| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Musical Figures, 1000-1987 (continued) | |||||||||||||
| Casadesus, Robert | |||||||||||||
| BOX 110 | Portrait, 1938 | ||||||||||||
| By Hrand | |||||||||||||
| Photograph | |||||||||||||
| Note: Signed to Boaz Piller | |||||||||||||
| Casals, Pablo | |||||||||||||
| Correspondence | |||||||||||||
| BOX 12 | Adler, Guido, 1928 March 12 | ||||||||||||
| Autograph letter, signed; 2 pages; French | |||||||||||||
| BOX 12 | Piller, Boaz, 1918-1951 | ||||||||||||
| 12 autograph letter, signed; 19 pages; French and English | |||||||||||||
| BOX 12 | Piller, Boaz, 1936-1957 | ||||||||||||
| 23 postcards, signed; French and English | |||||||||||||
| BOX 12 | Piller, Boaz, 1940 May 6 | ||||||||||||
| Autograph letter, signed; 2 pages; French | |||||||||||||
| Note: Discusses the conditions in Europe as a result of the Hitler regime | |||||||||||||
| Includes: Clipping regarding letter | |||||||||||||
| Digital content available | |||||||||||||
| BOX 12 | Piller, Boaz, 1958 February 20 | ||||||||||||
| Typescript letter, signed; 1 page; English | |||||||||||||
| BOX 12 | Weigl, Karl, 1927 March 30 | ||||||||||||
| Autograph letter, signed; 2 pages; French | |||||||||||||
| BOX 12 | Weigl, Karl, 1935 June 3 | ||||||||||||
| Postcard, signed; French | |||||||||||||
| BOX 12 | Weigl, Vally, 1951 May 8 | ||||||||||||
| Postcard, signed; French | |||||||||||||
| BOX 110 | Portrait, undated | ||||||||||||
| Includes: Group at the organ with Schweitzer | |||||||||||||
| Writings | |||||||||||||
| BOX 12 | Corredor, J. MA., circa 1954 | ||||||||||||
| Book; 328 pages | |||||||||||||
| Note: Signed Gespräche mit Casals | |||||||||||||
| Bern: Alfred Scherz | |||||||||||||
| BOX 12 | Pablo Casals, circa 1955 | ||||||||||||
| Book; 31 pages | |||||||||||||
| Note: Signed from Bernard Gavoty to Hans Moldenhauer | |||||||||||||
| Geneva: René Kister | |||||||||||||
| Related Collection Materials see Weigl, Karl |
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| Casella, Alfredo | |||||||||||||
| Correspondence | |||||||||||||
| BOX 12 | Herlinger, Ruzena, 1938 February 15 and March 23 | ||||||||||||
| 2 autograph letters, signed | |||||||||||||
| BOX 12 | Herlinger, Ruzena, undated | ||||||||||||
| Typescript letter, signed | |||||||||||||
| BOX 12 | Piller, Boaz,1927-1947 | ||||||||||||
| 53 letters, signed; 65 pages; French | |||||||||||||
| Note: Five letters are from his wife, Yvonne, who writes on his behalf | |||||||||||||
| BOX 12 | Sanders, Paul, 1931 May 18 and October 4, 1933 September 15; | ||||||||||||
| 3 typescript letters, signed; 5 pages; French | |||||||||||||
| Note: Regarding the ICSM; Pijper | |||||||||||||
| BOX 12 | Schwarz, Hanna, 1937 April 16, 1938 January 12 | ||||||||||||
| 2 autograph letters, signed; 2 pages; French | |||||||||||||
| BOX 12 | Essay, undated | ||||||||||||
| Typescript with autograph revisions; 3 pages; French | |||||||||||||
| Note: On the development of the modern orchestra | |||||||||||||
| Music | |||||||||||||
| BOX 12 | Concerto, 1924, 1927 February 14 | ||||||||||||
| Autograph music quotation, signed | |||||||||||||
| BOX 12 | Tre canzoni trecentesche, 1911? December 20 | ||||||||||||
| Printed score; 16 pages | |||||||||||||
| Note: Signed to Ruzena Herlinger | |||||||||||||
| Vienna: Ricordi | |||||||||||||
| BOX 110 | Portrait, Boston, 1927 January 12 | ||||||||||||
| By de Gueldre | |||||||||||||
| Photograph | |||||||||||||
| Note: Signed to Boaz Piller | |||||||||||||
| Cassadó, Gaspar | |||||||||||||
| BOX 12 | Eisner, Bruno, Venice,1934 July 22 | ||||||||||||
