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Music, 1919-1956 (continued) | |||||||||||||
Works by George Antheil, 1919-1956 (continued) | |||||||||||||
Symphony no. 6: After Delacroix (continued) | |||||||||||||
see ML 96.A723 no. 23 | |||||||||||||
BOX-FOLDER 12/1 | Symphony no. 6: After Delacroix | ||||||||||||
Photocopied holograph manuscript full score | |||||||||||||
BOX-FOLDER 6/9 | Symphony no. 6: After Delacroix | ||||||||||||
Printed full score | |||||||||||||
Symphony no. 7 | |||||||||||||
Holograph manuscript short score | |||||||||||||
Note: Unfinished | |||||||||||||
see ML 96.A723 no. 35 | |||||||||||||
Tom Sawyer (orchestra) | |||||||||||||
Holograph manuscript full score | |||||||||||||
see ML 96.A723 no. 16 | |||||||||||||
BOX-FOLDER 12/2 | Tom Sawyer (orchestra) | ||||||||||||
Photocopied holograph manuscript full score | |||||||||||||
Note: GA annotations | |||||||||||||
Early title: California overture | |||||||||||||
Two toccatas (piano) | |||||||||||||
Holograph manuscript score | |||||||||||||
see ML 96.A723 no. 6 | |||||||||||||
BOX-FOLDER 6/10 | Two toccatas (piano) | ||||||||||||
Printed score | |||||||||||||
BOX-FOLDER 7/1 | Transatlantic (voices, orchestra) | ||||||||||||
Printed piano-vocal score | |||||||||||||
BOX-FOLDER 7/2-5 | Transatlantic (voices, orchestra) | ||||||||||||
Photocopied printed piano-vocal score | |||||||||||||
Note: Alternate English text by Drew Jewett | |||||||||||||
BOX-FOLDER 7/6 | Transatlantic. Tango (piano) | ||||||||||||
Printed score | |||||||||||||
Valentine waltzes (piano) | |||||||||||||
Photocopied holograph manuscript score | |||||||||||||
see ML 96.5.A62 no. 13 | |||||||||||||
BOX-FOLDER 7/7 | Valse profane (piano) | ||||||||||||
Holograph manuscript score | |||||||||||||
BOX-FOLDER 8/1 | Venus in Africa (voices, orchestra) | ||||||||||||
Photocopied holograph manuscript piano-vocal score | |||||||||||||
Note: GA annotations | |||||||||||||
see also ML 96.5.A62 no. 17 | |||||||||||||
BOX-FOLDER 8/2 | La vie Parisienne (piano) | ||||||||||||
Holograph manuscript score | |||||||||||||
Violin concerto (violin, orchestra) | |||||||||||||
Photocopied holograph manuscript full score | |||||||||||||
see ML 96.A723 no. 21 | |||||||||||||
Violin concerto (violin, orchestra) | |||||||||||||
Holograph manuscript short score | |||||||||||||
see ML 96.A723 no. 22 | |||||||||||||
BOX-FOLDER 8/3 | Violin concerto (violin, orchestra) | ||||||||||||
Photocopied holograph manuscript short score | |||||||||||||
Note: GA annotations | |||||||||||||
Volpone. Waltzes (orchestra) | |||||||||||||
Photocopied holograph manuscript piano score | |||||||||||||
Note: GA annotations | |||||||||||||
see ML 96.5.A62 no. 10 | |||||||||||||
Water-music for the 4th of July evening (string orchestra) | |||||||||||||
Holograph manuscript score | |||||||||||||
see ML 96.A723 no. 11 | |||||||||||||
Water-music for the 4th of July evening (string orchestra) | |||||||||||||
Photocopied holograph manuscript score | |||||||||||||
see ML 96.A62 no. 25 | |||||||||||||
BOX-FOLDER 8/4-7 | The wish (voices, orchestra) | ||||||||||||
Holograph manuscript full score | |||||||||||||
BOX-FOLDER 12/3-4 | The wish (voices, orchestra) | ||||||||||||
Photocopied holograph manuscript full score | |||||||||||||
BOX-FOLDER 8/8 | The wish (voices, orchestra) | ||||||||||||
Typescript libretto | |||||||||||||
Note: GA annotations | |||||||||||||
Unidentified | |||||||||||||
