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Works without Opus Numbers (continued) | |||||||||||||
BOX-FOLDER 17/3 | Senokos [Hayfield]. [for piano solo.] | ||||||||||||
Holograph score in pencil, 4 p. | |||||||||||||
BOX-FOLDER 17/4 | Time is Infinite Movement, for three voices. New York: Music Press, 1947 . | ||||||||||||
Printed in Modern Canons (no. 25, p. 29). | |||||||||||||
Two copies | |||||||||||||
BOX-FOLDER 17/5 | Viĭ. [projected stage work; reduced scores for piano solo.] | ||||||||||||
Holograph score in ink, 9 p. | |||||||||||||
Holograph note in Russian on score: "Scene One, Act One." | |||||||||||||
BOX-FOLDER 17/6 | Viĭ. [projected stage work; reduced scores for piano solo.] | ||||||||||||
Holograph score in ink, 6 p. | |||||||||||||
Holograph notes in Russian on score: "Viĭ by Gogol"; "Scene One, Russian Dance." | |||||||||||||
BOX-FOLDER 17/7 | Vocalise (In modo russo), for unaccompanied mixed chorus (SATB). | ||||||||||||
Holograph score in pencil, 4 p. | |||||||||||||
BOX-FOLDER 17/8 | Vocalise (In modo russo), for unaccompanied mixed chorus (SATB). | ||||||||||||
Printed scores. [Holland]: Leeds Music Corporation, 1953, 11 p. | |||||||||||||
Two copies | |||||||||||||
BOX-FOLDER 17/9 | [Unidentified sketch] | ||||||||||||
Unidentified holograph material in pencil: loose sheets, 91 p.; one spiral bound music notebook, 23 p. | |||||||||||||
BOX-FOLDER 17/10 | [Unidentified sketch] | ||||||||||||
Unidentified holograph material, 78 p. | |||||||||||||
BOX 18 | Music of Other Composers | ||||||||||||
The Music of Other Composers series consists of manuscripts, scores, etc. | |||||||||||||
Arrangement is alphabetical by composer and title. | |||||||||||||
Abraham, Paul | |||||||||||||
BOX-FOLDER 18/1 | Bal på Savoy, operetta in 3 acts: 11 selections arranged for voice and piano. Stockholm: Nordiska Musikförlaget, 1933 . | ||||||||||||
23 p. | |||||||||||||
Swedish text (Alf Henrikson). | |||||||||||||
Includes 3 p. typed German translations of parts of the text, two of which are notated in the score. | |||||||||||||
Eikhler, Dmitriĭ | |||||||||||||
BOX-FOLDER 18/2 | Sem' romansov. [Seven romances.] [S.l.]: [s.n.], [1929] . | ||||||||||||
17 p. | |||||||||||||
Russian text. | |||||||||||||
Inscribed and annotated by the composer. | |||||||||||||
Contents:
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BOX-FOLDER 18/3 | Ty i vy. | ||||||||||||
Holograph score; 4 p. | |||||||||||||
Russian text (A. Pushkin). | |||||||||||||
Includes a dedication by the composer to NL | |||||||||||||
Annotations; and a small watercolor on cover. | |||||||||||||
Franco, Johan | |||||||||||||
BOX-FOLDER 18/4 | Alla Marcia, intermezzo for piano. New York: Composers Press, 1939 . | ||||||||||||
5 p. | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
BOX-FOLDER 18/5 | The First Born, for medium voice and piano. New York: Composers Press, 1939 . | ||||||||||||
3 p. | |||||||||||||
English text (Malcolm Cowley). | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
BOX-FOLDER 18/6 | Intermezzo 4, for piano. [S.l.]: [s.n.], n.d. | ||||||||||||
2 p. | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
BOX-FOLDER 18/7 | The Night of the Full Moon, for voice and piano. | ||||||||||||
Blueline score, dated 1939, 2 p. | |||||||||||||
English text (Lloyd Frankenberg). | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
Grechaninov, A. | |||||||||||||
BOX-FOLDER 18/8 | Angel, op. 152, for mezzo soprano and piano. Leipzig: M.P. Belaïeff, 1939 . | ||||||||||||
4 p. | |||||||||||||
Russian, French and German texts (A. Pushkin). | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
BOX-FOLDER 18/9 | Dlia beregov otchizny dal'noĭ, op. 106, no. 8, for voice and piano. Mainz: B. Schott's Söhne, n.d. | ||||||||||||
7 p. | |||||||||||||
Russian, French and German texts (A. Pushkin). | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
BOX-FOLDER 18/10 | Gulial Andreĭ (Byelorussian song), op. 111, no. 1, for voice and piano. | ||||||||||||
Holograph score, 4 p. | |||||||||||||
Russian text | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff, dated 1945 Feb 18. | |||||||||||||
