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|
Musical Figures, 1000-1987
(continued) |
|
Concerto, 1924, 1927 February
14
(continued) |
|
Autograph music quotation, signed |
|
BOX 12 |
Tre canzoni trecentesche, 1911?
December 20
|
|
Printed score; 16 pages |
|
Note: Signed to Ruzena Herlinger |
|
Vienna: Ricordi |
|
BOX 110 |
Portrait, Boston, 1927 January
12
|
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By de Gueldre |
|
Photograph |
|
Note: Signed to Boaz Piller |
|
Cassadó,
Gaspar |
|
BOX 12 |
Eisner, Bruno, Venice,1934 July
22
|
|
Autograph letter, signed; 2 pages; French |
|
Castelnuovo-Tedesco, Mario |
|
Artwork |
|
BOX 110 |
The Merchant of Venice,
undated
|
|
By Attilio Colonello |
|
Photograph of drawing |
|
BOX 110 |
Portrait, 1964 September
|
|
By Pablo Ghiglia |
|
Photograph of drawing |
|
Note: Inscribed, 1965 April 7 |
|
BOX 118 |
Clippings, Los Angeles, 1966
April
|
|
2 items; English |
|
Correspondence |
|
BOX 118 |
Castelnuovo-Tedesco, Diana Clara,
1960 June 22
|
|
Birth announcement |
|
BOX 118 |
Moldenhauer, Hans, 1958-1967
|
|
134 autograph letters, signed; 261 pages |
|
Note: Provides much detail about
Castelnuovo-Tedesco's works |
|
Contents include: Cards and postcards; notes
from his wife Clara |
|
Digital content available
|
|
BOX 118 |
Moldenhauer, Hans and Rosaleen Moldenhauer
from Lisbeth (wife of Castelnuovo-Tedesco's son Pietro),
1960
|
|
Card; English |
|
BOX 118 |
Moldenhauer, Hans from Clara
Castelnuovo-Tedescore, 1980 March 8
|
|
2 letters, signed; 2 pages |
|
Includes: Two clippings and application
forms for the Castelnuovo-Tedesco Society |
|
BOX 118 |
Segovia, Andrés, 1948 September
22
|
|
Autograph letter; 2 pages; French |
|
Includes: Musical illustrations |
|
BOX 118 |
Segovia, Andrés, 1951 March 10 and
June 3, 1955 July 18, 1956 June 20
|
|
4 autograph letters, signed; 8 pages; French |
|
Note: Discusses compositions and Segovia's
performances |
|
BOX 118 |
Segovia, Andrés, undated
|
|
Autograph letter fragment, signed; 1 page; French |
|
Note: Contains musical
illustrations |
|
Music |
|
BOX-FOLDER 84/2 |
2 Canti Greci, 1916
|
|
Blue-line reproduction of manuscript score, signed; 16
pages |
|
BOX-FOLDER 84/2 |
11 Preludes by Chopin, 1946
May
|
|
Blue-line reproduction of manuscript score with revisions, signed;
25 pages |
|
Note: Arranged for violin and
piano |
|
BOX-FOLDER 81/9 |
16 Préludes, 1944 September
23
|
|
By Frédéric Chopin |
|
Autograph piano score and violin part, signed; 36 pages (score) +
16 pages (parts); 32 x 25 cm. |
|
Note: Markings by Heifetz |
|
BOX-FOLDER 92/4 |
24 caprichos de Goya, op. 195,
1961
|
|
Blue-line reproduction of manuscript score, signed; 30 pages (1) +
29 pages (2) + 29 pages (3) + 29 pages (4) |
|
BOX-FOLDER 82/2 |
24 caprichos de Goya, op. 195, nos. 10,
19, and 22, 1961 March
|
|
Autograph master sheets; 7 pages; 33 x 24 cm. |
|
BOX-FOLDER 93/6 |
24 caprichos de Goya, op. 195, nos. 13-18,
circa 1971
|
|
Printed score; 34 pages |
|
Milan: Edizioni Musicali |
|
BOX-FOLDER 80/1 |
Alborada del Gracioso for Cello and Piano,
1944 October 20
|
|
By Ravel |
|
Autograph music manuscript, signed; 17 pages; 33 x 24
cm. |
|
BOX-FOLDER 80/1 |
Amours de Ronsard, op. 197, 1961
July 30
|
|
Autograph music manuscript, signed; 1 page; 33 x 27 cm. |
|
BOX-FOLDER 82/3 |