Holograph manuscript; [2] p. | |||||||||||||
Music owned by George Antheil, 1930 | |||||||||||||
Weill, Kurt | |||||||||||||
BOX-FOLDER 8/10 | Der Lindberghflug | ||||||||||||
Printed score | |||||||||||||
GA annotations | |||||||||||||
BOX 13-17 | Writings, 1915-1999 | ||||||||||||
George Antheil, 1915-1954 | |||||||||||||
Books | |||||||||||||
The shape of the war to come | |||||||||||||
BOX-FOLDER 13/1-13 | Typescript | ||||||||||||
GA annotations and hand-drawn maps | |||||||||||||
BOX-FOLDER 13/14 | Photocopied printed edition | ||||||||||||
GA personal home copy | |||||||||||||
BOX-FOLDER 13/15 | Reviews | ||||||||||||
Titled articles, essays, and interviews | |||||||||||||
BOX-FOLDER 14/1 | 6 sharps that beat in 3⁄4 time. Esquire (March 1938): 107-108 | ||||||||||||
BOX-FOLDER 14/1 | Abstraction and time in music. Little Review (Autumn-Winter 1924-1925): 13-15 | ||||||||||||
BOX-FOLDER 14/1 | Abstraction und Zeit in der Musik: 2 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/1 | After dinner witch doctor. Esquire (December 1936): 79, 214, 216, 219 | ||||||||||||
BOX-FOLDER 14/1 | The American composer’s heritage: 18 p. | ||||||||||||
BOX-FOLDER 14/1 | Antheil interview (November 1952): [4] p. | ||||||||||||
BOX-FOLDER 14/1 | Arnold Schoenberg: 10 p. | ||||||||||||
BOX-FOLDER 14/2 | Baby starlet: a portrait. Esquire (January 1939): 39, 163-166 | ||||||||||||
BOX-FOLDER 14/2 | Backstage with Esquire. Esquire: 36 | ||||||||||||
BOX-FOLDER 14/2 | Bad boy of music. Omnibook Magazine (January 1946): 41-80 | ||||||||||||
BOX-FOLDER 14/2 | Ballet Mécanique: 3 p. | ||||||||||||
Notes for Columbia Records | |||||||||||||
BOX-FOLDER 14/2 | The brothers: 6 p. | ||||||||||||
BOX-FOLDER 14/2 | Composers in movieland. Modern Music, 12 (January-February 1935): 62-68 | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/2 | Composing a modern opera: 7 p. | ||||||||||||
BOX-FOLDER 14/3 | The death of cities: 2 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/3 | Don’t be a composer: 12 p. | ||||||||||||
BOX-FOLDER 14/3 | (George Antheil protests) Down-at-the-heels ballet. Stage (March 1935): 19 | ||||||||||||
BOX-FOLDER 14/3 | The Duartean Club. Music with the masters. Program notes: 8 p. | ||||||||||||
BOX-FOLDER 14/4 | An earnest plea: [1] p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/4 | The end of art: [1] p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/4 | The essence of musical revolution: 9 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/4 | Every man his own detective (1937): [1] p. | ||||||||||||
Chart | |||||||||||||
An explanation of my evolution since 1924: 4 p. | |||||||||||||
Holograph manuscript | |||||||||||||
Laid in: Examples of my work since 1925 | |||||||||||||
see ML 95.A?? | |||||||||||||
BOX-FOLDER 14/4 | Fanelli: 4 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/4 | Fanelli. The Transatlantic Review (November 1924): 563-567 | ||||||||||||
BOX-FOLDER 14/5 | George Antheil : autobiographical notes: 2 p. | ||||||||||||
BOX-FOLDER 14/5 | George Antheil on Tom Scott. Bulletin of the American Composers Alliance, 6 (1957): 3 | ||||||||||||
BOX-FOLDER 14/5 | Germany never had a chance. Esquire (November 1939): 5, 52-53, 161-162 | ||||||||||||
BOX-FOLDER 14/5 | Gershwin (1938): 115-119 | ||||||||||||
BOX-FOLDER 14/5 | Glandbook for the questing male. Esquire (May 1936): 40-41,184 | ||||||||||||
GA annotations | |||||||||||||
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