/8 |
The musical score to The pride and the passion. Film and TV Music, 16 (1957): 3-11
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BOX-FOLDER 14/8 |
Musical theatre. Musical Theatre: 59-60
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BOX-FOLDER 14/8 |
My Ballet Mécanique (June 1951): 4 p.
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BOX-FOLDER 14/8 |
My Ballet mécanique: what it means Der Querschnitt (September 1925): 3 p.
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BOX-FOLDER 14/8 |
My Ballet mécanique: what it means: 2 p.
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GA annotations |
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BOX-FOLDER 14/8 |
My father (1945): 2 p.
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BOX-FOLDER 14/8 |
My fourth piano sonata: 2 p.
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BOX-FOLDER 14/8 |
My new violin concerto (1947): 6 p.
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GA annotations |
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BOX-FOLDER 14/9 |
The Negro on the spiral or A method of Negro music. Negro Anthology (1934): 346-351
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BOX-FOLDER 14/9 |
Neofism (1923): 3 p.
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GA annotations |
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BOX-FOLDER 14/9 |
New directions in motion picture composing (June 1955): 5 p.
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BOX-FOLDER 14/9 |
Not even my dog would be satisfied: 12 p.
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BOX-FOLDER 14/9 |
Notes: [12] p.
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Holograph manuscript |
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BOX-FOLDER 14/9 |
Notes for 5th Symphony(1948): 4 p.
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Photocopied letter from GA to Donald Engle, 1948 Nov. 30 |
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BOX-FOLDER 14/9 |
Notes on musical composition (1943-1944): [13] p.
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BOX-FOLDER 14/9 |
Oaths: [1] p.
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