BOX-FOLDER 18/11 | Kolybel'naia, op. 1, no. 5, for voice and piano. Leipzig: M.P. Belaïeff, 1912 . | ||||||||||||
3 p. | |||||||||||||
Russian, French and German texts (Lermontov). | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
BOX-FOLDER 18/12 | Step'iu idu ia unyloiu, op. 5, no. 1, for voice and piano. [S.l]: M.P. Belaïeff, 1912 . | ||||||||||||
5 p. | |||||||||||||
Russian, French and German texts (A. Pleshcheev). | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
Lazăr, Filip | |||||||||||||
BOX-FOLDER 18/13 | Deux chansons d'amour et une autre gaie, for voice and piano. Paris: Durand, 1926 . | ||||||||||||
6 p. | |||||||||||||
French and Romanian texts. | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
BOX-FOLDER 18/14 | Trois pastorales, for voice and piano. Paris: Durand, 1927 . | ||||||||||||
French and Romanian texts (St. O. Iosif). | |||||||||||||
Inscribed by the composer to Nora Lopatnikoff. | |||||||||||||
MacKenna de Cuevas, C[armella] | |||||||||||||
BOX-FOLDER 18/15 | Sonate für Violine und Klavier [S.l.]: [s.n.], [1931] . | ||||||||||||
26 p. | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
Musorgskiĭ, Modest | |||||||||||||
BOX-FOLDER 18/16 | 12 Lieder, for voice and piano Leipzig: C.F. Peters, 1912 . | ||||||||||||
59 p. | |||||||||||||
Edited by Hans Schmidt | |||||||||||||
German text | |||||||||||||
Russian translations of selected song texts annotated in the score. | |||||||||||||
Sibelius, Jean | |||||||||||||
BOX-FOLDER 18/17 | Flickan kom [The Tryst], op. 37, no. 5, for voice and piano. Berlin: Breitkopf und Härtel, 1904 . | ||||||||||||
7 p. | |||||||||||||
English and French texts (J.L. Runeberg) | |||||||||||||
Contains autograph of the composer. | |||||||||||||
Slonimsky, Nicolas | |||||||||||||
BOX-FOLDER 18/18 | Yellowstone Park Suite, for piano. Providence, [RI]: Axelrod Publications, 1951 . | ||||||||||||
17 p. | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
Stravinsky, Soulima | |||||||||||||
BOX-FOLDER 18/19 | The Art of Scales, for piano. New York: C.F. Peters, 1960 . | ||||||||||||
23 p. | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
Stutschewsky, Joachim | |||||||||||||
BOX-FOLDER 18/20 | Vier jüdische Tanzstücke, for piano Vienna: Universal Edition, n.d. | ||||||||||||
16 p. | |||||||||||||
Inscribed by the composer to NL; dated 1936. | |||||||||||||
Tcherepnine, Alexander | |||||||||||||
BOX-FOLDER 18/21 | Entretiens, op. 46, for piano Paris: Durand, 1931 . | ||||||||||||
16 p. | |||||||||||||
Inscribed by the composer to NL. | |||||||||||||
BOX-FOLDER 18/22 | Haltes, for voice and piano. Paris: Heugel, 1926 . | ||||||||||||
23 p. | |||||||||||||
French text (Guillot de Saix, after Gorodzki). | |||||||||||||
Inscribed by the composer to Nora [Lopatnikoff]; dated 1930 Oct 11. | |||||||||||||
German translations of two of the ten songs contained in this volume are annotated in the score. | |||||||||||||
[Unidentified] | |||||||||||||
BOX-FOLDER 18/23 | [Untitled] | ||||||||||||
Ms. ; 5 p., in pencil and in ink. | |||||||||||||
BOX 8, 19-21 | Correspondence | ||||||||||||
The Correspondence series consists of letters received by Nikolai Lopatnikoff. Key to codes used in this inventory: Correspondence of NL has been separated by subject (according to the practice set forth by NL in in the filing of his own materials: general correspondence was filed separately from correspondence relating to his opera Danton); the following codes indicate both subject and location:
Correspondence of NL also appears in the following Special Collections in the Music Division of the Library of Congress: Copland Collection, 23 letters; one of which appears in a bound album of letters of tribute by several composers to Copland on the occasion of his seventieth birthday; Coolidge Collection, 1 letter; Koussevitzky Archive, approximately 50 letters; MacDowell Collection (from Mrs. S.H.H. Lopatnikoff to Marion MacDowell), 3 letters; Pisk Collection, 2 letters; Potts Collection, 1 letter; Schwerké Collection, 16 letters; Slonimsky Collection, 5 letters. |
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Arrangement is alphabetical by correspondent. | |||||||||||||
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