| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Musical Figures, 1000-1987 (continued) | |||||||||||||
| Pablo Casals, circa 1955 (continued) | |||||||||||||
| Note: Signed from Bernard Gavoty to Hans Moldenhauer | |||||||||||||
| Geneva: René Kister | |||||||||||||
| Related Collection Materials see Weigl, Karl |
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| Casella, Alfredo | |||||||||||||
| Correspondence | |||||||||||||
| BOX 12 | Herlinger, Ruzena, 1938 February 15 and March 23 | ||||||||||||
| 2 autograph letters, signed | |||||||||||||
| BOX 12 | Herlinger, Ruzena, undated | ||||||||||||
| Typescript letter, signed | |||||||||||||
| BOX 12 | Piller, Boaz,1927-1947 | ||||||||||||
| 53 letters, signed; 65 pages; French | |||||||||||||
| Note: Five letters are from his wife, Yvonne, who writes on his behalf | |||||||||||||
| BOX 12 | Sanders, Paul, 1931 May 18 and October 4, 1933 September 15; | ||||||||||||
| 3 typescript letters, signed; 5 pages; French | |||||||||||||
| Note: Regarding the ICSM; Pijper | |||||||||||||
| BOX 12 | Schwarz, Hanna, 1937 April 16, 1938 January 12 | ||||||||||||
| 2 autograph letters, signed; 2 pages; French | |||||||||||||
| BOX 12 | Essay, undated | ||||||||||||
| Typescript with autograph revisions; 3 pages; French | |||||||||||||
| Note: On the development of the modern orchestra | |||||||||||||
| Music | |||||||||||||
| BOX 12 | Concerto, 1924, 1927 February 14 | ||||||||||||
| Autograph music quotation, signed | |||||||||||||
| BOX 12 | Tre canzoni trecentesche, 1911? December 20 | ||||||||||||
| Printed score; 16 pages | |||||||||||||
| Note: Signed to Ruzena Herlinger | |||||||||||||
| Vienna: Ricordi | |||||||||||||
| BOX 110 | Portrait, Boston, 1927 January 12 | ||||||||||||
| By de Gueldre | |||||||||||||
| Photograph | |||||||||||||
| Note: Signed to Boaz Piller | |||||||||||||
| Cassadó, Gaspar | |||||||||||||
| BOX 12 | Eisner, Bruno, Venice,1934 July 22 | ||||||||||||
| Autograph letter, signed; 2 pages; French | |||||||||||||
| Castelnuovo-Tedesco, Mario | |||||||||||||
| Artwork | |||||||||||||
| BOX 110 | The Merchant of Venice, undated | ||||||||||||
| By Attilio Colonello | |||||||||||||
| Photograph of drawing | |||||||||||||
| BOX 110 | Portrait, 1964 September | ||||||||||||
| By Pablo Ghiglia | |||||||||||||
| Photograph of drawing | |||||||||||||
| Note: Inscribed, 1965 April 7 | |||||||||||||
| BOX 118 | Clippings, Los Angeles, 1966 April | ||||||||||||
| 2 items; English | |||||||||||||
| Correspondence | |||||||||||||
| BOX 118 | Castelnuovo-Tedesco, Diana Clara, 1960 June 22 | ||||||||||||
| Birth announcement | |||||||||||||
| BOX 118 | Moldenhauer, Hans, 1958-1967 | ||||||||||||
| 134 autograph letters, signed; 261 pages | |||||||||||||
| Note: Provides much detail about Castelnuovo-Tedesco's works | |||||||||||||
| Contents include: Cards and postcards; notes from his wife Clara | |||||||||||||
| Digital content available | |||||||||||||
| BOX 118 | Moldenhauer, Hans and Rosaleen Moldenhauer from Lisbeth (wife of Castelnuovo-Tedesco's son Pietro), 1960 | ||||||||||||
| Card; English | |||||||||||||
| BOX 118 | Moldenhauer, Hans from Clara Castelnuovo-Tedescore, 1980 March 8 | ||||||||||||
| 2 letters, signed; 2 pages | |||||||||||||
| Includes: Two clippings and application forms for the Castelnuovo-Tedesco Society | |||||||||||||
| BOX 118 | Segovia, Andrés, 1948 September 22 | ||||||||||||
| Autograph letter; 2 pages; French | |||||||||||||
| Includes: Musical illustrations | |||||||||||||
| BOX 118 | Segovia, Andrés, 1951 March 10 and June 3, 1955 July 18, 1956 June 20 | ||||||||||||
| 4 autograph letters, signed; 8 pages; French | |||||||||||||
| Note: Discusses compositions and Segovia's performances | |||||||||||||
| BOX 118 | Segovia, Andrés, undated | ||||||||||||
| Autograph letter fragment, signed; 1 page; French | |||||||||||||
| Note: Contains musical illustrations | |||||||||||||
| Music | |||||||||||||
