Some or all content stored offsite.
Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Writings, 1915-1999 (continued) | |||||||||||||
George Antheil, 1915-1954 (continued) | |||||||||||||
BOX-FOLDER 14/5 | Glands on a hobby horse. Esquire (April 1936) 47, 174, 176, 178 | ||||||||||||
Laid in: GA notes found with article | |||||||||||||
BOX-FOLDER 14/5 | Government subsidy of symphony-opera, or not?: [1] p. | ||||||||||||
BOX-FOLDER 14/6 | Has new musical Europe been misrepresented?: 3 p. | ||||||||||||
BOX-FOLDER 14/6 | Hollywood and the new music. Cinema Arts (July 1937): 28-29 | ||||||||||||
BOX-FOLDER 14/6 | Hollywood composer. College Prose (1942): 370-384 | ||||||||||||
GA annotations? | |||||||||||||
BOX-FOLDER 14/6 | How to compose an opera: 18 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/6 | How to play two-handed piano. Esquire (January 1938): 52-53, 120 | ||||||||||||
BOX-FOLDER 14/7 | Illusion: [1] p. | ||||||||||||
Holograph manuscript | |||||||||||||
BOX-FOLDER 14/7 | The immediate future of War II: 2 p. | ||||||||||||
BOX-FOLDER 14/7 | The importance of other names: 3 p. | ||||||||||||
BOX-FOLDER 14/7 | Instructions for my system of orchestral indication: [2] p. | ||||||||||||
Photocopied holograph manuscript | |||||||||||||
BOX-FOLDER 14/7 | Interviews with Mrs. Mercedes O’Leary Tucker: [14] p. | ||||||||||||
Laid in: GA notes | |||||||||||||
BOX-FOLDER 14/7 | It can’t happen here. New York Times (October 1979: [2] p. | ||||||||||||
Reprinted from Esquire, 1939 | |||||||||||||
BOX-FOLDER 14/7 | Jazz: 3 p. | ||||||||||||
GA annotations | |||||||||||||
Laid in: "belongs to article Jazz"; [3] p. | |||||||||||||
BOX-FOLDER 14/7 | Jazz is a bore: 6 p. | ||||||||||||
BOX-FOLDER 14/7 | Jazz is music: [4] p. | ||||||||||||
Laid in: Spaeth, Sigmund. Jazz is not music; [5] p. | |||||||||||||
BOX-FOLDER 14/7 | Know thyself. Esquire (July 1936): 34, 192, 193-195 | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/7 | The last year of the Great War. Esquire (April 1942): 27, 168-169 | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/7 | Lecture notes: 8 p. | ||||||||||||
Holograph manuscript | |||||||||||||
Topics include: Ballet Mécanique; origin of nickname "bad boy of music"; musical philosophies, et al. | |||||||||||||
BOX-FOLDER 14/8 | Mama! (or The Americans don’t like me): [4] p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/8 | The man I want my son to be (February 1940): 22 | ||||||||||||
BOX-FOLDER 14/8 | Manifest of musico-mechanics: 3 p. | ||||||||||||
BOX-FOLDER 14/8 | Martha Graham (1937): 71-77 | ||||||||||||
BOX-FOLDER 14/8 | Miro: 3 p. | ||||||||||||
BOX-FOLDER 14/8 | Modern music ... and how it gets that way. Panorama (June 1931): 12, 22 | ||||||||||||
BOX-FOLDER 14/8 | More melody, please!: 21-22 | ||||||||||||
BOX-FOLDER 14/8 | Mother of the Earth. Musical supplement: 226-227 | ||||||||||||
BOX-FOLDER 14/8 | Mozart could laugh. In this I Believe (1954): 6-7 | ||||||||||||
BOX-FOLDER 14/8 | Music: 19 p. | ||||||||||||
BOX-FOLDER 14/8 | The music box. The Hollywood Tribune (July 1939): [2] p. | ||||||||||||
BOX-FOLDER 14/8 | Music in 1955 (December 1936): 83-89 | ||||||||||||
BOX-FOLDER 14/8 | Music in 2000 A.D.: 2 p. | ||||||||||||
BOX-FOLDER 14/8 | Music in America: 9 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/8 | Music in film: 14-15 | ||||||||||||
BOX-FOLDER 14/8 | Musical neofism (1923): 3 p. | ||||||||||||
BOX-FOLDER 14/8 | The musical score to The pride and the passion. Film and TV Music, 16 (1957): 3-11 | ||||||||||||
BOX-FOLDER 14/8 | Musical theatre. Musical Theatre: 59-60 | ||||||||||||
BOX-FOLDER 14/8 | My Ballet Mécanique (June 1951): 4 p. | ||||||||||||
BOX-FOLDER 14/8 | My Ballet mécanique: what it means Der Querschnitt (September 1925): 3 p. | ||||||||||||
BOX-FOLDER 14/8 | My Ballet mécanique: what it means: 2 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/8 | My father (1945): 2 p. | ||||||||||||
BOX-FOLDER 14/8 | My fourth piano sonata: 2 p. | ||||||||||||
BOX-FOLDER 14/8 | My new violin concerto (1947): 6 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/9 | The Negro on the spiral or A method of Negro music. Negro Anthology (1934): 346-351 | ||||||||||||
BOX-FOLDER 14/9 | Neofism (1923): 3 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/9 | New directions in motion picture composing (June 1955): 5 p. | ||||||||||||
