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Individual Production, Project, and Performance Files
(continued) |
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Lenny (Fosse) - Paper
(continued) |
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"Old script pages" (4) (continued) |
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Assorted; no annotations |
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BOX 23A |
"Master script - Nick Sgarro", binder |
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Dated 1/5/74; marked "master script - Nick Sgarro" on front page; 128 pp., including timing, notes, with few annotations. Sgarro was script supervisor. |
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Screenplay, 7/26/73, maroon vinyl cover, 143 pp.; no annotations |
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Screenplay, 7/26/73, maroon vinyl cover, 143 pp.; no annotations |
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Screenplay, rehearsal draft, 12/8/73, black vinyl cover, 128 pp.; no annotations |
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Screenplay, rehearsal draft, 12/8/73, black vinyl cover, 128 pp.; no annotations |
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BOX 23B |
Screenplay, rehearsal draft, 12/8/73, black vinyl cover, 128 pp.; no annotations |
|
Screenplay, revised rehearsal draft, 12/8/73 |
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Marked "revisions up to date 1/2/74;" label on black vinyl cover was "revised rehearsal draft, 1/2/74;" 128 pp. with revisions |
|
BOX 21C |
Fosse notebook |
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BOX 23B |
Screenplay, first draft, maroon vinyl cover, 72 pp.; very few notations |
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Screenplay, revised draft, 11/13/70, 120 pp.; grey paper cover marked: "No. 1;" unmarked |
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Screenplay, first draft, 3/30/70, green paper cover, 142 pp.; unmarked |
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Screenplay |
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Marked both "#1" and "No. 3"on title page; 105 pp.; unmarked |
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BOX 23C |
Screenplay |
|
Marked "Script No. 4" on title page, with Julian Barry notes (photocopied) on title page; 105 pp. with notation (photocopy) |
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Screenplay, work in progress |
|
Marked "work in progress" on title page, with handwritten note to Bob Fosse signed "Julian;" 52 pp.; unmarked |
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Screenplay |
|
105+ pp. with revised pages; unmarked |
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Screenplay, revised 2nd draft, 8/3/70 |
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Marked "production # 8895" on yellow paper cover; 124 pp.; unmarked |
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Screenplay, 2nd draft, 5/19/70, green paper cover, 149 pp.; unmarked |
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Little Me (Fosse)
|
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BOX 44E |
Newspaper Clippings |
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BOX 44D |
Press Reviews |
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BOX 44C |
Script, 8/71, black vinyl cover |
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Marked # 21; 130 pp.; unmarked |
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BOX 44D |
Program |
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Playbill, Lunt-Fontanne Theatre, 1/7/63 |
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Magazine Reviews |
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Theatre Arts, 11/62: "The Seven Caesars," by Richard and Betsy Gehman |
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Theatre Arts, 5/63, on Tony Nominations |
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Newsweek, 11/26/62 (cover): "Sid Caesar: The Many Faces of Little Me;" "Conquest of the 7 Caesars," by Richard Lemon |
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Dance Magazine, 6/63: "Lament for Broadway," by Leo Lerman |
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BOX 44C |
Financial |
|
1963-65, assorted royalty statements and associated correspondence; 1963 financial statement for Hot Spot Venture (Little Me?) |
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Casting |
|
Audition schedules and notes, callbacks, 1962 |
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BOX 44D |
Fosse Notebook |
|
Composition notebook, with handwritten notes, including dance notes, production list; also legal pad pages with notes on dances, stage business, etc. |
|
BOX 44C - D |
Legal |
|
1964 licensing agreement with Tams Witmark; Bob Fosse's co-director and choreographer agreements, various drafts, one signed, related correspondence and notes; royalty agreements; agreements on soundtrack album rights; Letter of Instructions; British licensing agreements; agreement for the original cast album with RCA; material on proposed tour, etc. |
|
Continuation of #9 |
|
BOX 93A |
Posters |
|
Framed poster, 15x23, original, color, Lunt-Fontanne Theatre |
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Artist's design paste-up, by Paul Bacon, 20x28 |
|
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The Little Prince (Fosse)
|
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BOX 44D |
Magazine Reviews |
|
Variety, Japan, 1985 (2 different issues) |
|
Sight & Sound, Summer 1973 (cover) |
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BOX 44E |
