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| BOX 10-35, 43-46 | Music | ||||||||||||
| The Music series is represented by two subseries: Music by Edward Steuermann and Music by Other Composers. The Music by Edward Steuermann subseries is represented by two subseries: Original compositions and Arrangements and Transcriptions. These two subseries consist of manuscript and printed scores. The Music by Other Composers subseries is represented by two subseries: Manuscript Music and Printed Music. These two subseries consist of manuscript scores and printed scores. |
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| Arrangement is alphabetical by author and title. | |||||||||||||
| BOX 10-18 BOX 43-45 | Music by Edward Steuermann | ||||||||||||
| BOX-FOLDER 10/1-17/4 BOX-FOLDER 43/1-10 BOX-FOLDER 44/1-8 BOX-FOLDER 45/1-3 | Original Compositions | ||||||||||||
| BOX-FOLDER 10/1 | Abendlied | ||||||||||||
| Holograph piano score, blue ink; 2 p. | |||||||||||||
| at end: 17./8. 38, Santa Monica | |||||||||||||
| also: 1 photocopy | |||||||||||||
| BOX-FOLDER 10/1 | Abendlied | ||||||||||||
| Holograph piano score, black ink; 3 p. | |||||||||||||
| at end: 17./8. 38, Santa Monica, Calif. | |||||||||||||
| also: 1 photocopy | |||||||||||||
| BOX-FOLDER 10/1 | Abendlied | ||||||||||||
| Copyist's piano score, pencil; 4 . | |||||||||||||
| at end: 17.8.38, Santa Monica, Calif. | |||||||||||||
| also: 1 photocopy | |||||||||||||
| BOX-FOLDER 10/2-3 | Auf der Galerie | ||||||||||||
| Holograph full score, pencil, with annotations in ink and colored pencil: 26 p. | |||||||||||||
| at end: New York, 24./8. 1964 | |||||||||||||
| also: tone rows; partial score, pencil; texts (German and English) | |||||||||||||
| also: negative photostat (BOX: 10/3) | |||||||||||||
| BOX-FOLDER 45/1 | Auf der Galerie | ||||||||||||
| Holograph full score, pencil, with annotations in red and blue pencil; 4 p. | |||||||||||||
| at top of p. 1: 30./VI. 1963 Hannover | |||||||||||||
| at end: Hannover 10./7 63; ausgeführt 16./7. Salzburg | |||||||||||||
| BOX-FOLDER 45/1 | Auf der Galerie | ||||||||||||
| Holograph full score, pencil, with annotations in red and blue pencil (65 mm. only); 4 p. | |||||||||||||
| BOX-FOLDER 43/1-4 | Auf der Galerie | ||||||||||||
| Ozalid of copyist's full score; 33 p. | |||||||||||||
| at end: 24./8. 1964 | |||||||||||||
| also: 2 photocopies (unmarked) (BOX-FOLDER: 43/2) | |||||||||||||
| also: 2 ozalid copies, labelled "First proof" and "Strilko work score" (BOX-FOLDER: 43/3-4) | |||||||||||||
| BOX-FOLDER 10/4-5 | Auf der Galerie | ||||||||||||
| Photocopy of copyist's score for chorus & piano; 45 p. | |||||||||||||
| at end: New York, 24/8/64. | |||||||||||||
| 2 copies. | |||||||||||||
| BOX-FOLDER 10/6 | Brecht Lieder | ||||||||||||
| Holograph piano-vocal score in ink and pencil; [10 p.] | |||||||||||||
| at end of Die Rückkehr: 20./5. 1895, New York | |||||||||||||
| at end of Der Totenvogel (1st copy): 26 Mai, New York | |||||||||||||
| at end of Der Totenvogel (2nd copy): 27./5., New York | |||||||||||||
| at end of Gedanken über die Dauer des Exils: New York, 19./6. 95 | |||||||||||||
| also: typewritten text of songs | |||||||||||||
| BOX-FOLDER 10/7 | Brecht Lieder | ||||||||||||
| Reproduction of holograph piano-vocal score, with annotations in pencil; 11 p. | |||||||||||||
| 2 copies | |||||||||||||
| BOX-FOLDER 45/2 | Concerto, piano | ||||||||||||
| Holograph sketches for short score, pencil with annotations; 13 p., [12 p.] | |||||||||||||
| BOX-FOLDER 10/8 | Dialogues | ||||||||||||
| Holograph violin score, black ink on transparencies; 6 p. | |||||||||||||
| at end: January 19th, 1963 | |||||||||||||
| also: 2 copies | |||||||||||||
| BOX-FOLDER 10/8 | Dialogues | ||||||||||||
| Holograph violin score, blue ink with annotations in colored pencil; 3 p. | |||||||||||||
| at end: January 19th 63 | |||||||||||||
| BOX-FOLDER 10/8 | Dialogues | ||||||||||||
| Holograph violin score, pencil with annotations; Jan. 19th 63 | |||||||||||||
| BOX-FOLDER 10/9 | Dialogues | ||||||||||||
| Holograph sketches & tone rows; 7 p. | |||||||||||||
