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|
Musical Figures, 1000-1987
(continued) |
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BOX-FOLDER 85/4 |
Greeting Card. Angelus on the name Nina
Rota Rinaldi, op. 170, no. 27, 1960
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Blue-line reproduction of manuscript score; 5 pages |
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BOX-FOLDER 81/1 |
Greeting Card, op. 170, no. 28. Ein
Quartett-Satz, 1960 September 18-19
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Autograph closing page of music manuscript, signed; 1 page; 33 27
cm. |
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BOX-FOLDER 85/4 |
Greeting Card. Ein Quartett-Satz on the
name Walter Arlen op. 170, no. 28, 1960
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Blue-line reproduction of manuscript score; 14 pages (full score)
+ 19 pages (parts) |
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BOX-FOLDER 81/1 |
Greeting Card, op. 170, no. 29. Arabesque
on the name Roger Taylor, 1961
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Autograph master sheet, signed; 1 page; 33 x 24 cm. |
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Includes: Note to Hans Moldenhauer |
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BOX-FOLDER 85/4 |
Greeting Card. Arabesque on the name Roger
Taylor, op. 170, no. 29, 1961
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Blue-line reproduction of manuscript score; 7 pages |
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BOX-FOLDER 85/5 |
Greeting Card. Melodia (o Tema?...) on the
name Claudio Sartori, op. 170, no. 30, 1961
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Blue-line reproduction of manuscript score, signed; 6
pages |
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BOX-FOLDER 85/5 |
Greeting Card. Prelude and Fugue on the
name Gerhard Albersheim, op. 170, no. 31, 1962
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Blue-line reproduction of manuscript score, signed; 7
pages |
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BOX-FOLDER 85/5 |
Greeting Card. Toccata, op. 170, no. 32,
undated
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Blue-line reproduction of manuscript score; 10 pages |
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Note: Signed to Hugh Mullins |
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BOX-FOLDER 85/5 |
Greeting Card. Canzone Siciliana on the
name Mario Gangi, op. 170, no. 33, 1962
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Blue-line reproduction of manuscript score; 4 pages |
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BOX-FOLDER 81/1 |
Greeting Card. Ballatella on the name
Chris Parkening, op. 170, no. 34, 1963 November 10
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Autograph master sheet, signed; 1 page; 36 x 28 cm. |
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BOX-FOLDER 85/5 |
Greeting Card. Ballatella on the name
Christopher Parkening, op. 170, no. 34, 1963
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans Moldenhauer, 1963
November 18 |
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BOX-FOLDER 85/5 |
Greeting Card. Sarabande on the name Ray
de la Torre, op. 170, no. 36, 1964
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Blue-line reproduction of manuscript score; 3 pages |
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BOX-FOLDER 85/5 |
Greeting Card. Romanza on the name Oscar
Ghiglia, op. 170, no. 37, 1964
|
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Blue-line reproduction of manuscript score; 4 pages |
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BOX-FOLDER 85/5 |
Greeting Card. Homage to Purcell on the
names Ronald and Henry Purcell, op. 170, no. 38, 1966
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Blue-line reproduction of manuscript score, signed; 7
pages |
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Note: Signed to Hans Moldenhauer, 1966 July
22 |
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BOX-FOLDER 85/6 |
Greeting Card. Canción Venezuela on the
name Alirio Díaz, op. 170, no. 40, 1966
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Blue-line reproduction of manuscript score; 4 pages |
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BOX-FOLDER 85/6 |
Greeting Card. Canción Venezuela on the
name Alirio Díaz, op. 170, no. 40, 1966
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans Moldenhauer |
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BOX-FOLDER 85/6 |
Greeting Card. Canción Argentina on the
name Ernesto Bitetti, op. 170, no. 41, 1966
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans Moldenhauer, 1966 July
22 |
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BOX-FOLDER 85/6 |
Greeting Card. Estudio on the name Manuel
López Ramos, op. 170, no. 42, 1966
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans Moldenhauer, 1966 July
22 |
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BOX-FOLDER 85/6 |
Greeting Card. Aria on the name Ruggero
Chiesa op. 170, no. 43, 1967
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Blue-line reproduction of manuscript score; 3 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Brasiliera on the name
Laurino Almeida op. 170, no. 44, 1967
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Second Arabesque for harp
on the name Pearl Chertok, op. 170, no. 45, 1967
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Japanese Print on the name
Jiro Matsudo, op. 170, no. 46, 1967
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Blue-line reproduction of manuscript score; 5 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Volo d'Angeli on the name
Angelo Gilardino, op. 170, no. 47, 1967
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Blue-line reproduction of manuscript score; 6 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Canzone Calabrese on the
name Ernest Calabria op. 170, no. 48, 1967
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Prelude on the name
Frederick Tulan op. 170, no. 49, 1967
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Blue-line reproduction of manuscript score; 4 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 85/6 |
Greeting Card. Tarantella campana on the
name Eugene di Novi, op. 170, no. 50, 1967
|
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Blue-line reproduction of manuscript score; 6 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1967 |
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BOX-FOLDER 86/1 |
La guarda cuidadosa, 1955
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Blue-line reproduction of manuscript score; 5 pages |
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BOX-FOLDER 81/1 |
Les Guitares bien tempérées, op. 199, nos.