Press Reviews |
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Newspaper Clippings |
|
BOX 44D |
Production Miscellaneous |
|
Unit list, editing notes |
|
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Liza With A Z (Fosse)
|
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BOX 45A |
Newspaper Clippings |
|
Script |
|
Tabbed production script, with lyrics, props, timing, etc.; annotated by Bob Fosse |
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Script, 1st draft, 5/27/71, 27 pp.; few notes |
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Financial |
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Budget, Liza With A Z account |
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Fosse Notebook |
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Composition notebook marked "Liza TV" with dance notes, music and lyric notes, etc.; not very extensive |
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Correspondence |
|
1 fan letter, 1973 |
|
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Love Letters (Verdon)
|
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Correspondence |
|
Letter, 1990, from producer |
|
|
The Madwoman Of Chaillot (Fosse)
|
|
Madwomen: Miscellaneous |
|
[Note: This is a project Bob Fosse began work on; Jerry Alden cover letter and "concept, Madwoman of Chaillot musical version 8/3/62;" outline; Bob Fosse notes; producing manager's contract, Bob Fosse and the Dramatists Guild, with letter 5/20/59 attached.] |
|
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Magnum, PI (Verdon)
|
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Script, bound leather |
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Cover embossed "Resolutions" and Gwen Verdon; dedication to Gwen Verdon from Tom Selleck, "Thanks, mom;" 236 pp.; production date, 2/5/88 |
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Newspaper Clippings |
|
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Mississippi Gambler (Verdon)
|
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Newspaper Clippings |
|
1 clipping with attached note |
|
BOX 86A |
Miscellaneous |
|
color advertisement from magazine, 9 1/2 x 12 1/2 |
|
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My Sister Eileen (Fosse)
|
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BOX 45A |
Script, bound leather |
|
Embossed cover "My Sister Eileen, Bob Fosse;" revised final draft screenplay, 10/4/54; frontpiece 8x10 black and white photo of Janet Leigh and Bob Fosse, and 2nd inset 8x10 black and white photo of 3-shot with Bob Fosse; 218 pp. |
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Song Sheet |
|
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New Girl In Town (Fosse and Verdon)
|
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BOX 44E |
Newspaper Clippings |
|
BOX 45B |
Programs |
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Playbill, 46th St. Theatre, 10/57 |
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Financial/Legal |
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1 letter 1/13/58 concerning royalty agreement on possibly closing show; 9/27/56 Bob Fosse choreography contract; 9/28/57 "summary statement of receipts and disbursements;" 3/1/58 and 2/22/58 weekly financial statements |
|
BOX 57B |
Music |
|
Music sheets for "Ven I Valse" |
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BOX 85B |
Miscellaneous |
|
Costume Sketch (1) Gwen Verdon, for New Girl In Town
|
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BOX 93A |
Poster |
|
Framed poster, damaged, tape; 15x23, Oscar Liebman, artist, color, 46th St. Theatre |
|
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On A Clear Day You Can See Forever (Fosse)
|
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BOX 45B |
Script, 3/9/64, 123 pp.; some annotation |
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Casting |
|
Cast breakdown; audition schedule and notes, 1964; note: some of this seemed to include Little Me and Pleasures and Palaces material |
|
Legal |
|
1963 correspondence re: contracts; Bob Fosse draft director/choreographer contract with attached correspondence, notes, revisions, etc. |
|
Fosse Notebook |
|
Composition notebook marked "Clear Day & Odd Ideas," including dance notes and character notes |
|
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Once Upon An Eastertime (Verdon)
|
|
Newspaper Clippings |
|
Note: show air date of 4/18/54, CBS |
|
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The Pajama Game (Fosse)(Various stage productions and film version)
|
|
Contracts |
|
Warner Bros. and Bob Fosse 1956 choreography contract for motion picture; 1973 revival choreography agreement; 1954 choreography agreement for the play; MGM 1954 letter re: Bob Fosse's being under contract to MGM when he left to do the play; Bob Fosse letter to Jean Dalrymple re: reproduction of Bob Fosse choreography in Lincoln Center production; Bob Fosse letter, 1957 on summer stock use of his choreography |
|
Programs |
|
PlaybillS: Lunt-Fontanne Theatre, 12/73; St. James Theatre, 8/55; souvenir program |
|
Newspaper Clippings |
|
Revival, 1973 |
|
7/73 letter to Sam Cohn re: percentages to be paid in revival |
|
BOX 93A |
Pajama Game |
|
Framed poster, 15x23, color, Peter Arno design, St. James Theatre |
|
|
Pal Joey (Fosse)(Various Productions)
|
|
BOX 45C |
Script, black paper cover |
|
Undated; 78 pp.; fragile; very few markings |
|
Script, Revival 1952, black cover, 78 pp.; "Bob Fosse" written on title page; few markings |
|
BOX 45B |
Script, Revival 1952, 78 pp.; no annotation |
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