| | | | | | | | | | | | | |
|
Musical Figures, 1000-1987
(continued) |
|
Memorial Service for the Departed,
1960
(continued) |
|
Blue-line reproduction of manuscript score, signed; 10
pages |
|
BOX-FOLDER 88/3-5 |
The Merchant of Venice,
undated
|
|
Blue-line reproduction of manuscript score; 99 pages (1) + 120
pages (2) + 131 pages (3) |
|
BOX-FOLDER 82/2 |
The Merchant of Venice, undated
|
|
Autograph title page |
|
Note: Also titled Sem
|
|
BOX-FOLDER 93/6 |
The Merchant of Venice,
undated
|
|
Printed libretto with autograph revisions; 17 pages |
|
BOX-FOLDER 93/6 |
The Merchant of Venice,
undated
|
|
Printed libretto; 70 pages |
|
Note: Signed to Hans Moldenhauer |
|
Milan: Ricordi |
|
BOX-FOLDER 89/1 |
The Mermaid Tavern, opera 113A and 113B,
1942
|
|
Blue-line reproduction of manuscript score, signed; 6 pages (A) +
10 pages (B) |
|
BOX-FOLDER 81/4 |
Minstrels by Debussy, 1951 June
30
|
|
Autograph music mnauscript, signed; 3 pages; 33 x 24
cm. |
|
Note: Transcribed for guitar |
|
BOX-FOLDER 81/4 |
Naaritz'cho, undated
|
|
Autograph draft of ending; 2 pages; 36 x 31 cm. |
|
BOX-FOLDER 93/4 |
The Nightingale, circa 1944
|
|
Printed score; 4 pages |
|
Note: Signed to Irene Hanna, 1944 June
7 |
|
New York: Galaxy |
|
BOX-FOLDER 89/1 |
Nocturne in Hollywood, 1941
|
|
Blue-line reproduction of manuscript score, signed; 9
pages |
|
BOX-FOLDER 89/2 |
I Nottambuli, 1960
|
|
Blue-line reproduction of manuscript score, signed; 93 pages
|
|
BOX-FOLDER 89/3 |
Notturno, 1960
|
|
Blue-line reproduction of manuscript score; two copies, 19 pages
each |
|
BOX-FOLDER 81/4 |
The Octoroon Ball, op. 136,
undated
|
|
Autograph piano score opening, signed; 14 pages; 30 x 24
cm. |
|
BOX-FOLDER 89/3 |
Ozymandias, 1944
|
|
Blue-line reproduction of manuscript score; 4 pages |
|
BOX-FOLDER 81/4 |
Ozymandias for voice and piano, op. 124,
1944 June 8
|
|
Autograph music manuscript, signed; 5 pages; 36 x 27
cm. |
|
Note: Unpublished. Based on the poem by
Shelley. Inspired by the reading of the poem when Raymond Gram Swing
announced the downfall of Mussolini over the radio. |
|
Digital content available
|
|
BOX-FOLDER 89/4 |
Partita in B minor, 1964
April
|
|
By Johann Sebastian Bach |
|
Blue-line reproduction of manuscript score; 35 pages |
|
Note: Signed to Hans Moldenhauer |
|
Note: Arranged for string
orchestra |
|
BOX-FOLDER 93/5 |
Passacaglia, op. 180, circa
1970
|
|
Printed score; 11 pages |
|
Milan: Edizioni Musicali |
|
BOX-FOLDER 89/5 |
Pastorale and Rondo, op. 185,
1958
|
|
Blue-line reproduction of manuscript score, annotated and signed;
35 pages |
|
BOX-FOLDER 81/5 |
Pavane pour une infante défunte,
1946 July 28
|
|
By Ravel |
|
Autograph music manscuript, signed; 9 pages; 32 x 24
cm. |
|
Note: Arranged for two pianos, four
hands |
|
BOX-FOLDER 81/5 |
Platero y yo, op. 190, 1960 July
18
|
|
Autograph music manuscript; 2 pages; 33 x 24 cm. |
|
Note: Signed to Hans Moldenhauer, 1960
December 26 |
|
Includes: Work sheets containing four themes
and the composer's comments |
|
BOX-FOLDER 89/6 |
Platero y yo, op. 190, 1960
|
|
Blue-line reproduction of manuscript score, signed; 35 pages (1) +
30 pages (2) + 36 pages (3) + 39 pages (4) |
|
BOX-FOLDER 93/5 |
Platero y yo, op. 190, circa
1972
|
|
Printed score; 38 pages |
|
Milan: Edizioni Musicali |
|
BOX-FOLDER 90/1 |
Poesia Svedese, op. 189, 1960
|
|
Blue-line reproduction of manuscript score; 67 pages |
|
BOX-FOLDER 83/2 |
Poesie Romanesche, op. 131,
1946
|
|
Blue-line reproduction of manuscript score, signed; 13
pages |
|
BOX-FOLDER 90/2 |
Prayers My Grandfather Wrote,
1962
|
|
Blue-line reproduction of manuscript score; 18 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1962 December 4 |
