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Musical Figures, 1000-1987
(continued) |
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BOX-FOLDER 46/2 |
Gavotte und Musette (im alten Style), für
Streich-Orchester, 1897
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Autograph full score, signed; 7 pages; 35 x 27 cm.; ink |
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BOX 101 |
Gurre-Lieder, no. 49, circa
1912
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By Alban Berg |
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Printed piano-vocal score; 238 pages |
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Note: Of the special edition,
Büttenpapier |
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BOX 101 |
Gurre-lieder,
undated
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Bound facsimile of first edition; 179 pages; German |
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Note: Autograph annotations by
Polnauer |
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BOX-FOLDER 46/2 |
Im Korn, undated
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Music by Zemlinsky; text by Evers |
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Autograph music manuscript; 2 pages; 25 x 30 cm.;
German |
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Note: Song for soprano and piano |
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Includes: Zemlinsky's signature and
dedication to Mela |
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BOX-FOLDER 46/7 |
Die Jacobsleiter, undated
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Facsimile of original music manuscript; 39 pages;
German |
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Note: Stamped by Schoenberg |
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BOX-FOLDER 47/5 |
Klavierstück, 1932 April
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Printed score; 7 pages |
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New Music |
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BOX-FOLDER 46/6 |
Moses und Aron,
undated
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Typescript libretto with autograph revisions, signed; 46 pages;
German |
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BOX-FOLDER 46/8 |
Moses und Aron,
undated
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Photostat of autograph full score; pages 103-178 (measures
166-976 |
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Note: To Fritz Mahler |
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BOX-FOLDER 47/1 |
Moses und Aron,
undated
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Photostat; 5 pages |
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Note: Schoenberg's handwritten
specifications for orchestration, annotations on many aspects of the
opera, and drawing |
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BOX-FOLDER 47/1 |
Moses und Aron. "Moses zieht Aron zur
Verantwortung," undated
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Reproduction of document excerpt; 1 page; German |
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Note: From autograph libretto |
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BOX 120 |
Moses und Aron. Der Tanz um das goldene
Kalb, circa 1951
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Facsimile of piano-vocal manuscript score; 198 pages |
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Note: Signed to Adolph Weiss, 1952 |
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Vienna: Scherchen |
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BOX 101 |
Moses und Aron. Der Tanz um das goldene
Kalb, circa 1951
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Printed score |
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Note: Signed by Gertrud Schoenberg to Adolph
Weiss, 1952 September 12 |
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Vienna: Ars Viva Hermann Scherchen |
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BOX 101 |
Ode to Napoleon Buonaparte, 1944
Christmas
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Blue-line reproduction of manuscript score; 36 pages;
English |
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Note: Signed to Adolph Weiss |
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BOX-FOLDER 46/9 |
Ode to Napoleon Buonaparte,
undated
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Facsimile of manuscript melodic line; 8 pages; German |
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Note: Stamped by Schoenberg |
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BOX-FOLDER 47/6 |
Pelleas und Melisande, op. 5, circa
1911
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Printed score, signed; 131 pages |
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Note: Signed to Josef Polnauer, 1912
February 29; signed by Alexander Zemlinsky, 1920 June 2 |
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Vienna: Universal Edition |
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BOX-FOLDER 46/6 |
Pelleas und Melisande, op. 5, 1934
January 9
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3 autograph music quotations, signed; 1 page (10
measures) |
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Note: Mounted with portrait photograph, to
Piller, 1921 December 30 |
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Contents: Melisande (Andante); Golaud
(Moderato); Pelleas (Vivace) |
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BOX-FOLDER 47/7 |
Pierrot Lunaire, op. 21, circa
1914
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Printed score, annotated; 78 pages; German |
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Note: To Hans Moldenhauer from E. Stiedry,
1972 March 22 |
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Note: Schoenberg coached Stiedry for the
first recording of the work |
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Vienna: Universal Edition |
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BOX-FOLDER 48/1 |
Quartett, undated
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Printed score; 80 pages |
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Berlin: Dreililien |
