| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Musical Figures, 1000-1987 (continued) | |||||||||||||
| BOX 98 | Friese, R., 1846 October 26 | ||||||||||||
| Autograph letter, signed; 1 page; German | |||||||||||||
| BOX 98 | Gade, Niels, 1846 March 19 | ||||||||||||
| Autograph letter, signed; 1 page; German | |||||||||||||
| BOX 98 | Goodwin, 1844 June 5 | ||||||||||||
| Autograph letter, signed; 2 pages; English | |||||||||||||
| BOX 98 | Lind, Jenny, 1846 July 23 | ||||||||||||
| Autograph letter, signed; 4 pages; German | |||||||||||||
| Note: Regarding Elijah | |||||||||||||
| BOX 98 | Klingemann, Karl, 1842 November 23 | ||||||||||||
| Autograph letter, signed; 8 pages; German | |||||||||||||
| Note: Details his audience with King Friedrich Wilhelm IV, and negotiations with the King of Saxony; mentions Antigone, A Midsummer Night's Dream | |||||||||||||
| BOX 98 | Seeburg, 1842 October 14 | ||||||||||||
| Autograph letter, signed; 1 page; German | |||||||||||||
| Note: Regarding Back monument | |||||||||||||
| BOX 98 | Unidentified, 1832? May 2 | ||||||||||||
| Autograph letter; 1 page; English | |||||||||||||
| Note: Signed to Madam | |||||||||||||
| BOX 98 | Unidentified, 1843 November 20 | ||||||||||||
| Autograph letter; 3 pages; German | |||||||||||||
| Note: Signed to a Count | |||||||||||||
| Music | |||||||||||||
| BOX 98 | Abschied der Zugvögel; Herbstlied der Zugvögel, op. 63, nos. 2 and 4, 1844 May 20 | ||||||||||||
| Poem by August Heinrich Hoffmann von Fallersleben | |||||||||||||
| Autograph full score; 2 pages; 30 x 23 cm.; German; ink | |||||||||||||
| Note: Signed to Livia Frege | |||||||||||||
| Note: For vocal duet with piano accompaniment | |||||||||||||
| BOX 98 | Canone, 1846 February 19 | ||||||||||||
| Autograph music manuscript, signed; 1 page (8 measures); 12 x 32 cm.; ink | |||||||||||||
| BOX 98 | Elijah. Introduction, Overture, 1847 | ||||||||||||
| Autograph music manuscript; 6 pages; 24 x 32 cm.; ink | |||||||||||||
| Note: Arranged for piano duet | |||||||||||||
| Digital content available | |||||||||||||
| Shelf | Three English Church Pieces, 1847 | ||||||||||||
| Autograph music manuscript with autograph revisions; bound, red morocco gilt; 34 pages + 2 pages oblong; 30 x 22 cm.; ink | |||||||||||||
| Note: Many corrections and a passage omitted from the published version | |||||||||||||
| Note: English language texts as suggested by Vincent Novello (1781-1861) | |||||||||||||
| Contents: Jubitate Deo; Magnificat; Nunc dimittis | |||||||||||||
| Digital content available | |||||||||||||
| BOX 98 | Vier Männerchöre. Jagdlied, 1847 | ||||||||||||
| Autograph msic manuscript; 2 pages; 30 x 24 cm.; ink | |||||||||||||
| Note: Marked "Tenore 2nd Solo; 42 bars of music and three strophes of the text, by Sir Walter Scott, in German translation | |||||||||||||
| Note: On verso, "Im Süden," op. 120, no. 3; 2nd tenor part of chorus "Auf dem Meere," 13 measures with 3 strophes of text underlying the music | |||||||||||||
| BOX 98 | Paulus, undated | ||||||||||||
| Program | |||||||||||||
| Mendelssohn, Paul | |||||||||||||
| BOX 98 | Chorley, Henry, 1864 July 11 | ||||||||||||
| autograph letter, signed; 6 pages; French | |||||||||||||
| Note: Includes many corrections fot the new volume of correspondence | |||||||||||||
| Mengelberg, Willem | |||||||||||||
| BOX 32 | A Hero's Life, 19-- February 19 | ||||||||||||
| By Richard Strauss | |||||||||||||
| Autograph music quotation, signed | |||||||||||||
| Note: On verso, musical quotation for a Cadenza for a concerto by Brahms, signed by Albert Sammons, 1919 March 8 | |||||||||||||
| Mercadante, Saverio | |||||||||||||
| Correspondence | |||||||||||||
| BOX 32 | Lombardi, Carlo, 1835 February 22 | ||||||||||||
| Autograph letter, signed; 1 page; Italian | |||||||||||||
| BOX 32 | Tadini, Isabella, 1843 February 6 | ||||||||||||