| Autograph letter, signed; 2 pages; French | |||||||||||||
| Castelnuovo-Tedesco, Mario | |||||||||||||
| Artwork | |||||||||||||
| BOX 110 | The Merchant of Venice, undated | ||||||||||||
| By Attilio Colonello | |||||||||||||
| Photograph of drawing | |||||||||||||
| BOX 110 | Portrait, 1964 September | ||||||||||||
| By Pablo Ghiglia | |||||||||||||
| Photograph of drawing | |||||||||||||
| Note: Inscribed, 1965 April 7 | |||||||||||||
| BOX 118 | Clippings, Los Angeles, 1966 April | ||||||||||||
| 2 items; English | |||||||||||||
| Correspondence | |||||||||||||
| BOX 118 | Castelnuovo-Tedesco, Diana Clara, 1960 June 22 | ||||||||||||
| Birth announcement | |||||||||||||
| BOX 118 | Moldenhauer, Hans, 1958-1967 | ||||||||||||
| 134 autograph letters, signed; 261 pages | |||||||||||||
| Note: Provides much detail about Castelnuovo-Tedesco's works | |||||||||||||
| Contents include: Cards and postcards; notes from his wife Clara | |||||||||||||
| Digital content available | |||||||||||||
| BOX 118 | Moldenhauer, Hans and Rosaleen Moldenhauer from Lisbeth (wife of Castelnuovo-Tedesco's son Pietro), 1960 | ||||||||||||
| Card; English | |||||||||||||
| BOX 118 | Moldenhauer, Hans from Clara Castelnuovo-Tedescore, 1980 March 8 | ||||||||||||
| 2 letters, signed; 2 pages | |||||||||||||
| Includes: Two clippings and application forms for the Castelnuovo-Tedesco Society | |||||||||||||
| BOX 118 | Segovia, Andrés, 1948 September 22 | ||||||||||||
| Autograph letter; 2 pages; French | |||||||||||||
| Includes: Musical illustrations | |||||||||||||
| BOX 118 | Segovia, Andrés, 1951 March 10 and June 3, 1955 July 18, 1956 June 20 | ||||||||||||
| 4 autograph letters, signed; 8 pages; French | |||||||||||||
| Note: Discusses compositions and Segovia's performances | |||||||||||||
| BOX 118 | Segovia, Andrés, undated | ||||||||||||
| Autograph letter fragment, signed; 1 page; French | |||||||||||||
| Note: Contains musical illustrations | |||||||||||||
| Music | |||||||||||||
| BOX-FOLDER 84/2 | 2 Canti Greci, 1916 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 16 pages | |||||||||||||
| BOX-FOLDER 84/2 | 11 Preludes by Chopin, 1946 May | ||||||||||||
| Blue-line reproduction of manuscript score with revisions, signed; 25 pages | |||||||||||||
| Note: Arranged for violin and piano | |||||||||||||
| BOX-FOLDER 81/9 | 16 Préludes, 1944 September 23 | ||||||||||||
| By Frédéric Chopin | |||||||||||||
| Autograph piano score and violin part, signed; 36 pages (score) + 16 pages (parts); 32 x 25 cm. | |||||||||||||
| Note: Markings by Heifetz | |||||||||||||
| BOX-FOLDER 92/4 | 24 caprichos de Goya, op. 195, 1961 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 30 pages (1) + 29 pages (2) + 29 pages (3) + 29 pages (4) | |||||||||||||
| BOX-FOLDER 82/2 | 24 caprichos de Goya, op. 195, nos. 10, 19, and 22, 1961 March | ||||||||||||
| Autograph master sheets; 7 pages; 33 x 24 cm. | |||||||||||||
| BOX-FOLDER 93/6 | 24 caprichos de Goya, op. 195, nos. 13-18, circa 1971 | ||||||||||||
| Printed score; 34 pages | |||||||||||||
| Milan: Edizioni Musicali | |||||||||||||
| BOX-FOLDER 80/1 | Alborada del Gracioso for Cello and Piano, 1944 October 20 | ||||||||||||
| By Ravel | |||||||||||||
| Autograph music manuscript, signed; 17 pages; 33 x 24 cm. | |||||||||||||
| BOX-FOLDER 80/1 | Amours de Ronsard, op. 197, 1961 July 30 | ||||||||||||
| Autograph music manuscript, signed; 1 page; 33 x 27 cm. | |||||||||||||
| BOX-FOLDER 82/3 | Amours de Ronsard, op. 197, 1961 | ||||||||||||
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