BOX-FOLDER 14/9 | Not even my dog would be satisfied: 12 p. | ||||||||||||
BOX-FOLDER 14/9 | Notes: [12] p. | ||||||||||||
Holograph manuscript | |||||||||||||
BOX-FOLDER 14/9 | Notes for 5th Symphony(1948): 4 p. | ||||||||||||
Photocopied letter from GA to Donald Engle, 1948 Nov. 30 | |||||||||||||
BOX-FOLDER 14/9 | Notes on musical composition (1943-1944): [13] p. | ||||||||||||
BOX-FOLDER 14/9 | Oaths: [1] p. | ||||||||||||
Holograph manuscript | |||||||||||||
BOX-FOLDER 14/10 | Passing ideas that may some day help to make the art of music greater: [77] p. | ||||||||||||
Holograph manuscript | |||||||||||||
BOX-FOLDER 14/11 | Peggy Glanville-Hicks. Bulletin of American Composers Alliance 4 (1954): 2-6 | ||||||||||||
BOX-FOLDER 14/11 | A physical possibility (1922): 3 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/11 | Präzisionsmusik. Melos, 28 (July-August 1961): 220-223 | ||||||||||||
Laid in: English summary by BA | |||||||||||||
BOX-FOLDER 14/11 | Program notes, biography, analysis, etc. for George Antheil’s Fourth symphony (1944): [14] p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/11 | Program notes on Capitol of the world (1955): [1] p. | ||||||||||||
Laid in: letter from GA to Vladimir Golschmann, 1955 Nov. 4; [1] p. | |||||||||||||
BOX-FOLDER 14/11 | Program notes for November 14 and 15, 1946: [12] p. | ||||||||||||
GA handwritten musical examples | |||||||||||||
BOX-FOLDER 14/12 | Sample of American. Querschmitt (Summer 1924): [2] p. | ||||||||||||
BOX-FOLDER 14/12 | Second violin sonata: 2 p. | ||||||||||||
Laid in: letter from GA to Denny Watrous, 1949 Nov. 28; 2 p. | |||||||||||||
BOX-FOLDER 14/12 | She's no longer faithful if—. Esquire (1936) | ||||||||||||
6 articles | |||||||||||||
Written under pseudonym Marcel Desage | |||||||||||||
BOX-FOLDER 14/12 | So smells defeat. Esquire (November 1936): 52-53, 227-228 | ||||||||||||
BOX-FOLDER 14/12 | The solution of the fourth dimension: [1] p. | ||||||||||||
BOX-FOLDER 14/12 | The spectator, 1915-1917 | ||||||||||||
Poems and articles; [13] p. | |||||||||||||
High school publication for which Antheil was associate editor | |||||||||||||
BOX-FOLDER 14/12 | Stop looking—and listen: an interview with George Antheil. International Musician (November 1950): 24-25 | ||||||||||||
BOX-FOLDER 14/12 | Technical orchestration: 7 p. | ||||||||||||
Holograph manuscript | |||||||||||||
Notes for Cyclops, an opera to be based on text by James Joyce | |||||||||||||
BOX-FOLDER 14/12 | To the editor. Transatlantic Review (November 1924): 558 | ||||||||||||
BOX-FOLDER 14/13 | Wanted—opera by and for Americans. Modern Music, 7 (June-July 1930): 11-16 | ||||||||||||
BOX-FOLDER 14/13 | Why a poet quit the muses. Chicago Tribune (September 1924): 9 | ||||||||||||
Untitled articles, essays, and interviews | |||||||||||||
BOX-FOLDER 14/14 | The background scores for Hollywood's films can be much better ...: [6] p. | ||||||||||||
BOX-FOLDER 14/14 | The drawings of Miro have reassured me. I turn back to the pages of the Airplane sonata ...: [20] p. | ||||||||||||
Holograph manuscript | |||||||||||||
P. 19-20 are summer plans for 1934 | |||||||||||||
BOX-FOLDER 14/14 | From personal experience I know that there is no demand for contemporary opera in the United States ...: 3 p. | ||||||||||||
BOX-FOLDER 14/14 | In 1922, as a young American composer ...: 5 p. | ||||||||||||
P. 4 is missing | |||||||||||||
BOX-FOLDER 14/14 | In order to judge music, one must ...: 10 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/14 | In the beginning, music probably started with rhythm ...: 4 p. | ||||||||||||
GA annotations | |||||||||||||
BOX-FOLDER 14/14 | Miscellaneous notes: [10] p. | ||||||||||||
GA annotations | |||||||||||||
Topics: futurism; modernism; Stravinsky; Bloch | |||||||||||||
BOX-FOLDER 14/14 | Music must be hard as stone ...: [3] p. | ||||||||||||
Holograph manuscript | |||||||||||||
BOX-FOLDER 14/14 | Paper about sonata form: 28 p. | ||||||||||||
P. 1-2 are missing | |||||||||||||
BOX-FOLDER 14/14 | Radio transcription about Ballet mécanique, circa 1952-1953: [4] p. | ||||||||||||
BOX-FOLDER 14/14 | Radio transcription about life experiences, 1948-1952?: [2] p. | ||||||||||||
Next Page » |