| | | | | | | | | | | | | |
|
Publications, 1973-2012
(continued) |
|
Kozin, Allen. For 3,000 fanatics of the flute, a
meeting of many high notes, 1996 |
|
Krell, John. Schoenberg’s Gurre-Lieder - a
piccoloist’s dilemma, 1991 |
|
Krell, John and Jim Hosmer. Flautist /
Flutist?, 1993 |
|
Kujala, Sherry. A Kincaid student becomes a master
flutist, 1993-1994 |
|
Kujala, Walfrid. Mostly meliorated Mozart,
1996 |
|
LaBerge, Anne. The Oston-Brannen Kingman system
flute, 1995 |
|
Laird, Joy E. Piccolo repertoire, 1990
|
|
Lawrence, Eleanor. Interview with Bernard Z.
Goldberg, 1995-1996 |
|
Leifer, Lyon. A memoir of Manchester: the British
Flute Society convention reviewed, 1990 |
|
Loewy, Andrea. Music performance: use and misuse of
stress, 1991 |
|
Lüchauer, George. Why the flute?, 1994-1995
|
|
Lüchauer, May. Pop goes the weasel,
1993-1997 |
|
BOX 67 |
Mains, Ronda. The articulations found in the
primary sources of Bach’s Flute Sonata in B minor, 1994-1997
|
|
Marianiello, Linda. Changing face of our
profession, 1997 |
|
Mather, Betty Bang. The builder’s approach:
Prokofieff’s Bird song as example, 1996-1997 |
|
Messe, Jody. A flutist’s life: the large living
room, 1994-1995 |
|
Melilli, Jean. Extreme flute of the ASYO,
1997 |
|
Miller, Sarah Bryan. Winds gather in windy
city, 1997 |
|
Morgan, Arthur. Mozart and the flute, 1991
|
|
Nelson, Susan. The recordings of George
Barrère, 1994 |
|
Norris, Richard. Clinical observations on the
results of the 1991 N.F.A. survey, 1991-1996 |
|
Palmer, Andrew. William Alwyn, 1997-1998
|
|
Panitz, Murray. A musical approach to the
flute, 1993 |
|
Perone, Jerome. An introduction to polyphonic
melody performance, 1991 |
|
Petrucci, Gian-Luca. Interview to Severino
Gazzelloni, 1992 |
|
Powell, Ardal. Flute making in the eighteenth
century: changing ideas and changing methods, 1993-1994
|
|
BOX 68 |
Priore, Irna. Griffes’ Poem: considerations about
performance practice issues, 1993-1996 |
|
Ranck, John. Great virtuosi of the flute,
1990-1991 |
|
Randalls, J. S. Anderson’s expression marks,
1996-1997 |
|
Rawlins, Robert. Musical memory skills ,
1993-1995 |
|
Robert, Eleanor. The tone feeder: William Kincaid
remembered, 1994-1997 |
|
Saenger, Katherine. A recipe for improved head
joint acoustic, 1994-1996 |
|
Schwoebel, Sandy. A flutist’s tune-up guide,
1993-1997 |
|
Scott, Kenneth. The unknown musical life of William
Kincaid, 1992 |
|
Sheldon, Robert. A Quantz flute at the Library of
Congress, 1991-1994 |
|
Shigezawa, Ruth. Concerti in the heartland: the
1994 N. F. A. convention, 1994 |
|
Spencer, Patricia. The musical shape of
technology, 1992-1994 |
|
Stout, Glennis. Theobald Böhm’s 200th birthday:
celebration in Munich, 1994 |
|
Tanner, Joanne. Marcel Moyse: recollections of a
teenage pupil, 1991-1994 |
|
Taub, Paul. Nicolas to the max, 1990-1992
|
|
Taylor, Parker. De Lorenzo,
undated |
|
Toff, Nancy. Georges Barrère, monarch of the
flute, 1992-1995 |
|
Togashi, Karen. Twentieth century flute &
harpsichord chamber music literature, 1991-1992 |
|
[Various]. Lambros Demetrious Callimahos,
1935-1939 |
|
[Various]. Lambros Demetrious Callimahos,
1936-1984 |
|
BOX 69 |
[Various]. Reprints of FQ articles,
1992-1998 |
|
Waller, Sue. Tooter’s tutor, 1997
|
|
Waln, Ronald. Frank Martin’s voice & flute
compositions, 1991-1992 |
|
Walter, David. Barrère’s bassist – a
reminiscence , 1992-1994 |
|
Weller, Janis. Becoming a modern day Prince
Esterhazy: the joys and the pitfalls of commissioning new
music, 1990-1992 |
|
Whitman, Ernestine. Struggling with focal
dystonia, 1993-1995 |
|
Wyatt, Charles. Listening to Mozart, 1996
|
|
Wye, Trevor. Syrinx or La flute de Pan,
undated |
|
Wyton, Richard. The Copland-Solum
correspondence (1967-1975), 1991 |
|
Published manuscripts / Accepted mss. awaiting author
permission |
|
Laurie, Mary. A discography of the golden age of
the piccolo in America, 1994-1995 |
|
Mather, Roger. Dictionary of the flute tone colors
and related terms, 1992-1995 |
|
Published manuscripts / Accepted revisions for secondary
permissions |
|
Aronson, Phyllis. Oliver Messiaen’s Le merle noir