| BOX-FOLDER 43/5-6 | Drei Chöre | ||||||||||||
| Holograph full score, black ink on transparencies; 16 p. | |||||||||||||
| at end of Die Nacht: New York 5./I. 56 | |||||||||||||
| at end of Das Lied: New York, July 6th, 1956 | |||||||||||||
| at end of Der Gott der Juden: 6./8. Princeton | |||||||||||||
| also: ozalid copies of Die Nacht (1), Das Lied (2), and Der Gott der Juden (3) (BOX-FOLDER: 43/6) | |||||||||||||
| BOX-FOLDER 11/1-2 | Drei Chöre | ||||||||||||
| Copyist's full score with pencil annotations, bound; 38 p. | |||||||||||||
| at top of p. 1, in ink: Für Ludwig Münz | |||||||||||||
| also: 3 photocopies; typewritten text (BOX: 11/2) | |||||||||||||
| BOX-FOLDER 11/3 | Drei Chöre | ||||||||||||
| Holograph sketches, pencil, with 2 p. ink on transparencies; 30 p. | |||||||||||||
| BOX-FOLDER 11/4 | Drei Chöre | ||||||||||||
| Copyist's choral score of Die Nacht only, with annotations in red pencil; 23 p. | |||||||||||||
| at bottom of p. 1: Copyright 1956 by Edward Steuermann | |||||||||||||
| also: 2nd copy; typewritten text | |||||||||||||
| BOX-FOLDER 11/5 | Drei Lieder | ||||||||||||
| Ozalid of copyist's piano-vocal score; 10 p. | |||||||||||||
| 2 ozalid copies; 1 photocopy | |||||||||||||
| BOX-FOLDER 11/6 | Frühlingslied | ||||||||||||
| Holograph piano score, ink; 3 p. | |||||||||||||
| at end: 1./XI. 39 | |||||||||||||
| on verso of p. 3: Romanze [1 p., incomplete] | |||||||||||||
| also: 1 photocopy | |||||||||||||
| BOX-FOLDER 11/6 | Frühlingslied | ||||||||||||
| Copyist's score, pencil; 4 p. | |||||||||||||
| at end: 1./XI. 39 | |||||||||||||
| also: 1 photocopy | |||||||||||||
| BOX-FOLDER 11/6 | Frühlingslied | ||||||||||||
| Holograph sketches in ink and pencil; 4 p. | |||||||||||||
| BOX-FOLDER 11/7 BOX-FOLDER 43/7 | Improvisation and allegro | ||||||||||||
| Holograph violin & piano score, black ink on transparencies; 19 p. | |||||||||||||
| on title page: to Theodor Adorno | |||||||||||||
| at end: June 21st, 1955, Florence | |||||||||||||
| also: 2 ozalid copies (see box 43) (BOX-FOLDER: 43/7) | |||||||||||||
| BOX-FOLDER 11/8 | Improvisation and allegro | ||||||||||||
| Holograph violin & piano score, black ink with pencil annotations and pasteovers; 14 p. | |||||||||||||
| at end: 6./II. 55, New York | |||||||||||||
| BOX-FOLDER 11/9 | Improvisation and allegro | ||||||||||||
| Holograph sketches, pencil; [40 p.] | |||||||||||||
| BOX-FOLDER 11/10 | Improvisation and allegro | ||||||||||||
| Holograph revisions, black ink, blue ink, & pencil, on paper and transparencies; [6 p.] | |||||||||||||
| BOX-FOLDER 11/11-12 | Improvisation and allegro | ||||||||||||
| Ozalid of copyist's score for violin & piano with extensive annotations in red and green pencil; 26 p. | |||||||||||||
| also: 2 copies of ozalid (without annotations) (BOX-FOLDER: 11/12) | |||||||||||||
| BOX-FOLDER 11/13 | Improvisation and allegro | ||||||||||||
| Printed violin part; 10 p. | |||||||||||||
| At bottom of p. 1: Copyright 1971 by Clara Steuermann | |||||||||||||
| BOX-FOLDER 12/1 | Lied des Gefangenen | ||||||||||||
| Holograph piano-vocal score, black ink; 4 p. | |||||||||||||
| at end: Februar 1912 | |||||||||||||
| also: 1 photocopy | |||||||||||||
| BOX-FOLDER 12/2 |
Milosc skrzydlata
See also: Zigeunerlied |
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| Holograph piano-vocal score, blue ink; 2 p. | |||||||||||||
| at end: Sambar 1908 | |||||||||||||
| BOX-FOLDER 43/8-9 | Music for instruments | ||||||||||||
| Holograph full score, black ink on transparencies with annotations in pencil; 42 p. | |||||||||||||
| at end: 9./IX 1961 New York [signed] E. Steuermann | |||||||||||||
| also: 2 photocopies (BOX-FOLDER: 43/9) | |||||||||||||
| BOX-FOLDER 12/3 | Music for instruments | ||||||||||||
| Holograph sketch of short score, pencil with annotations; 20 p. | |||||||||||||
| at end: 10./8. 1960 | |||||||||||||
| BOX-FOLDER 12/4 | Music for instruments | ||||||||||||
| Holograph sketches, pencil and other; 104 p. | |||||||||||||
| BOX-FOLDER 12/5 | Na krakowskim zamku wesele | ||||||||||||
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