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BOX-FOLDER 46/3 |
Quintett für Flöte, Oboe, Klarinette, Horn
and Bassoon, op. 26, 1924
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Music manuscript, copied; 39 pages (incomplete parts) |
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Note: With "Klarinette in A" |
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BOX-FOLDER 48/2 |
Quintett für Flöte, Oboe, Klarinette, Horn
und Fagott, op. 26, circa 1925
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Printed score; 111 pages (parts) |
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Note: All bear Schoenberg stamp except flute
part (Douglas Craig) |
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Vienna: Universal Edition |
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BOX-FOLDER 48/3 |
Songs, undated
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10 printed scores, signed; 35 pages; German |
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Note: Ten individual printings of songs from
Schoenberg's opera 2 and 3 |
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Leipzig: Dreililien |
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BOX-FOLDER 46/10 |
Streich-Quartett. Movement 2, op. 10,
undated
|
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Facsimile of music manuscript; 47 pages; German |
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Note: Signed to Alexander Zemlinsky, 1909
February 18 |
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Vienna: Schoenberg |
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BOX-FOLDER 46/3 |
String Trio, op. 45, 1946
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Music manuscript, copied (incomplete); 17 pages |
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BOX-FOLDER 46/9 |
String Trio, op. 45, circa
1950
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Reproduction of first edition; 23 pages |
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New York: Boelke-Bomart |
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BOX-FOLDER 46/2 |
Der Tag wird kühl, undated
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Music by Zemlinsky |
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Fair copy; 3 pages; 34 x 26 cm.; German |
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Note: Song for soprano and piano |
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Note: In Schoenberg's autograph; also
inscribed by Melanie Guttmann |
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BOX 120 |
Der Tanz um das Goldene Kalb, circa
1951
|
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Printed score |
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Note: Signed by Gertrud Schoenberg to Adolph
Weiss, 1952 September 12 |
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Vienna: Ars Viva Hermann Scherchen |
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BOX-FOLDER 48/4 |
Variationen für Orchester, op. 31,
circa 1929
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Printed score; 80 pages |
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Note: Signed to Adolph Weiss, 1936 September
13 |
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Vienna: Universal Edition |
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BOX 101 |
Von Heute auf Morgen,
1929
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Bound facsimile of first edition of piano reduction; 149
pages |
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Note: Annotations concerning staging in the
hand of Willi Reich |
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BOX-FOLDER 47/4 |
Von Huete auf Morgen,
circa 1930
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Printed piano reduction; 140 pages |
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Note: Second edition |
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Berlin: Schoenberg |
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Photographs |
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BOX 115 |
Plaque on the house in Barcelona,
undated
|
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Note: Installed in 1955 |
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BOX 115 |
Portrait, Mödling, 1925 August
19
|
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Note: Signed to Edward Clark |
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BOX 115 |
Portrait, New York, 1934 March
29
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Note: Signed to Adolph and Mrs.
Weiss |
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BOX 115 |
Portrait, 1950 Christmas
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Note: Signed to Fritz and Erika Stiedry, in
German |
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BOX 115 |
Group portrait, undated
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BOX 115 |
Portrait, undated
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BOX 115 |
Portrait, undated
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Note: On postcard to Webern |
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Programs and Promotional Material |
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BOX-FOLDER 46/5 |
Announcement for Schoenberg lecture, "Stil
und Gedanke...," Vienna, 1933 February 15
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1 page; German |
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Note: Newspaper report |
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BOX-FOLDER 48/5 |
Program, Vienna, 1924 May 2
|
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Autograph, annotated; 2 pages; German |
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BOX-FOLDER 48/5 |
Program, Vienna, 1927 September
19
|
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3 pages |
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Note: Covers two concerts for the world
premiere, sponsored by Mrs. Elizabeth Sprague Coolidge |
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BOX-FOLDER 48/5 |
Program, Vienna, 1928 February
26
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2 leaves |
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