pour flute et piano: a background and analysis for performers,
1996-1997 |
|
Atherton, Ginny. The curved headjoint combined with
open hole bodies for beginning flutists, 1994 |
|
Stilwell, Jana. Georg Friedrich Handel’s Solo
sonatas, op.1: an annotated bibliography of secondary sources,
1996-1997 |
|
BOX 70 |
Publishers and printers |
|
Reports, 1996-1998 |
|
Rejected column proposal, 1996 |
|
Rejected manuscripts |
|
Abell, Chris. Flutes and whistles, 1994
|
|
Adams, Ellen J. Carpal tunnel syndrome,
1994-1995 |
|
Brandão, Fernando. An introduction to the
Choro, 1993 |
|
Carpenter, Ben H. A criterion to help develop tone
quality, 1995 |
|
Carter, Evelyn B. Dialogue with my flute
genie, 1992 |
|
Cobert, Claude. Origins and developments of the
Paris Conservatory and the Morceau de Concours, 1992
|
|
Coltman, John W. Flute intonation in
performance, 1998 |
|
Coltman, John W. Headjoint acoustics – a
comparison, 1992-1993 |
|
Davila, Patricia. The great divide: motherhood and
music, 1996-1997 |
|
Derby-McDermotte, Dennette. Jindřich Feld’s work
for the flute, undated |
|
Fenley, J. Franklin. Interpreting the
appoggiaturas...., 1992-1993 |
|
Friend, Lisa. An interview with Krysztof
Penerecki, 1995 |
|
Friend, Lisa. Interviews of the flute choir
conductors, 1995 |
|
Fonville, John. The open hole piccolo by Brannon
Brothers, 1994 |
|
Gilman, Irvin Edward. The Jonathan Livingston
Seagull principle or Barrère’ law, 1994 |
|
Gortner, Emily K. The influence of the French
school of playing in the United States, 1993-1995 |
|
Horowitz, Marc D. Flute and piccolo citations in
recent medical and scientific literature, 1997-1998
|
|
Klipp, Barbara. Getting control of your
schedule, 1997 |
|
Johns, Lana K. Music education in the Czech
Republic, 1994 |
|
Johns, Lana K. Jindŕich Feld’s Flute sonata,
1995-1996 |
|
Jones, Margo. Joan Tower’s flute concerto,
1993-1995 |
|
Laird, Joy T. 50 years of Spanish flute
music, 1992-1993 |
|
Lewis, Louis W. The diaphragm in tone
production, 1993 |
|
Lowery, Andrea Kapell. The cultural exchange
program to China, 1995-1996 |
|
Loshbaugh, Shana. The first Rachmaninov music
college...., 1994 |
|
BOX 71 |
Macleod, Lynne. Flautist at the keyboard,
1992-1993 |
|
Macloed, Lynne. Flautist at the keyboard,
1994 |
|
Marianiello, Linda. Competition: friend or
foe, 1994-1995 |
|
Maurer, Laurel Ann. Meeting living
composers, 1994 |
|
McCormick, Kim S. Ernest Bloch: his two works for
solo flute and orchestra, 1991-1993 |
|
McGowan, Ned. Quarter tone flute, 1995
|
|
Morgan, Arthur. A study of sight-reading,
1996 |
|
Palmer, Eddy. The aging flutist, 1996
|
|
Perlove, Nina. More than a specialist, 1998
|
|
Ranck, John. A propos de Moyse, 1992
|
|
Rawlins, Roberts. Defining good intonation,
1993 |
|
Rigler, Jane. A partial bibliographic guide to
contemporary flute techniques, 1993-1994 |
|
Sackman, Marc. Different drummers, 1997
|
|
Samson-Heid Kamd, Lucy. Flute Alert!, 1993
|
|
Spohr, Peter. Celebrating 150 years of Böhm flute
making in America, 1994 |
|
Teskey, Nancy. Performance practice of the Japanese
shakuhachi...., 1996 |
|
Thompson, John B. Let’s all transpose,
1989-1991 |
|
Waitzman, Daniel. Program notes, 1995
|
|
Walker, Kerry. Vowel positions applied to flute
playing; 4 Antiquated flute fallacies; Tonal resonance of the flutist;
Cheek inflation and vowel posture techniques, 1997 |
|
Waln, Ronald. Karg-Elert’s 30 caprices, 1996
|
|
Weiss, Susan. Flute playing is a pain in the
neck, 1994-1995 |
|
Willis, Diane Höltje. [Christopher Rouse’s new
flute concerto], 1994 |
|
Wye, Trevor. Silky toned recital, 1994-1995
|
|
Zakian, Lee. Using MIDI for practice and
performance, 1993 |
|
Rejected manuscripts / Awaiting resubmission |
|
Abromeit, Kathleen. A profile of Anna Bon,
mid-eighteenth century composer, and an analysis of her Flute Sonata,
op. 1, no. 7, 1991-1993 |
|
Ranck, John. The art of conducting, 1993-1994 |
|
Reprint permissions |
|
25th
anniversary, 1997 |
|
BOX 72 |
Advertising |
|
Andres , Rebecca |
|
Anniversary projects |
|
Art design |
|
Book, interior design |
|
Brochure |
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