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BOX 1-97 |
Individual Production, Project, and
Performance Files
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The production and project files include music materials, correspondence, scripts,
production materials, casting files, contracts, press reviews, newspaper
clippings, programs, and other documentation. |
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Arrangement is alphabetical by production name. |
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Actor's Choice: 'Round The Wondrous (Verdon)
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BOX 43A |
Script |
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"The Writings of Lewis Carroll," by David
Novak; read for WNDT/CH.13; reading script only; 61 pp. |
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Alice (Verdon)
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Premiere |
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Souvenir program; invitation |
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Newspaper Clippings |
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Alive and Kicking (Verdon)
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Newspaper Clippings |
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Program |
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Playbill, Hershey Theatre,
1950 |
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Miscellaneous |
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Playbill ad; 1 p. lyrics; ticket order
blank |
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All That Jazz (Fosse)
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Fosse Editing Notes
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[Note: All the following files marked
"Editing notes" contain handwritten notes by Bob Fosse (and possibly
assistants) on the editing of particular scenes.] |
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BOX 3D |
"Katie/Joe Bedroom, Sc. 38+" |
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"Dan demonstrates song, Sc.
33" |
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"Take Off (after "number")" |
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"Victoria: breakdown, Sc. 42" |
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"Rehearsal III, Joe walks out; Sc.
44A" |
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"Roy/Leland/Tony, Sc. 45" |
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"Take off, part I, Sc. 52" |
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"Take off, transition from parts 1-2, Sc.
52" |
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"Bob's notes for scene 52" |
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"1st rehearsal into menage" |
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"Flashback, nightclub, Sc.
22+" |
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"Any Seat rehearsal, Sc. 36AA" |
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"Joe's apt. (Debbie), Sc.
13/15/17" |
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"Will reading; Sc. 128" |
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"Projection Room, Sc. 12" |
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"Audition: lineup, producers, Murray,
Joe/Audrey/Michelle; Producers/Audrey, Joe/Audrey, Sc. 4/5/7/8/9/
(sic)" |
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"First cutting room, Sc. 11" |
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"Audition, Sc. 4" |
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"Morning wakeup" |
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"Limbo, Not Used" |
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"Leslie Perry Review, Sc. 122" |
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"Lead In: Everything Old is New
Again" |
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"Everything Old is New Again, Sc.
59" |
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"2nd O'Conner Flood, Sc. 129" |
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"Corridor, surgery team &
Audrey/Katie, Sc. 130" |
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"Insurance/surgery, Sc.
134-141B" |
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"Hospital hallucination number, Sc. 143"
(including lyric sheet with light cues) |
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"Fiorello's Restaurant, Sc.
145" |
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"Heart attack after operation, Sc.
150/151/152" |
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"Old lady dying, Sc. 168" |
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"Bye Bye Life, Sc. 173" |
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"Michelle scene (Joe in BA)" |
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"Limbo - doctors, Sc. 127" |
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"Corridor: Ann/Max/Rackmil, angiogram, Sc.
125/126" |
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"Limbo: some people collect stamps, Sc.
82" |
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"Lighting stage (Bill/John/Jules), Sc.
82" |
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"Intercuts: Broadway Arts & hospital,
Sc. 64-81" |
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"Examining room, Sc. 63" |
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"Book reading - cabs, 1st
hospital" |
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Casting Files
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[Note: The casting files contain
photo/resumes, letters from applicants and agents, and occasional notes
on applicants.] |
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BOX 4A |
General |
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BOX 4B |
General |
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BOX 4C |
"Women" |
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BOX 4D |
General, "rejects" |
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BOX 4E |
General |
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BOX 5A |
"Strippers" |
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"Young girls" |
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"Old women" |
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"Cafeteria people" |
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"Dancers, Take Off with Us" |
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"Character women, nurses,
25-35" |
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"Jonathan" |
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"Character women, nurses,
18-25" |
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"Character women over 35" |
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"Character men, 20-30" |
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"Boys" |
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BOX 5B |