Amours de Ronsard, op. 197,
1961
|
|
Blue-line reproduction of manuscript score, signed; 29 pages (1) +
33 pages (2) |
|
BOX-FOLDER 93/1 |
Appunti. 1 and 3, circa 1968
|
|
Printed score; 31 pages |
|
Milan: Zerboni |
|
BOX-FOLDER 82/4 |
Appunti. Ritmi, 1968 February
2
|
|
Blue-line reproduction of manuscript score; 34 pages (1) + 29
pages (2) |
|
Note: Signed to Hans and Rosaleen
Moldenhauer |
|
BOX-FOLDER 82/4 |
Appunti. Intervalli, 1967
|
|
Blue-line reproduction of manuscript score; 34 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 November 28 |
|
BOX-FOLDER 93/2 |
Aria of Ruth, circa 1950
|
|
Printed score; 4 pages |
|
Note: Signed to Irene Hanna, 1952 January
7 |
|
New York: Mills Music |
|
BOX-FOLDER 81/6 |
The Barber of Seville. "Rosina," Beverly
Hills, 1944 September 30
|
|
By Gioachino Rossini |
|
Autograph full score and parts, signed; 11 pages (score) + 4 pages
(parts); 31 x 24 cm. |
|
BOX-FOLDER 82/5 |
Il bestiario, op. 188, 1960
|
|
Blue-line reproduction of manuscript score, annotated and signed;
45 pages |
|
BOX-FOLDER 82/5 |
Bitter Lemons, 1960
|
|
Blue-line reproduction of manuscript score, signed; 3
pages |
|
BOX-FOLDER 82/6 |
The Book of Esther: A Biblical Oratorio,
op. 200, 1962
|
|
Blue-line reproduction of manuscript score, signed; 144
pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1962 December 4 |
|
BOX-FOLDER 80/2 |
The Book of Esther, op. 200, 1962
July
|
|
Autograph sketches; 1 page; 24 x 31 cm. |
|
Note: Signed to Hans Moldenhauer |
|
BOX-FOLDER 80/2 |
The Book of Esther, op. 200, 1962
September 10-23
|
|
Discarded master sheets of autograph music manuscript, signed; 3
pages (42, 244-245); various sizes |
|
BOX-FOLDER 80/3 |
Capriccio, op. 133, 1947 May
21
|
|
Autograph music manuscript, signed; 9 pages; 32 x 25
cm. |
|
BOX-FOLDER 80/3 |
Le Columbe, 1946 May 6
|
|
Autograph music manuscript, signed; 4 pages; 36 x 27
cm. |
|
BOX-FOLDER 80/4 |
Concerto for Guitar and Orchestra,
1938-1939
|
|
Autograph music manuscript; 67 pages; 32 x 23 cm. |
|
Note: Signed to Andrés Segovia |
|
BOX-FOLDER 80/5 |
Concerto for Two Guitars and Orchestra,
1962 July 10
|
|
Autograph music sketches and discarded pages, signed; 10 pages; 24
x 33 cm. + 35 x 28 cm. |
|
BOX-FOLDER 83/3 |
Concerto for Two Guitars and Orchestra,
op. 201, 1962
|
|
Blue-line reproduction of manuscript score, signed; 132 pages
(orchestral score) + 57 pages (score for two guitars and
piano) |
|
BOX-FOLDER 84/1 |
The Divan of Moses-Ibn-Ezra, op. 207,
1966
|
|
Blue-line reproduction of manuscript score; 59 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1966 July 22 |
|
BOX-FOLDER 80/6 |
Dodici studi dodecafonici,
undated
|
|
Autograph music manuscript, signed; 5 pages; 33 x 25
cm. |
|
BOX-FOLDER 84/2 |
Eclogues, op. 206, 1966
|
|
Blue-line reproduction of manuscript score; 25 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1966 June 15 |
|
BOX-FOLDER 93/2 |
Endymion,
circa 1960
|
|
Printed score; 20 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1960 March 9 |
|
New York: Marks Music |
|
BOX-FOLDER 93/2 |
English Suite, circa 1962
|
|
Printed score; 11 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1962 January 31 |
|
New York: Mills Music |
|
BOX-FOLDER 93/3 |
Evangelion, op. 141, 1949
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