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George and Böske Antheil papers, circa 1875-1984

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Music, 1919-1956 (continued)
Music owned by George Antheil, 1930
Weill, Kurt
BOX-FOLDER 8/10 Der Lindberghflug
Printed score
GA annotations
BOX 13-17 Writings, 1915-1999
George Antheil, 1915-1954
Books
The shape of the war to come
BOX-FOLDER 13/1-13 Typescript
GA annotations and hand-drawn maps
BOX-FOLDER 13/14 Photocopied printed edition
GA personal home copy
BOX-FOLDER 13/15 Reviews
Titled articles, essays, and interviews
BOX-FOLDER 14/1 6 sharps that beat in 3⁄4 time. Esquire (March 1938): 107-108
BOX-FOLDER 14/1 Abstraction and time in music. Little Review (Autumn-Winter 1924-1925): 13-15
BOX-FOLDER 14/1 Abstraction und Zeit in der Musik: 2 p.
GA annotations
BOX-FOLDER 14/1 After dinner witch doctor. Esquire (December 1936): 79, 214, 216, 219
BOX-FOLDER 14/1 The American composer’s heritage: 18 p.
BOX-FOLDER 14/1 Antheil interview (November 1952): [4] p.
BOX-FOLDER 14/1 Arnold Schoenberg: 10 p.
BOX-FOLDER 14/2 Baby starlet: a portrait. Esquire (January 1939): 39, 163-166
BOX-FOLDER 14/2 Backstage with Esquire. Esquire: 36
BOX-FOLDER 14/2 Bad boy of music. Omnibook Magazine (January 1946): 41-80
BOX-FOLDER 14/2 Ballet Mécanique: 3 p.
Notes for Columbia Records
BOX-FOLDER 14/2 The brothers: 6 p.
BOX-FOLDER 14/2 Composers in movieland. Modern Music, 12 (January-February 1935): 62-68
GA annotations
BOX-FOLDER 14/2 Composing a modern opera: 7 p.
BOX-FOLDER 14/3 The death of cities: 2 p.
GA annotations
BOX-FOLDER 14/3 Don’t be a composer: 12 p.
BOX-FOLDER 14/3 (George Antheil protests) Down-at-the-heels ballet. Stage (March 1935): 19
BOX-FOLDER 14/3 The Duartean Club. Music with the masters. Program notes: 8 p.
BOX-FOLDER 14/4 An earnest plea: [1] p.
GA annotations
BOX-FOLDER 14/4 The end of art: [1] p.
GA annotations
BOX-FOLDER 14/4 The essence of musical revolution: 9 p.
GA annotations
BOX-FOLDER 14/4 Every man his own detective (1937): [1] p.
Chart
An explanation of my evolution since 1924: 4 p.
Holograph manuscript
Laid in: Examples of my work since 1925
see ML 95.A??
BOX-FOLDER 14/4 Fanelli: 4 p.
GA annotations
BOX-FOLDER 14/4 Fanelli. The Transatlantic Review (November 1924): 563-567
BOX-FOLDER 14/5 George Antheil : autobiographical notes: 2 p.
BOX-FOLDER 14/5 George Antheil on Tom Scott. Bulletin of the American Composers Alliance, 6 (1957): 3
BOX-FOLDER 14/5 Germany never had a chance. Esquire (November 1939): 5, 52-53, 161-162
BOX-FOLDER 14/5 Gershwin (1938): 115-119
BOX-FOLDER 14/5 Glandbook for the questing male. Esquire (May 1936): 40-41,184
GA annotations
BOX-FOLDER 14/5 Glands on a hobby horse. Esquire (April 1936) 47, 174, 176, 178
Laid in: GA notes found with article
BOX-FOLDER 14/5 Government subsidy of symphony-opera, or not?: [1] p.
BOX-FOLDER 14/6 Has new musical Europe been misrepresented?: 3 p.
BOX-FOLDER 14/6 Hollywood and the new music. Cinema Arts (July 1937): 28-29
BOX-FOLDER 14/6 Hollywood composer. College Prose (1942): 370-384
GA annotations?