|
BOX-FOLDER 90/2 |
Primavera Fiorentina, 1911,
1967
|
|
Blue-line reproduction of manuscript score; 28 pages |
|
BOX-FOLDER 81/5 |
I Profeti, undated
|
|
Autograph draft of introduction; 7 pages; 32 x 23 cm. |
|
Note: Version for piano and violin |
|
BOX-FOLDER 90/3 |
The Proverbs of Solomon, op. 168,
1953
|
|
Blue-line reproduction of manuscript score; 45 pages |
|
Note: To Hermann Stein |
|
Contents: Go to the Ant; Hear, Ye Children;
There Be Six Things; The Foolish Woman Is Clamorous; Who Hath Woe?; A
Virtuous Woman Who Can Find |
|
BOX-FOLDER 90/3 |
Psyche, op. 113, no. 5, 1951
|
|
Blue-line reproduction of manuscript score, signed; 10
pages |
|
BOX-FOLDER 81/5 |
The Queen of Sheba, op. 161,
undated
|
|
Autograph draft of opening; 1 page; 36 x 30 cm. |
|
BOX-FOLDER 90/3 |
The Queen of Sheba, op. 161,
1953
|
|
Blue-line reproduction of manuscript score, signed; 32
pages |
|
BOX-FOLDER 80/6 |
Quintetto per due violini, viola,
violoncello, e pianoforte, no. 2, 1934 February 28
|
|
Autograph draft, signed; 3 pages; 33 x 24 cm. |
|
BOX-FOLDER 81/6 |
Rondo, op. 129, undated
|
|
Autograph sketches; 5 pages; 36 x 27 cm. |
|
BOX-FOLDER 90/4 |
Sacred Service, op. 122, 1943
|
|
Blue-line reproduction of manuscript score, signed; 54
pages |
|
BOX-FOLDER 81/7 |
Saul, op. 191, 1960 August 1 -
September 12
|
|
Autograph music manuscript, signed; 1 page; 43 x 29 cm. |
|
BOX-FOLDER 90/5 |
Serenade, 1942-1943
|
|
Blue-line reproduction of manuscript score with autograph
revisions, signed; 48 pages + 13 pages (guitar part, revised) |
|
BOX-FOLDER 81/7 |
The Seventh Day, 1963
|
|
Autograph master sheets, signed; 2 pages; 33 x 27 cm. |
|
Note: Formerly called "The Peace of the
Sabbath" |
|
BOX-FOLDER 90/6 |
The Seventh Day, op. 202,
1963
|
|
Blue-line reproduction of manuscript score; 16 pages |
|
Note: Signed to Hans Moldenhauer, 1963
November 18 |
|
BOX-FOLDER 81/7 |
The Shadow, 1944 June 14
|
|
Autograph music manuscript, signed; 4 pages; 36 x 27
cm. |
|
BOX-FOLDER 93/5 |
The Shadow, circa 1945
|
|
Printed score; 5 pages |
|
New York: Cark Fischer |
|
BOX-FOLDER 81/7 |
Shakespeare Overtures, circa
1932
|
|
Autograph thematic sketches, signed; 3 pages; 33 x 24
cm. |
|
Contents: As You Like It; Othello; Romeo and
Juliet; Antony and Cleopatra; All's Well That Ends Well |
|
BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 30,
1944 July 3
|
|
Autograph music manuscript; 4 pages; 32 x 24 cm. |
|
Note: Signed to Aldo |
|
BOX-FOLDER 90/6 |
Shakespeare Sonnets, op. 125, nos. 53, 40,
47, and 71, 1963
|
|
Blue-line reproduction of manuscript score; 17 pages |
|
Note: Signed to Hans Moldenhauer |
|
BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 57. What
is your substance whereof you are made, 1945 September 22
|
|
Autograph full score, signed; 5 pages; 31 x 24 cm. |
|
BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 94,
1945 October 11
|
|
Autograph music manuscript, signed; 10 pages; 31 x 26
cm. |
|
BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 154,
1945 September 21
|
|
Autograph music manuscript, signed; 6 pages; 31 x 24
cm. |
|
BOX-FOLDER 90/6 |
La Sirenetta e il pesce Turchino,
undated
|
|
Blue-line reproduction of manuscript score, signed; two copies, 28
pages each |
|
BOX-FOLDER 81/8 |
Six Keats Settings, op. 157, 1952
December 30
|
|
Autograph drafts of opening and closing pages, signed; 2 pages; 36
x 30 cm. |
|
BOX-FOLDER 81/10 |
Sketches, undated
|
|
Autograph sketches; 4 pages; various sizes |
|
Contents: Divertimento, op. 119; Suite nello
Stile Italiano, op. 138; Sonatina, op. 130; Serenade; Second
Concerto |
| Next Page » |
