| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Musical Figures, 1000-1987 (continued) | |||||||||||||
| Shelf | Poetics of Music, 1947 | ||||||||||||
| Book, signed | |||||||||||||
| Cambridge, Massachusetts: Harvard University Press | |||||||||||||
| Streicher, Nanette | |||||||||||||
| BOX 52 | Autograph letter, Vienna, 1823 June 1 | ||||||||||||
| Signed; 3 pages; German | |||||||||||||
| Stroe, Aurel | |||||||||||||
| BOX 52 | Vega, Aurelio de la, 1969 | ||||||||||||
| Autograph card, signed; 1 page; English | |||||||||||||
| Stuckenschmidt, Hans Heinz | |||||||||||||
| BOX 52 | Moldenhauer, Hans, 1960 April 30 | ||||||||||||
| Typescript letter, signed; 1 page; German | |||||||||||||
| Note: Regarding Karl Amadeus Hartmann | |||||||||||||
| BOX 52 | Weiss, Adolph, 1930 September 3 | ||||||||||||
| Typescript letter, signed; 1 page; German | |||||||||||||
| Sucher, Rosa | |||||||||||||
| BOX 52 | Fustigrath, 1887 May 2 and 17 | ||||||||||||
| 2 autograph letters, signed; 6 pages; German | |||||||||||||
| Suk, Josef | |||||||||||||
| BOX 52 | Album leaf, 1920 October 29 | ||||||||||||
| Autograph | |||||||||||||
| Note: Signed also signed by members of the Bohemian String Quartet | |||||||||||||
| BOX 52 | Dvorak, Mrs., 1898 March 15 | ||||||||||||
| Postcard, signed; 1 page; German | |||||||||||||
| Includes: Letter to Hans Moldenhauer from Josef Suk (grandson), 1975 March 20 | |||||||||||||
| Suppé, Franz | |||||||||||||
| BOX 52 | André, 1882 March 11 | ||||||||||||
| Autograph letter, signed; 2 pages; German | |||||||||||||
| Note: Regarding unauthorized arrangements of his works | |||||||||||||
| Swarowsky, Hans | |||||||||||||
| BOX 52 | Kwartin, Klara, 1924 November 15 | ||||||||||||
| Autograph letter, signed; 2 pages; German | |||||||||||||
| Note: Relates news of musical life in Vienna; Webern | |||||||||||||
| Swert, Jules de | |||||||||||||
| BOX 14 | Spegl, E., 1878 October 5 | ||||||||||||
| Autograph letter, signed; 2 pages; German | |||||||||||||
| Includes: Attached clipping regarding Die Albigenser | |||||||||||||
| BOX 110 | Portrait, undated | ||||||||||||
| Reproduction of photograph, signed | |||||||||||||
| Szigeti, Joseph | |||||||||||||
| BOX 52 | Ganz, Rudolph, 1958 January 29 | ||||||||||||
| Autograph letter, signed; 1 page; English | |||||||||||||
| Szymanowski, Karol | |||||||||||||
| BOX 115 | Clippings, undated | ||||||||||||
| 3 items; 3 pages; German | |||||||||||||
| Note: With biographical information | |||||||||||||
| BOX 115 | Portraits, undated | ||||||||||||
| Reproduction of 2 photographs | |||||||||||||
| BOX 52 | Stein, undated | ||||||||||||
| Autograph letter, signed; 3 pages; German | |||||||||||||
| Note: Regarding score changes | |||||||||||||
| Täglichsbeck, Thomas | |||||||||||||
| BOX 52 | Lind (?), Hubert, 1857 January 20 | ||||||||||||
| Autograph letter, signed; 2 pages; German | |||||||||||||
| Tailleferre, Germaine | |||||||||||||
| BOX 52 | Concerto pour piano et 12 instruments, 1924 January 26 | ||||||||||||
| Autograph full score with revisions; 77 pages; 24 x 32 cm.; ink, pencil, and crayon | |||||||||||||
| Note: Signed to Princess Édmond de Polignac for Alfred Cortot | |||||||||||||
| Digital content available | |||||||||||||
| BOX 52 | Cortot, Alfred, Monday | ||||||||||||
| Autograph letter, signed; 2 pages; French | |||||||||||||
| BOX 52 | Hommage à Debussy, 1920 October 2 | ||||||||||||
| Autograph music manuscript with revisions, signed; 3 pages; 31 x 24 cm.; ink and pencil | |||||||||||||
| Tamburini, Antonio | |||||||||||||
| Related Collection Materials see Grisi, Giulia |
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| Tamkin, David | |||||||||||||