2, 21-24, 1962 April 6
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Autograph music sketches, signed; 3 pages; various
sizes |
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BOX-FOLDER 86/2 |
Les Guitares bien tempérées, op. 199,
1962
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Blue-line reproduction of manuscript score; 4 volumes: 53 pages
(1) + 51 pages (2) + 51 pages (3) + 50 pages (4) |
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Note: Signed to Hans and Rosaleen
Moldenhauer |
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BOX-FOLDER 86/3 |
Der Handschuh, op. 193, no. 2,
1961
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Reproduction of music manuscript, signed; two copies, 13 pages
each |
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BOX-FOLDER 93/4 |
Homer, circa 1944
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Printed score; 4 pages |
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Note: Signed to Irene Hanna, 1944 August
13 |
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Los Angeles: Delkas |
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BOX-FOLDER 81/2 |
Hommage à Paderewsky, 1941 March
21-23
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Autograph music manuscript, signed; 9 pages; 31 x 24
cm. |
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BOX-FOLDER 81/2 |
The Importance of Being Earnest,
1961 December 26
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Autograph music manuscript; 3 pages; 33 x 27 cm. |
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Note: Signed to Hans Moldenhauer |
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BOX-FOLDER 81/2 |
The Importance of Being Earnest,
undated
|
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Autograph master sheets, signed; 7 pages (1-6); 34 x 27
cm. |
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BOX-FOLDER 87/1-3 |
The Importance of Being Earnest,
1961-1962
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|
Blue-line reproduction of manuscript score; 123 pages (1) + 146
pages (2) + 94 pages (3) |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1962 |
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BOX 118 |
The Importance of Being Earnest,
undated
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Autograph libretto, signed; 41 pages |
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BOX-FOLDER 81/3 |
Jeux d'Eau, 1944 October 14
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By Maurice Ravel |
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Autograph music manuscript, signed; 18 pages; 31 x 24
cm. |
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Note: Transcribed for violin and
piano |
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BOX-FOLDER 88/1 |
Keats's Songs: On the Grasshopper and the
Cricket, op. 113, no. 4, 1951
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|
Blue-line reproduction of manuscript score with autograph
revisions; 6 pages |
|
Note: Signed to Walter Kramer,
1951 |
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Includes: Letter from Kramer |
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BOX-FOLDER 81/4 |
Die Kraniche des Ibykus, op. 193, no. 1,
undated
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Autograph music manuscript; 1 page; 34 x 27 cm. |
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BOX-FOLDER 88/1 |
Die Kraniche des Ibykus, op. 193, no. 1.,
undated
|
|
Blue-line reproduction of manuscript score and parts, signed; 2
copies; 37 pages (score) + 7 pages (parts) |
|
BOX-FOLDER 81/4 |
Lament of David, op. 169,
undated
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Autograph sketch of opening; 2 pages; 35 x 31 cm. |
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BOX-FOLDER 88/2 |
Lauda: In honore Sanctæ Birgittæ, op.
189A, 1960
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Blue-line reproduction of manuscript score; two copies, 5 pages
each |
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BOX-FOLDER 88/2 |
Liberty, Mother of Exiles,
1944
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Blue-line reproduction of manuscript score; 19 pages |
|
Note: Signed to A. Walter Kramer |
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BOX-FOLDER 80/3 |
The Marriage of Figaro, Cerubino,
1944
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By Wolfgang Amadeus Mozart |
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Autograph music manuscript, signed; 21 pages; 31 x 24
cm. |
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BOX-FOLDER 81/10 |
The Marriage of Figaro. Susanna,
undated
|
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By Wolfgang Amadeus Mozart |
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Autograph violin part, signed; 2 pages; 31 x 24 cm. |
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BOX-FOLDER 88/2 |
Memorial Service for the Departed,
1960
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Blue-line reproduction of manuscript score, signed; 10
pages |
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BOX-FOLDER 88/3-5 |
The Merchant of Venice,
undated
|
|
Blue-line reproduction of manuscript score; 99 pages (1) + 120
pages (2) + 131 pages (3) |
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BOX-FOLDER 82/2 |
The Merchant of Venice, undated
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Autograph title page |
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Note: Also titled Sem
|
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BOX-FOLDER 93/6 |
The Merchant of Venice,
undated
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