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Music
(continued) |
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Vocal Music
(continued) |
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BOX-FOLDER 74/5 |
Cinq
Poésies (nos. 1, 2, 3) ; Russischer Musikverlag G. m. b. H. Berlin, 1928 |
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Piano-vocal score (3 titles) ; 3 p.
each |
|
Uniform title: Poésies |
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Words by A. Pouchkine |
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Contents:
- Inscription sur une tonelle (the legend of the bower)
- Dione (Dionea)
- Si le dieu joyeux des pampres (the merry God of grapes)
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BOX-FOLDER 74/6 |
Six
romances ; 1964 |
|
Holograph piano-vocal score (transparencies)
(Russian) ; 18 p. |
|
Uniform title: Romances |
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Contents:
- 1. To a foolish beauty
- 2. Stanzas
- 3. To a friend
- 4. Let the poet indict
- 5. Grave of Ossian
- 6. My supplication
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BOX-FOLDER 74/6 |
Six
romances ; 1964 |
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Holograph piano-vocal score (transparencies) "To
a foolish beauty" ; 4 p. |
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Uniform title: Romances |
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Lyrics by Mikhail Lermontov |
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BOX-FOLDER 74/7 |
Six
romances ; 1964 |
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Uniform title: Romances |
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Ozalid of above (bound) |
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BOX-FOLDER 74/8 |
Two
romances on lyrics of Dimitrii Klenovskii ; 1965-66 |
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Holograph piano-vocal score (transparencies)
(Russian) ; 7 p. |
|
Uniform title: Romances on lyrics of Dimitrii
Klenovskii |
|
Ozalid |
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Contents:
- 1. Lines from highschool
- 2. It is she, my beloved
|
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BOX-FOLDER 74/9 |
Two
romances on lyrics of Mikhail Kuzmin ; 1930 |
|
Holograph piano-vocal score (transparencies)
(Russian) ; 8 p. |
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Uniform title: Romances on lyrics of Mikhail
Kuzmin |
|
Ozalid |
|
Contents:
- 1. Far from the sounds of home
- 2. Chodowiecki [i.e. Daniel Nikolaus Chodowiecki (1726-1801), German
painter]
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BOX-FOLDER 74/10 |
Six
songs (1919-1921) ; newly edited in 1930, New York |
|
Holograph piano-vocal score (Russian with
English versions by André Skalski) ; [18] p. |
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Uniform title: Songs |
|
In folder marked: Early songs
1919-1932 |
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Contents:
- I. Refrain (words by Anna Akhmatova)
- II. Days, like colorful marbles (words by Vladimir Dukelsky)
- II. Wooden church (words by Riourik Ivnev)
- IV. My Phyllis (words by Fedor Sologoub)
- V. For this serenity (words by Nicolai Goumilev)
- VI. My attic window (words by Marina Tsvietaeva)
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BOX-FOLDER 74/11 |
Six
songs (1919-1921) ; newly edited in 1930, New York |
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Manuscript piano-vocal score (transparencies) ;
20 p. |
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Uniform title: Songs |
|
Ozalid |
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In folder marked: Early songs
1919-1932 |
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BOX-FOLDER 74/12 |
Piêsen; op. 4, no. 5. ; September 1919 Kiev |
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Holograph piano-vocal score (Russian) ; [1]
p. |
|
Uniform title: Songs |
|
BOX-FOLDER 74/13 |
II.
Morning in Florence (incomplete) ; IV. The Venice Moon |
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Holograph piano-vocal score (Russian) ; [6]
p. |
|
Uniform title: Songs dedicated to
Rieti |
|
In folder marked: Early songs
1919-1932 |
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BOX-FOLDER 74/14 |
II.
Morning in Florence (incomplete) ; IV. The Venice Moon |
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Photocopy of manuscript piano-vocal score
(Russian w/ manuscript English text) ; 18 p. |
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Uniform title: Songs dedicated to
Rieti |
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English text by Merril Sparks |
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In folder marked: Early songs
1919-1932 |
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Contents:
- I. An invitation
- II. Morning in Florence
- III. A trip to Assisi
- IV. The Venice moon
|
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BOX-FOLDER 74/15 |
Three
songs for tenor solo, three women's voices and piano accompaniment |
|
Ozalids (2) of holograph piano-vocal score ; 19
p. |
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Uniform title: Songs for tenor solo, three
women's voices and piano accompaniment |
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Contents:
- I. Apollo to the Graces (John Keats)
- II. A night-rain in summer (Leigh Hunt)
- III. Blow, blow thou winter wind (William Shakespeare)
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BOX-FOLDER 75/1 |
Six
songs from a Shropshire lad by A.E. Housman ; 1945-49 |
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Holograph full score ; 34 p. |
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Uniform title: Songs from a Shropshire
lad |
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Contents:
- I. Into my heart
- II. With rue my heart is laden
- III. When I watch the living
- IV. Loveliest of trees
- V. Oh, when I was in love
- VI. Now hollow fires
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BOX-FOLDER 75/2 |
Six
songs from a Shropshire lad by A.E. Housman ; 1945-49 |
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Uniform title: Songs from a Shropshire
lad |
|
Parts (19) |
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BOX-FOLDER 75/3 |
Ten
songs to words by Robert Hillyer and Charles Henri Ford ; 1936-1943 |
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Copyist's manuscript piano-vocal score
(transparencies) ; 52 p. |
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Uniform title: Songs to words by Robert Hillyer
and Charles Henri Ford |
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Contents:
- I. A month too late
- II. Against my wall
- II. Now on the idle pond
- IV. Paris was the comeliest man
- V. A sudden chime
- VI. Piping Anne and husky Paul
- VII. You cannot hear me