BOX-FOLDER 14/6 How to compose an opera: 18 p.
GA annotations
BOX-FOLDER 14/6 How to play two-handed piano. Esquire (January 1938): 52-53, 120
BOX-FOLDER 14/7 Illusion: [1] p.
Holograph manuscript
BOX-FOLDER 14/7 The immediate future of War II: 2 p.
BOX-FOLDER 14/7 The importance of other names: 3 p.
BOX-FOLDER 14/7 Instructions for my system of orchestral indication: [2] p.
Photocopied holograph manuscript
BOX-FOLDER 14/7 Interviews with Mrs. Mercedes O’Leary Tucker: [14] p.
Laid in: GA notes
BOX-FOLDER 14/7 It can’t happen here. New York Times (October 1979: [2] p.
Reprinted from Esquire, 1939
BOX-FOLDER 14/7 Jazz: 3 p.
GA annotations
Laid in: "belongs to article Jazz"; [3] p.
BOX-FOLDER 14/7 Jazz is a bore: 6 p.
BOX-FOLDER 14/7 Jazz is music: [4] p.
Laid in: Spaeth, Sigmund. Jazz is not music; [5] p.
BOX-FOLDER 14/7 Know thyself. Esquire (July 1936): 34, 192, 193-195
GA annotations
BOX-FOLDER 14/7 The last year of the Great War. Esquire (April 1942): 27, 168-169
GA annotations
BOX-FOLDER 14/7 Lecture notes: 8 p.
Holograph manuscript
Topics include: Ballet Mécanique; origin of nickname "bad boy of music"; musical philosophies, et al.
BOX-FOLDER 14/8 Mama! (or The Americans don’t like me): [4] p.
GA annotations
BOX-FOLDER 14/8 The man I want my son to be (February 1940): 22
BOX-FOLDER 14/8 Manifest of musico-mechanics: 3 p.
BOX-FOLDER 14/8 Martha Graham (1937): 71-77
BOX-FOLDER 14/8 Miro: 3 p.
BOX-FOLDER 14/8 Modern music ... and how it gets that way. Panorama (June 1931): 12, 22
BOX-FOLDER 14/8 More melody, please!: 21-22
BOX-FOLDER 14/8 Mother of the Earth. Musical supplement: 226-227
BOX-FOLDER 14/8 Mozart could laugh. In this I Believe (1954): 6-7
BOX-FOLDER 14/8 Music: 19 p.
BOX-FOLDER 14/8 The music box. The Hollywood Tribune (July 1939): [2] p.
BOX-FOLDER 14/8 Music in 1955 (December 1936): 83-89
BOX-FOLDER 14/8 Music in 2000 A.D.: 2 p.
BOX-FOLDER 14/8 Music in America: 9 p.
GA annotations
BOX-FOLDER 14/8 Music in film: 14-15
BOX-FOLDER 14/8 Musical neofism (1923): 3 p.
BOX-FOLDER 14/8 The musical score to The pride and the passion. Film and TV Music, 16 (1957): 3-11
BOX-FOLDER 14/8 Musical theatre. Musical Theatre: 59-60
BOX-FOLDER 14/8 My Ballet Mécanique (June 1951): 4 p.
BOX-FOLDER 14/8 My Ballet mécanique: what it means Der Querschnitt (September 1925): 3 p.
BOX-FOLDER 14/8 My Ballet mécanique: what it means: 2 p.
GA annotations
BOX-FOLDER 14/8 My father (1945): 2 p.
BOX-FOLDER 14/8 My fourth piano sonata: 2 p.
BOX-FOLDER 14/8 My new violin concerto (1947): 6 p.
GA annotations
BOX-FOLDER 14/9 The Negro on the spiral or A method of Negro music. Negro Anthology (1934): 346-351
BOX-FOLDER 14/9 Neofism (1923): 3 p.
GA annotations
BOX-FOLDER 14/9 New directions in motion picture composing (June 1955): 5 p.
BOX-FOLDER 14/9 Not even my dog would be satisfied: 12 p.
BOX-FOLDER 14/9 Notes: [12] p.
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