| Autograph letter, signed; 3 pages; Italian | |||||||||||||
| Music | |||||||||||||
| BOX 32 | Melody in C Minor, undated | ||||||||||||
| Autograph; 1 page (9 measures); 24 x 31 cm.; Italian | |||||||||||||
| BOX 32 | Trio, for men's voices, 1843 July 12 | ||||||||||||
| Autograph music manuscript, signed; 3 pages; 19 x 15 cm.; Italian | |||||||||||||
| Mercé, Antonia | |||||||||||||
| Related Collection Materials see Argentina |
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| Méry, Joseph | |||||||||||||
| BOX 117 | Rossini, 1852 November 6 | ||||||||||||
| Autograph letter, signed; 4 pages; French | |||||||||||||
| Messager, André | |||||||||||||
| BOX 32 | Vauthrin, Lucy, 1922 September 11 | ||||||||||||
| Autograph letter, signed; 1 page; French | |||||||||||||
| Messemaeckers, Louis | |||||||||||||
| BOX 32 | Cantabile Moderato, 1846 March 15 | ||||||||||||
| Autograph music quotation | |||||||||||||
| Note: Signed to Stern | |||||||||||||
| Mestres-Quadreny, Joseph | |||||||||||||
| BOX 32 | Brochure, undated | ||||||||||||
| French | |||||||||||||
| Note: On composers, with two copies of biographical information | |||||||||||||
| BOX 32 | Moldenhauer, Hans, 1972 June 27, 1973 February 7 | ||||||||||||
| 2 typescript letters, signed; 2 pages; French | |||||||||||||
| Music | |||||||||||||
| BOX 32 | Digodal, 1964 July | ||||||||||||
| Autograph music manuscript; 30 pages; 22 x 31 cm. | |||||||||||||
| Note: Signed to Cristòfor Taltabull | |||||||||||||
| Includes: 1 page typed document describing the three movements | |||||||||||||
| BOX 32 | Digodal, 1964 July | ||||||||||||
| 3 autograph music manuscripts, signed; 29 pages total; 31 x 22 cm. | |||||||||||||
| Note: Sketches; complete draft; score for strings | |||||||||||||
| BOX 32 | Divertimento "La Ricarda," undated | ||||||||||||
| Autograph music sketches, signed; 9 pages; 31 x 22 cm. | |||||||||||||
| BOX 32 | Duo per a Manolo, undated | ||||||||||||
| Autograph complete draft, signed; 6 pages; 31 x 22 cm. | |||||||||||||
| BOX 98 | Homenatge a Joan Prats, 1972 | ||||||||||||
| Autograph complete score, signed; 73 pages; 39 x 27 cm. + 35 x 25 cm. | |||||||||||||
| BOX 32 | Música per a Anna, undated | ||||||||||||
| Autograph music sketches, signed; 13 pages; 38 x 28 cm. | |||||||||||||
| BOX 32 | Roba i ossos, undated | ||||||||||||
| Autograph full score, signed; 37 pages; 38 x 28 cm. | |||||||||||||
| BOX 32 | Roba i ossos, undated | ||||||||||||
| Autograph music sketches, signed; 15 pages; various sizes | |||||||||||||
| BOX 32 | Soliloqui per flauta, undated | ||||||||||||
| Autograph music manuscript, signed; 2 pages; 31 x 22 cm. | |||||||||||||
| BOX 32 | Sonata no. 1, 1957 September | ||||||||||||
| Autograph music manuscript, signed; 4 pages; 36 x 26 cm. | |||||||||||||
| BOX 32 | Sonata orgue, 1959 December | ||||||||||||
| Autograph complete draft; 9 pages; 31 x 21 cm. | |||||||||||||
| Includes: 2 page autograph document listing organ registrations | |||||||||||||
| BOX 32 | Tramesa a Tàpies, 1961 August | ||||||||||||
| Autograph complete draft; 14 pages; 31 x 21 cm. | |||||||||||||
| BOX 32 | Tres piezas para violoncelo y piano, 1962 January | ||||||||||||
| Autograph complete draft, signed; 7 pages; 31 x 22 cm. | |||||||||||||
| BOX 32 | Works list, undated | ||||||||||||
| Typescript document with autograph revisions; 4 pages | |||||||||||||
| BOX 32 | Works list, undated | ||||||||||||
| Note: Encompasses works by other composers | |||||||||||||
| Metastasio, Pietro | |||||||||||||
| BOX 117 | Adami, 1757 April 29 | ||||||||||||
| Autograph letter, signed; 3 pages; Italian | |||||||||||||
| BOX 117 | Buontempi, Pietro, 1768 August 13 | ||||||||||||
| Autograph letter, signed; 1 page; Italian | |||||||||||||
| Digital content available | |||||||||||||
| BOX 117 | Coccia, Marie Rose, 1779 January 15 | ||||||||||||
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