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Musical Figures, 1000-1987
(continued) |
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Saul, op. 191, 1960 August 1 -
September 12
(continued) |
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Autograph music manuscript, signed; 1 page; 43 x 29 cm. |
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BOX-FOLDER 90/5 |
Serenade, 1942-1943
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|
Blue-line reproduction of manuscript score with autograph
revisions, signed; 48 pages + 13 pages (guitar part, revised) |
|
BOX-FOLDER 81/7 |
The Seventh Day, 1963
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Autograph master sheets, signed; 2 pages; 33 x 27 cm. |
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Note: Formerly called "The Peace of the
Sabbath" |
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BOX-FOLDER 90/6 |
The Seventh Day, op. 202,
1963
|
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Blue-line reproduction of manuscript score; 16 pages |
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Note: Signed to Hans Moldenhauer, 1963
November 18 |
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BOX-FOLDER 81/7 |
The Shadow, 1944 June 14
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Autograph music manuscript, signed; 4 pages; 36 x 27
cm. |
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BOX-FOLDER 93/5 |
The Shadow, circa 1945
|
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Printed score; 5 pages |
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New York: Cark Fischer |
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BOX-FOLDER 81/7 |
Shakespeare Overtures, circa
1932
|
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Autograph thematic sketches, signed; 3 pages; 33 x 24
cm. |
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Contents: As You Like It; Othello; Romeo and
Juliet; Antony and Cleopatra; All's Well That Ends Well |
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BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 30,
1944 July 3
|
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Autograph music manuscript; 4 pages; 32 x 24 cm. |
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Note: Signed to Aldo |
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BOX-FOLDER 90/6 |
Shakespeare Sonnets, op. 125, nos. 53, 40,
47, and 71, 1963
|
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Blue-line reproduction of manuscript score; 17 pages |
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Note: Signed to Hans Moldenhauer |
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BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 57. What
is your substance whereof you are made, 1945 September 22
|
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Autograph full score, signed; 5 pages; 31 x 24 cm. |
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BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 94,
1945 October 11
|
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Autograph music manuscript, signed; 10 pages; 31 x 26
cm. |
|
BOX-FOLDER 81/8 |
Shakespeare Sonnets, op. 125, no. 154,
1945 September 21
|
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Autograph music manuscript, signed; 6 pages; 31 x 24
cm. |
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BOX-FOLDER 90/6 |
La Sirenetta e il pesce Turchino,
undated
|
|
Blue-line reproduction of manuscript score, signed; two copies, 28
pages each |
|
BOX-FOLDER 81/8 |
Six Keats Settings, op. 157, 1952
December 30
|
|
Autograph drafts of opening and closing pages, signed; 2 pages; 36
x 30 cm. |
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BOX-FOLDER 81/10 |
Sketches, undated
|
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Autograph sketches; 4 pages; various sizes |
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Contents: Divertimento, op. 119; Suite nello
Stile Italiano, op. 138; Sonatina, op. 130; Serenade; Second
Concerto |
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BOX-FOLDER 81/10 |
Sonata, op. 208, 1967
|
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Autograph music manuscript; 48 pages; 38 x 28 cm. |
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Note: Signed to Hans Moldenhauer,
1967 |
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BOX-FOLDER 81/10 |
Sonata for Oboe and Piano, op. 146,
undated
|
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Autograph music manuscript; 2 pages; 38 x 28 cm. |
|
BOX-FOLDER 90/7 |
Sonatina canonica, op. 196,
undated
|
|
Blue-line reproduction of manuscript score; 23 pages |
|
BOX-FOLDER 93/5 |
Sonatina canonica, circa 1971
|
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Printed score; 17 pages |
|
Paris: Max Eschig |
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BOX-FOLDER 90/7 |
Sonatina for Bassoon and Piano,
1946
|
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Blue-line reproduction of manuscript score; 39 pages |
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Note: Signed to Adolph Weiss |
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BOX-FOLDER 81/10 |
Sonatina for Flute and Guitar, op. 205,
1965 August 2
|
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Autograph master sheets, signed; 3 pages (9, 15, 16); 36 x 28