| BOX-FOLDER 84/2 | 2 Canti Greci, 1916 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 16 pages | |||||||||||||
| BOX-FOLDER 84/2 | 11 Preludes by Chopin, 1946 May | ||||||||||||
| Blue-line reproduction of manuscript score with revisions, signed; 25 pages | |||||||||||||
| Note: Arranged for violin and piano | |||||||||||||
| BOX-FOLDER 81/9 | 16 Préludes, 1944 September 23 | ||||||||||||
| By Frédéric Chopin | |||||||||||||
| Autograph piano score and violin part, signed; 36 pages (score) + 16 pages (parts); 32 x 25 cm. | |||||||||||||
| Note: Markings by Heifetz | |||||||||||||
| BOX-FOLDER 92/4 | 24 caprichos de Goya, op. 195, 1961 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 30 pages (1) + 29 pages (2) + 29 pages (3) + 29 pages (4) | |||||||||||||
| BOX-FOLDER 82/2 | 24 caprichos de Goya, op. 195, nos. 10, 19, and 22, 1961 March | ||||||||||||
| Autograph master sheets; 7 pages; 33 x 24 cm. | |||||||||||||
| BOX-FOLDER 93/6 | 24 caprichos de Goya, op. 195, nos. 13-18, circa 1971 | ||||||||||||
| Printed score; 34 pages | |||||||||||||
| Milan: Edizioni Musicali | |||||||||||||
| BOX-FOLDER 80/1 | Alborada del Gracioso for Cello and Piano, 1944 October 20 | ||||||||||||
| By Ravel | |||||||||||||
| Autograph music manuscript, signed; 17 pages; 33 x 24 cm. | |||||||||||||
| BOX-FOLDER 80/1 | Amours de Ronsard, op. 197, 1961 July 30 | ||||||||||||
| Autograph music manuscript, signed; 1 page; 33 x 27 cm. | |||||||||||||
| BOX-FOLDER 82/3 | Amours de Ronsard, op. 197, 1961 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 29 pages (1) + 33 pages (2) | |||||||||||||
| BOX-FOLDER 93/1 | Appunti. 1 and 3, circa 1968 | ||||||||||||
| Printed score; 31 pages | |||||||||||||
| Milan: Zerboni | |||||||||||||
| BOX-FOLDER 82/4 | Appunti. Ritmi, 1968 February 2 | ||||||||||||
| Blue-line reproduction of manuscript score; 34 pages (1) + 29 pages (2) | |||||||||||||
| Note: Signed to Hans and Rosaleen Moldenhauer | |||||||||||||
| BOX-FOLDER 82/4 | Appunti. Intervalli, 1967 | ||||||||||||
| Blue-line reproduction of manuscript score; 34 pages | |||||||||||||
| Note: Signed to Hans and Rosaleen Moldenhauer, 1967 November 28 | |||||||||||||
| BOX-FOLDER 93/2 | Aria of Ruth, circa 1950 | ||||||||||||
| Printed score; 4 pages | |||||||||||||
| Note: Signed to Irene Hanna, 1952 January 7 | |||||||||||||
| New York: Mills Music | |||||||||||||
| BOX-FOLDER 81/6 | The Barber of Seville. "Rosina," Beverly Hills, 1944 September 30 | ||||||||||||
| By Gioachino Rossini | |||||||||||||
| Autograph full score and parts, signed; 11 pages (score) + 4 pages (parts); 31 x 24 cm. | |||||||||||||
| BOX-FOLDER 82/5 | Il bestiario, op. 188, 1960 | ||||||||||||
| Blue-line reproduction of manuscript score, annotated and signed; 45 pages | |||||||||||||
| BOX-FOLDER 82/5 | Bitter Lemons, 1960 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 3 pages | |||||||||||||
| BOX-FOLDER 82/6 | The Book of Esther: A Biblical Oratorio, op. 200, 1962 | ||||||||||||
| Blue-line reproduction of manuscript score, signed; 144 pages | |||||||||||||
| Note: Signed to Hans and Rosaleen Moldenhauer, 1962 December 4 | |||||||||||||
| BOX-FOLDER 80/2 | The Book of Esther, op. 200, 1962 July | ||||||||||||
| Autograph sketches; 1 page; 24 x 31 cm. | |||||||||||||
| Note: Signed to Hans Moldenhauer | |||||||||||||
| BOX-FOLDER 80/2 | The Book of Esther, op. 200, 1962 September 10-23 | ||||||||||||
| Discarded master sheets of autograph music manuscript, signed; 3 pages (42, 244-245); various sizes | |||||||||||||
| BOX-FOLDER 80/3 | Capriccio, op. 133, 1947 May 21 | ||||||||||||
| Autograph music manuscript, signed; 9 pages; 32 x 25 cm. | |||||||||||||
| BOX-FOLDER 80/3 | Le Columbe, 1946 May 6 | ||||||||||||
| Autograph music manuscript, signed; 4 pages; 36 x 27 cm. | |||||||||||||
| BOX-FOLDER 80/4 | Concerto for Guitar and Orchestra, 1938-1939 | ||||||||||||
| Autograph music manuscript; 67 pages; 32 x 23 cm. | |||||||||||||
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