"Men, 40-55" |
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"People to see" |
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"Men, 30-40" |
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"Studs" |
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Miscellaneous |
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Also contains audition schedules, contact
lists |
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Fosse notes |
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Grey clip folder marked "Casting - All That Jazz - Fosse;" audition schedules,
notes, few photo/resumes, suggestions from agents, character lists with
possible actors, extensive handwritten notes by Bob Fosse |
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BOX 5C |
Fosse folder |
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White clip folder, including cast list,
photo/resumes,audition schedules and notes, calendar pages, cast deal
memos, film storage inventory, set dressing inventory, casting notes,
publicity for South America, contact sheets for cast and crew,shooting
schedules, etc. |
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BOX 5B |
Selected cast |
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Resumes and photos, tagged with names, of
those actors and actresses selected for film |
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General Files
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BOX 5C |
Deal memos |
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Cast deal memos, 1978; shooting schedule,
#4 |
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Contact Sheets |
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For All That
Jazz and Dancin', staff, crew,
locations |
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Titles |
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Including photos of graphics for "directed
by BF" |
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Publicity |
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Cannes Film Festival statement; Columbia
Pictures preliminary production information, including bios of Bob Fosse,
motion picture stars, and crew; miscellaneous, e.g. air dates for Ann
Reinking appearances |
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BOX 6A |
Tech Crew Resumes |
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BOX 5C |
Production Miscellaneous |
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Memos, miscellaneous invoices re: Fosse
personal expenses; snapshot on set; 1976 Syosset Musical Workshop Tribute
to Fosse; "Tommy McCarthy post-production schedule;" miscellaneous
correspondence, Fosse and Michael Shurtleff, 1976; 2 interesting letters
on casting leads between Shurtleff and Fosse, 1978; 3/11/77 2 pp. letter
(notable), from Shurtleff to Bob Fosse, explaining the story of Joe
Gideon from his perspective; Columbia Pictures correspondence re:
marketing/publicity staff introductions; inventories pricing cameras,
electrical supplies, Art Dept., wardrobe, etc.; Giuseppe Rotunno letter
1978 to Fosse |
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BOX 5D |
Press Book: Cannes |
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Large press clippings book, French, re: Palm
d'Or, Cannes |
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BOX 5C |
Brazil/Argentina Publicity
Tour |
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Very miscellaneous notes |
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BOX 6A |
Budget |
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Budget, undated, with ICM memo: "This is the
one we're using"; preliminary budgets, 5/6/77 and 5/9/77; delay cost
estimates, 7/5/78 to 7/17/78 |
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BOX 5C |
Film Storage Inventory |
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BOX 6A |
Foreign |
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Updates on foreign film results |
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Music |
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Music rights and costs, revised, 1979 by
scene; Bob Fosse handwritten notes on music needed for film |
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Possible Crew |
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Resumes for costume designers, PAs, asst.
directors, etc.; staff and crew contact list |
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Preliminary Notes, Fosse |
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Fosse file, including scene list,
locations/sets, script pages, quotes, possible dialogue, audition
schedules and notes; 1976 miscellaneous notes, from friends and
colleagues; extensive random notes, e.g.: "Notes on latter part of All That Jazz, 6/19/76; list of "possible
events" in film; 1 script page, listing dances and timings |
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Legal/Financial |
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Letters re: credits on paid ads, 1978;
correspondence re: Richard Dreyfuss' breach of contract; question of
Paramount payment, 1977; correspondence between DGA and Columbia Pictures
on credits billing |
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BOX 6B |
Magazine Articles |
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- Cue, 2/1/80: "The Importance of Being Roy," by Cynthia
Heimel
- Screen, 5/17/80: "The Million Dollar Backlot," by Sue Emmett and
"The Tireless Perfectionist," by David Aldredge, and "Cannes Festival"
report
- People, 3/3/90: "After three coronaries and ical surgery, Bob Fosse
puts his heart and soul into All That Jazz," by Barbara Rowes
- After Dark, 2/80: "Fosse Reflects On Fosse," by Kenneth L. Geist (2
copies)
- Playboy, 9/80: "Interview: Roy Scheider"
- Playboy, 3/80: "Movies"
- American Film, 11/79: "Life as a Long Rehearsal," by Bernard Drew
(3 copies)
- Le Nouveau Film Francaise, 5/17/80: Cannes - All That Jazz report
- Life, 11/79: "Fosse's Ego Trip," by Chris Chase
- The Observer, 6/29/89: "Work, Women - and All That Jazz," by
Goodman/Bygrave
- Sunday Times (London), "I Wanna Be a Dancin' Man" (2 copies)
- Newsweek, 12/24/79: "Dance of Death," by Jack Kroll (2 copies); MD:
"Films" review
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Press Reviews |
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This category includes transcripts of radio
and television coverage, as well as print reviews |
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Brazil/Argentina Press |
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BOX 6C |
Newspaper Clippings |
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Fosse: Dance/Music Notes,
Miscellaneous |
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Few pages of notes (not Fosse) on All That Jazz dance; couple song sheets, Bob
Fosse lyrics and notes |
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