| Related Collection Materials see Achron, Joseph |
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| Taneyev, Sergei | |||||||||||||
| BOX 52 | Schaeffer, 1901 October 13 | ||||||||||||
| Autograph letter, signed; 1 page; German | |||||||||||||
| Tansman, Alexandre | |||||||||||||
| BOX 55 | Musica a Cinque, 1955 | ||||||||||||
| Autograph music quotation, signed; 1 page | |||||||||||||
| BOX 55 | Musica a Cinque, 1956 September-November | ||||||||||||
| Autograph complete sketches, signed; 12 pages; 35 x 27 cm.; ink | |||||||||||||
| BOX 115 | Portrait, 1928 January | ||||||||||||
| By Eschig | |||||||||||||
| Photograph | |||||||||||||
| Note: Signed to Boaz Piller | |||||||||||||
| BOX 115 | Portrait, Paris, 1956 January | ||||||||||||
| Photograph | |||||||||||||
| Note: Signed to the Spokane Conservatory | |||||||||||||
| Taranu, Cornel | |||||||||||||
| BOX 53 | Dialogues 2, 1966-1967 | ||||||||||||
| Music manuscript with autograph revisions; 20 pages | |||||||||||||
| BOX 53 | Piano Concerto, circa 1972 | ||||||||||||
| Printed score; 37 pages | |||||||||||||
| Cluj: Conservatorul de Muzica | |||||||||||||
| Taubert, Wilhelm | |||||||||||||
| BOX 53 | 12 Lieder, op. 17, undated | ||||||||||||
| 2 printed score; 10 pages each | |||||||||||||
| Note: To Sophie Jacobson, 1843 February | |||||||||||||
| Berlin: Schlesinger | |||||||||||||
| Correspondence | |||||||||||||
| BOX 53 | Gruss, 1847 April 4 | ||||||||||||
| Autograph music manuscript, signed; 1 page; 29 x 33 cm. | |||||||||||||
| Note: Mounted on verso, three letters to Ludwig Rellstab, signed by Elise Polko, Robert Prütz, and Johanna Schopenhauer | |||||||||||||
| BOX 53 | Vivenot, 1846 June? 2 | ||||||||||||
| Autograph letter, signed; 3 pages; German | |||||||||||||
| BOX 53 | Unidentified, 1856 June 9, 1858 February 4, 1875 November 17 | ||||||||||||
| 3 autograph letters, signed; 2 pages + 1 page + 1 page; German | |||||||||||||
| Tausig, Carl | |||||||||||||
| BOX 53 | Spiegl, 1864 April 13 | ||||||||||||
| Autograph letter, signed; 3 pages; German | |||||||||||||
| BOX 53 | Spiegl, from Tausig's wife, undated | ||||||||||||
| Letter; 3 pages; German | |||||||||||||
| Tchaikovsky, Pyotr Ilyich | |||||||||||||
| Correspondence | |||||||||||||
| BOX 53 | Jurgenson, Pavel (publisher), 1880 May 13 | ||||||||||||
| Autograph letter, signed; 1 page; Russian | |||||||||||||
| Note: Date is from the Julian Calendar (Old Style) | |||||||||||||
| Note: Mounted with portrait photograph of Tchaikovsky and Siloti, with note signed by Siloti, 1898 February 17 | |||||||||||||
| BOX 53 | Mackar, Felix, 1889 February 13? | ||||||||||||
| Autograph letter, signed; 4 pages; French | |||||||||||||
| BOX 53 | Mania (Hermann Laroche), 1890 June 21 | ||||||||||||
| Autograph letter, signed; 4 pages; Russian | |||||||||||||
| Includes: Letter of authentication by William Lichtenwagner, Library of Congress, 1971 May 18 | |||||||||||||
| BOX 53 | The Cossmann Testimonial, circa 1864-1868 | ||||||||||||
| Signed; 3 pages; German | |||||||||||||
| Note: Also signed by Nikolai Rubinstein, Ferdinand Laub, Nikolai Kashkin, Hermann Laroche, Eduard Langer, Alexander Ivanovich Dubuque, Vladimir Kashperov, Alex. S. Rasmadse, Johann Hrimlay, Karl Klindworth | |||||||||||||
| Note: Presented to Bernhard Cossmann on his retirement from the Moscow Conservatory, recalls his teaching skills | |||||||||||||
| BOX 53 | Tscharodeika, 1887 October 23 | ||||||||||||
| Autograph music quotation in piano score for beinning of the Overture; 7 measures | |||||||||||||
| Note: Signed to L.A. Vizentini | |||||||||||||
| Tcherepnin, Alexander | |||||||||||||
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