cm. |
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BOX-FOLDER 91/1 |
Sonatina for Flute and Guitar, op. 205,
1965
|
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Blue-line reproduction of manuscript score; 30 pages |
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Note: Signed to Hans and Rosaleen
Moldenhauer, 1966 February 14 |
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BOX-FOLDER 91/1 |
Sonatina zoologica, op. 187,
1960
|
|
Blue-line reproduction of manuscript score, signed; 18
pages |
|
BOX-FOLDER 91/2 |
The Song of Songs, op. 172,
1954
|
|
Blue-line reproduction of manuscript score; 200 pages |
|
Note: Signed to Hans Moldenhauer |
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Includes: Autograph Italian text |
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BOX-FOLDER 91/3 |
Songs of the Oceanides, 1954
|
|
Blue-line reproduction of manuscript score; two copies, 25 pages
each |
|
BOX-FOLDER 93/6 |
Songs of the Oceanides, circa
1963
|
|
Printed score; 40 pages |
|
Note: Signed to Hans and Rosaleen
Moldenhauer, 1963 March 15 |
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New York: Franco Colombo |
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BOX-FOLDER 91/4 |
Songs of the Shulamite, op. 163,
1953
|
|
Blue-line reproduction of manuscript score with autograph
revisions, signed; 66 pages |
|
BOX-FOLDER 81/10 |
Songs of the Shulamite, op. 163,
undated
|
|
Autograph music manuscript, opening page; 1 page; 31 x 24
cm. |
|
BOX-FOLDER 91/4 |
Stars, op. 104, 1940
|
|
Blue-line reproduction of manuscript score, signed; 86
pages |
|
BOX-FOLDER 91/5 |
String Quartet no. 3, op. 203, Beverly
Hills, 1964
|
|
Blue-line reproduction of manuscript score; 17 pages + 58 pages
(parts) |
|
Note: Signed to Benard Bereson |
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Note: Inscribed to Hans Moldenhauer, 1965
May 15 |
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BOX-FOLDER 82/1 |
Three Sephardic Songs, 1949
September 14-15
|
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Autograph music manuscript; 9 pages + 1 page of themes; various
sizes |
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Note: Signed to Bracha Zefire |
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Note: Transcribed and harmonized with piano
or harp accompaniment |
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BOX-FOLDER 92/1 |
Three Sephardic Songs, 1960
|
|
Blue-line reproduction of manuscript score, signed; 43
pages |
|
BOX-FOLDER 92/2 |
Three Shelley Songs, op. 173,
1955
|
|
Blue-line reproduction of manuscript score; 21 pages |
|
Note: Signed to A. Walter Kramer |
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BOX-FOLDER 82/1 |
Tobias and the Angel, undated
|
|
Autograph piano-vocal score, orchestral score, full score, and
master sheets; 8 pages; various sizes |
|
Note: Includes an omitted aria (page 31 of
piano-vocal score; page 73 of orchestral score; and pages 77-81 of full
score) |
|
BOX-FOLDER 83/1 |
Tobias and the Angel (The Book of Tobit),
op. 204, 1964-1965
|
|
Blue-line reproduction of manuscript score; 83 pages (1) + 125
pages (2) +33 pages (3) |
|
Note: Signed to Hans Moldenhauer,
1964-1965 |
|
BOX-FOLDER 82/2 |
La Traviata. Violetta, 1944 September
30
|
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By Giuseppe Verdi |
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Autograph music manuscript, signed; 4 pages; 32 x 24
cm. |
|
BOX-FOLDER 92/2 |
Tre preludi al Circeo, 1961
|
|
Blue-line reproduction of manuscript score, signed; 11
pages |
|
BOX-FOLDER 92/2 |
Tre preludi Mediterranei, op. 176,
1955
|
|
Blue-line reproduction of manuscript score, signed; 13
pages |
|
BOX-FOLDER 92/2 |
Two Motets, op. 174, 1955
|
|
Blue-line reproduction of manuscript score, signed; 18
pages |
|
BOX-FOLDER 92/3 |
Two Sonatas, op. 179, 1955
|
|
Blue-line reproduction of manuscript score, signed; 95
pages |
|
BOX-FOLDER 82/1 |
La Vallée des Cloches, 1944 October
16
|
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By Maurice Ravel |
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Autograph music manuscript, signed; 6 pages; 31 x 24
cm. |
|
Note: Arranged for cello and piano |
|
BOX-FOLDER 82/2 |
Variazioni sinfoniche. Part 1,
1928
|
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Autograph draft of full score, signed; 18 pages; 33 x 24
cm. |
|
Photographs |
|
BOX 110 |
Group portrait, undated
|
|
BOX 110 |
Portrait, 1961
|
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3; signed |
|
Programs |
|
BOX 118 |
1959 October 6 |
|
BOX 118 |
The Merchant of Venice,
1961
|
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23 pages |
|
Includes: Synopsis in Italian, French,
English, and German |
|
BOX 118 |
Michigan State University, 1959
November 13
|
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BOX 118 |
San Francisco Symphony, 1960
February 3-6
|
|
BOX 118 |
The Song of Songs, 1963 August
7-8
|
|
Note: Signed to Hans and Rosaleen
Moldenhauer |
|
Includes: Clipping regarding world
premiere |
|
BOX 118 |
Undicesimo Concerto, Florence,
1959
|
|
2 |
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BOX 118 |
University of Southern California,
1961 April 30
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