| | | | | | | | | | | | | |
|
Musical Figures, 1000-1987
(continued) |
|
Portrait, undated
(continued) |
|
Reproduction, signed |
|
Bonnet,
Joseph |
BOX 110 |
Portrait, 1918 December 22
|
|
Photograph, signed |
|
Note: Signed to Boaz Piller |
|
Borch, Gaston
Louis Christopher |
BOX 6 |
Moldenhauer, Hans from Gerald Borch,
1964 September 19
|
|
Letter; 1 page; English |
BOX 6 |
Romance sans paroles, op. 69, no. 2, for
piano, undated
|
|
Autograph music manuscript, signed; 4 pages; 34 x 26 cm. |
|
Borghi-Mamo,
Adelaide |
BOX 6 |
Autograph letter, 1860 October 1
|
|
Signed; 1 page; Italian |
|
Bote &
Bock |
BOX 6 |
Autograph letter, 1872 April 25
|
|
Signed; 2 pages; German |
|
Boulanger,
Nadia |
BOX 6 |
Autograph letter, undated
|
|
Signed; 1 page; English |
BOX 6 |
Piller, Boaz, 1945 December 23 and
25
|
|
2 autograph letters, signed; 2 pages; French |
|
Boulez,
Pierre |
|
Correspondence |
BOX 6 |
Moldenhauer, Hans, 1960 February
9
|
|
Autograph letter, signed; 1 page; French |
BOX 6 |
Moldenhauer, Hans, 1962 September
14
|
|
Typescript letter, signed; 1 page; French |
|
Music |
BOX 6 |
Le Marteau sans maître,
1953-1965
|
|
Autograph music sketches; 8 pages; 20-28 x 34 cm.; pencil and
colored pencil |
|
Note: Cantata for contralto, flute, viola,
guitar, vibraphone, and percussion, |
|
Digital content available
|
BOX 6 |
Le Soleil des eaux, 1948 October
31
|
|
Printed score; 44 pages |
|
Note: Signed to Karl Amadeus
Hartmann |
|
Paris: Heugel, circa 1959 |
BOX 6 |
Third Sonata for Piano. Formant 1,
undated
|
|
Autograph music manuscript; 1 page; 35 x 27 cm.; ink |
|
Note: First draft |
|
Bourgault-Ducoudray, Louis |
BOX 110 |
Portrait, undated
|
|
By Henri Manuel |
|
Photograph |
BOX 6 |
Thamara. Largo Amoroso, Act 2,
undated
|
|
Autograph music quotation, signed |
|
Bozza,
Eugène |
BOX 110 |
Portrait, 1954
|
|
Photograph |
|
Note: Signed to Hans Moldenhauer |
|
Brahms,
Johannes |
|
Correspondence |
BOX 6 |
Abraham, Dr. Max at C. F. Peters,
1881 October 3
|
|
Autograph letter, signed; 3 pages; German |
|
Note: Expresses thanks for honorarium;
mentions von Bülow, Julius Stockhausen, Franz Wüllner, and Adolph
Schulze |
|
Digital content available
|
BOX 6 |
Leyden, Rudolf von der, 1887
|
|
Autograph letter, signed; 1 page; German |
|
Note: Comments about a difficult
situation |
|
Digital content available
|
BOX 6 |
Spitta, Philipp, 1874 January
|
|
Autograph letter, signed; 3 pages; German |
|
Note: Regarding musical topics, including
Nottebohm's biography on Bach |
|
Digital content available
|
BOX 6 |
Vetter, Ferdinand, 1896
September
|
|
Autograph letter, signed; 3 pages; German |
|
Digital content available
|
BOX 6 |
Unidentified, 1881 November
20
|
|
Autograph letter, signed |
|
Note: Regarding laurel twigs and Nänie
|
|
Digital content available
|
BOX 6 |
Unidentified, 1882 June 18
|
|
Autograph letter, signed; 2 pages; German |
|
Note: Refers to marital differences between
Joseph and Amalie Joachim; Riedel, Hanslick |
|
Includes: Engraved portrait of Hans von
Bülow on stationary |
|
Digital content available
|
BOX 6 |
Unidentified, 1896? August 11
|
|
Autograph letter, signed; 3 pages; German |
|
Note: Sarcastic letter to a friend about
literary matters and illness |
|
Digital content available
|
BOX 6 |
Unidentified, undated
|
|
Autograph letter; 1 page; German |
|
Note: Signed to a copyist |
|
Digital content available
|
|
Music |
Shelf |
Neue Liebeslieder Walzer, op. 65a,
1877
|
|
Printed full score of version for piano, four hands, with
autograph additions and annotations; 38 pages + 6 leaves (separated after
conservation); the closing section, Zum Schluss,
with a text by Goethe, is fully written out as a separate
autograph, 1 leaf, 25 x 34cm.; ink, pencil, and blue pencil |
|
Note: Basing his arrangement on the proofs
of the original setting for vocal quartet with piano duet accompaniment,
Brahms makes all appropriate changes, many glued into the
proofs |
|
Digital content available
|
Shelf |
Rinaldo, op. 50, 1868
|
|
Text by Goethe |
|
Autograph full orchestral-vocal score revisions; 162 pages; 23 x
35 cm. + 26 x 33 cm.; ink, black pencil, and colored pencil |
|
Note: In original cardboard folder |
|
Note: Cantata for tenor solo, men's chorus,
and orchestra |
|
Digital content available
|
BOX 6 |
Vier Lieder für Singstimme und Klavier,
op. 46, no. 1. "Die Kränze," 1865 June 26
|
|
Autograph music manuscript; 4 pages; 25 x 33 cm.; ink |
|
Includes: Documentation of
provenance |
|
Digital content available
|
BOX 110 |
Portrait, 1896 May
|
|
Photograph |
|
Note: Group after the funeral of Clara
Schumann |
|
Brandt,
Marianne |
BOX 7 |
Four autograph letters, 1869 August -
1871 September
|
|
Signed; 10 pages; German |
|
Brandts Buys, Jan
Willem Frans |
BOX 7 |
A.E.I.O.U., op. 48, undated
|
|
Autograph full score; 22 pages; 26 x 35 cm. |
|
Braunfels,
Walter |
BOX 7 |
Tischer, 1925 January 27
|
|
Autograph letter, signed; 2 pages; German |
|
Bresgen,
Cesar |
BOX 7 |
Clippings, 1975 October 27
|
|
2 items; German |
|
Music |
BOX 7 |
Advent,
1966 November 22
|
|
Text by Hans Moldenhauer |
|
Autograph music manuscript, signed; 2 pages; 32 x 24 cm.;
German |
|
Includes: Reproduction |
BOX 7 |
Balkanstudien, volumes 1 and 2,
circa 1964
|
|
Printed score; 18 pages (volume 1) + 16 pages (volume
2) |
|
Note: Signed to Rosaleen Moldenhauer,
Grossgmain, 1965 |
|
Frankfurt: Litolff's |
BOX 7 |
Bilder des Todes, circa 1973
|
|
Printed score, signed; 44 pages |
|
Note: Signed to Hans Moldenhauer |
Next Page » |