- VIII. The grapes are ripe
- IX. Slender Naiad of stone
- X. Song of the muse
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BOX-FOLDER 99/4 |
Ten
songs to words by Robert Hillyer and Charles Henri Ford ; 1936-1943 |
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Uniform title: Songs to words by Robert Hillyer
and Charles Henri Ford |
|
Ozalid (bound) of above |
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BOX-FOLDER 75/4 |
Sweetheart ; duet (two female voices) with orchestral accompaniment |
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Holograph full score (Russian) ; 31
p. |
|
Text from poems of Ippolit
Bogdanovich |
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Dedication to Sergei Prokofiev |
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BOX-FOLDER 75/5 |
Time
to return home |
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Ozalid of manuscript piano-vocal score with
holograph lyric transliteration (Russian) ; 4 p. |
|
BOX-FOLDER 99/5 |
Victorian street ballads for women's voices and piano ; October 1943 |
|
Ozalid (bound) of holograph piano-vocal score ;
22 p. |
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Contents:
- I. She parted with her lover
- II. The mulberry tree (1808)
- III. The dark-hair`d girl
- IV. The shepherd's holiday
- V. I won't be a nun
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BOX-FOLDER 75/6 |
Yours
for keeps |
|
Ozalid of copyist's manuscript piano-vocal score
; [3] p. |
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Lyric by Johnny Mercer |
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BOX 75-81, 100, 103, 146 |
Choral Music
|
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Choral music of the Vernon Duke Collection consisting of manuscripts, scores,
parts, etc. |
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Arranged alphabetically by title. |
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BOX-FOLDER 75/7 |
Ballade made in the hot weather ; for women's voices and small orchestra (or
piano) ; New York, 1945 |
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Holograph piano-vocal score ; 12 p. |
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Poem by W.E. Henley |
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Dedication: à Pierre Souvtchinsky |
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BOX-FOLDER 103/2-3, 146/1-2 |
The
end of St. Petersburg an oratorio for soprano, tenor and baritone, mixed
chorus and orchestra ; 1933-1937-1960 |
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Holograph full score (2); 153 p. |
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BOX-FOLDER 146/3 |
The
end of St. Petersburg an oratorio for three soloists (soprano, tenor,
baritone), mixed chorus and orchestra ; 1933-1937-1960 |
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Manuscript and holograph full score
(transparencies) ; 153 p. |
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BOX-FOLDER 76/1 |
The
end of St. Petersburg ; 1932-1937 |
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Ozalid (bound) of holograph score ; 101
p. |
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BOX-FOLDER 76/2 |
The end of St. Petersburg ; 1932-1937 |
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Parts (transparencies, various) (6) |
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BOX-FOLDER 76/3, 77/1-2 |
The end of St. Petersburg ; 1932-1937 |
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Parts, version 1 (woodwinds, brass,
percussion) |
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BOX-FOLDER 77/3-4, 78, 79/1 |
The end of St. Petersburg ; 1932-1937 |
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Parts, version 2 (woodwinds, brass, percussion,
strings) |
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BOX-FOLDER 79/2 |
The
end of St. Petersburg ; 1937-1960 ; oratorio (trois soloistes, choeur mixte
grand orchestre) |
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Ozalids (2) (bound) piano-vocal score, 1 copy
with holograph annotations and p. laid in ; 103 p. |
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BOX-FOLDER 80/1 |
The
end of St. Petersburg ; mixed choir & soloists |
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Manuscript condensed/chorus score
(transparencies) ; 55 p. |
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BOX-FOLDER 80/2 |
The
end of St. Petersburg ; mixed choir & soloists |
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Holograph condensed/chorus score
(transparencies) ; p. 7-11, 20, 41-44, 53-55, 72 |
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Ozalids of above |
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BOX-FOLDER 80/3 |
The
end of St. Petersburg |
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Printed condensed/chorus scores (2) ; [25]
p. |
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BOX-FOLDER 80/4 |
The
end of St. Petersburg |
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Printed program from premiere, January 12, 1938
Carnegie Hall ; 20 p. + [3] p. laid in, including some holograph
material |
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BOX-FOLDER 80/5 |
The
end of St. Petersburg |
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Typed notes and lyrics for program ; [6]
p. |
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BOX-FOLDER 80/6 |
The end of St. Petersburg |
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Typed lyrics (2 sets) ; [5] p. |
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BOX-FOLDER 80/7 |
Epitaphe [sic] |
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Holograph full score ; 55 p. |
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BOX-FOLDER 100/1 |
Epitaph for soprano solo, mixed chorus and orchestra ; 1931-1962 |
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Holograph full score (transparencies) ; 75
p. |
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Poem by Ossip Mandelstam translated by Merrill
Sparks |
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BOX-FOLDER 100/2 |
Epitaph for soprano solo, mixed chorus and orchestra ; 1931-1962 |
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Ozalids (bound) (2) of above |
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BOX-FOLDER 80/8 |
Epitaph for soprano solo, mixed chorus and orchestra ; April-May 1931 |
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Holograph piano-vocal score ; 30 p. |
|
Words by Ossip Mandelstamen, translated from
the Russian by Elaine de Sinçay Ross |
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BOX-FOLDER 80/9 |
Epitaph for soprano solo, mixed chorus and orchestra ; April-May 1931 |
|
Holograph piano-vocal score (transparencies) ;
31 p. |
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