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Musical Figures, 1000-1987
(continued) |
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BOX-FOLDER 46/1 |
Adagio, for string orchestra and harp,
before 1897
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Autograph full score; 3 pages; 35 x 27 cm.; pencil |
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Note: Unpublished; originally titled
"Andante" |
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Digital content available
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BOX-FOLDER 47/2 |
Concerto for Piano and Orchestra, op. 42,
circa 1944
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Printed first edition; 99 pages |
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Note: Signed to Adolph Weiss with
inscription, 1944 September 12-13 |
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Note: Reduction for 2nd piano by
Steuermann |
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New York: G. Schirmer |
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BOX-FOLDER 46/1 |
Concerto for String Quartet and Orchestra,
1933
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Adapted from Handel's Concerto Grosso,
op. 6, no. 7 |
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Autograph music sketches; 2 leaves; 35 x 27 cm.; ink and red
pencil |
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Note: To Alma Mahler |
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Includes: Description of his method and
purpose for the transcription, in German |
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Digital content available
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BOX-FOLDER 47/3 |
Dreimal tausend Jahre, op. 50a,
circa 1955
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Text by Dagobert D. Runes |
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Printed score; two copies; 3 pages each; German and
English |
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Note: Signed by the poet of the text; with
embossed stamp of Mrs. Schoenberg |
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Mainz: Schott's |
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BOX-FOLDER 47/3 |
Erwartung, op. 17, circa 1922
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Printed piano-vocal score; 47 pages; German |
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Note: First edition; signed to Josef
Palnauer, 1924 June; also signed by Marie Pappenheim, Alexander
Zemlinsky, and Marie Gutheil-Schoder |
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Vienna: Universal Edition |
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BOX-FOLDER 46/4 |
Fehlerliste, 1933 January 29
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3 leaves; ink and colored pencils; stamped with address |
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Note: Marked "Neue Liste"; corrections for
90 measures of Variationen, op. 31,
including musical examples and annotations |
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BOX-FOLDER 48/6 |
Funf Orchesterstücke, op. 16, circa
1912
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Printed score, signed on title page with several notations in the
score |
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Note: Cover contains the rubber stamp of
Rudolph Ganz, who received the score from the composer |
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Note: Score was used by Schoenberg when he
conducted the work with the Chicago Symphony Orchestra, 1934 February
8 |
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Laid in: Errata list, 1922 |
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Leipzig: Peters |
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BOX-FOLDER 46/2 |
Gavotte und Musette (im alten Style), für
Streich-Orchester, 1897
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Autograph full score, signed; 7 pages; 35 x 27 cm.; ink |
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BOX 101 |
Gurre-Lieder, no. 49, circa
1912
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By Alban Berg |
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Printed piano-vocal score; 238 pages |
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Note: Of the special edition,
Büttenpapier |
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BOX 101 |
Gurre-lieder,
undated
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Bound facsimile of first edition; 179 pages; German |
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Note: Autograph annotations by
Polnauer |
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BOX-FOLDER 46/2 |
Im Korn, undated
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Music by Zemlinsky; text by Evers |
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Autograph music manuscript; 2 pages; 25 x 30 cm.;
German |
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Note: Song for soprano and piano |
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Includes: Zemlinsky's signature and
dedication to Mela |
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BOX-FOLDER 46/7 |
Die Jacobsleiter, undated
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Facsimile of original music manuscript; 39 pages;
German |
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Note: Stamped by Schoenberg |
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BOX-FOLDER 47/5 |
Klavierstück, 1932 April
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Printed score; 7 pages |
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New Music |
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BOX-FOLDER 46/6 |
Moses und Aron,
undated
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Typescript libretto with autograph revisions, signed; 46 pages;
German |
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BOX-FOLDER 46/8 |
Moses und Aron,
undated
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Photostat of autograph full score; pages 103-178 (measures
166-976 |
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Note: To Fritz Mahler |
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BOX-FOLDER 47/1 |
Moses und Aron,
undated
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Photostat; 5 pages |
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Note: Schoenberg's handwritten
specifications for orchestration, annotations on many aspects of the
opera, and drawing |
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BOX-FOLDER 47/1 |
Moses und Aron. "Moses zieht Aron zur
Verantwortung," undated
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Reproduction of document excerpt; 1 page; German |
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Note: From autograph libretto |
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BOX 120 |
Moses und Aron. Der Tanz um das goldene
Kalb, circa 1951
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Facsimile of piano-vocal manuscript score; 198 pages |
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Note: Signed to Adolph Weiss, 1952 |
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Vienna: Scherchen |
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BOX 101 |
Moses und Aron. Der Tanz um das goldene
Kalb, circa 1951
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Printed score |
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Note: Signed by Gertrud Schoenberg to Adolph
Weiss, 1952 September 12 |
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Vienna: Ars Viva Hermann Scherchen |
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BOX 101 |
Ode to Napoleon Buonaparte, 1944
Christmas
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Blue-line reproduction of manuscript score; 36 pages;
English |
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Note: Signed to Adolph Weiss |
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BOX-FOLDER 46/9 |
Ode to Napoleon Buonaparte,
undated
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Facsimile of manuscript melodic line; 8 pages; German |
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Note: Stamped by Schoenberg |
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BOX-FOLDER 47/6 |
Pelleas und Melisande, op. 5, circa
1911
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Printed score, signed; 131 pages |
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Note: Signed to Josef Polnauer, 1912
February 29; signed by Alexander Zemlinsky, 1920 June 2 |
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Vienna: Universal Edition |
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BOX-FOLDER 46/6 |
Pelleas und Melisande, op. 5, 1934
January 9
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3 autograph music quotations, signed; 1 page (10
measures) |
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Note: Mounted with portrait photograph, to
Piller, 1921 December 30 |
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Contents: Melisande (Andante); Golaud
(Moderato); Pelleas (Vivace) |
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BOX-FOLDER 47/7 |
Pierrot Lunaire, op. 21, circa
1914
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Printed score, annotated; 78 pages; German |
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Note: To Hans Moldenhauer from E. Stiedry,
1972 March 22 |
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Note: Schoenberg coached Stiedry for the
first recording of the work |
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Vienna: Universal Edition |
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BOX-FOLDER 48/1 |
Quartett, undated
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Printed score; 80 pages |
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Berlin: Dreililien |
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BOX-FOLDER 46/3 |
Quintett für Flöte, Oboe, Klarinette, Horn
and Bassoon, op. 26, 1924
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Music manuscript, copied; 39 pages (incomplete parts) |
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Note: With "Klarinette in A" |
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BOX-FOLDER 48/2 |
Quintett für Flöte, Oboe, Klarinette, Horn
und Fagott, op. 26, circa 1925
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Printed score; 111 pages (parts) |
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Note: All bear Schoenberg stamp except flute
part (Douglas Craig) |
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Vienna: Universal Edition |
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BOX-FOLDER 48/3 |
Songs, undated
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10 printed scores, signed; 35 pages; German |
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Note: Ten individual printings of songs from
Schoenberg's opera 2 and 3 |
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Leipzig: Dreililien |
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BOX-FOLDER 46/10 |
Streich-Quartett. Movement 2, op. 10,
undated
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Facsimile of music manuscript; 47 pages; German |
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Note: Signed to Alexander Zemlinsky, 1909
February 18 |
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Vienna: Schoenberg |
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BOX-FOLDER 46/3 |
String Trio, op. 45, 1946
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Music manuscript, copied (incomplete); 17 pages |
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BOX-FOLDER 46/9 |
String Trio, op. 45, circa
1950
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Reproduction of first edition; 23 pages |
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New York: Boelke-Bomart |
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BOX-FOLDER 46/2 |
Der Tag wird kühl, undated
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Music by Zemlinsky |
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Fair copy; 3 pages; 34 x 26 cm.; German |
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Note: Song for soprano and piano |
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Note: In Schoenberg's autograph; also
inscribed by Melanie Guttmann |
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BOX 120 |
Der Tanz um das Goldene Kalb, circa
1951
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Printed score |
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Note: Signed by Gertrud Schoenberg to Adolph
Weiss, 1952 September 12 |
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Vienna: Ars Viva Hermann Scherchen |
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BOX-FOLDER 48/4 |
Variationen für Orchester, op. 31,
circa 1929
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Printed score; 80 pages |
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