| | | | | | | | | | | | | |
|
Individual Production, Project, and
Performance Files
(continued) |
|
|
Pippin (Fosse)
|
|
BOX 24E |
Music |
|
"Spread a Little Sunshine" (2); "Magic To
Do" |
|
BOX 25C |
Playbills |
|
Imperial Theatre: 1973: March, April, May,
June; Imperial Theatre: April 1976, December 1975, October 1972 (2);
Program, Kennedy Center, September 1972 |
|
BOX 25D |
Magazine Reviews |
|
The New Yorker, Nov. 4, 1974: "Carolingian
Razzle Dazzle," by Brendan Gill (2 copies) |
|
Time, Nov. 6, 1972: "Medieval Hippie," by
T.E. Kalem (2) |
|
Newsweek, Nov. 6, 1972, "Charley's Kid,"
by Jack Kroll |
|
Life, Nov. 17, 1972, "Happy Reign for
Pippin" (2 copies) |
|
BOX 25C |
Songbook |
|
Pippin "vocal selection" |
|
BOX 25D |
Press Reviews - 1972 |
|
Including radio and television
transcripts, magazine clips and photocopies of newspaper clippings,
etc. |
|
Newspaper Clippings - 1972 |
|
Newspaper clips only |
|
Press Reviews - 1978, Los Angeles |
|
Including radio and television
transcripts, magazine clips and photocopies of newspaper clippings,
etc. |
|
Press, Miscellaneous - 1973-82 |
|
Newspaper clippings |
|
Newspaper Clippings - 1975 |
|
Press Reviews - 1986 |
|
Including radio and television
transcripts, magazine clips and photocopies of newspaper clippings,
etc. |
|
Newspaper Clippings - 1972 |
|
Press Reviews - 1978, Los Angeles |
|
Including radio and television
transcripts, magazine clips and photocopies of newspaper clippings,
etc. |
|
Press Reviews - 1972 |
|
Including radio and television
transcripts, magazine clips and photocopies of newspaper clippings,
etc. |
|
BOX 25A |
Legal/Financial |
|
Bob Fosse contract, 3/3/72, with Stuart
Ostrow; legal correspondence, 197--72; prospectus, the Pippin Co., 4/10/72; Limited Partnership
Agreement, Pippin Co., draft; 9/12/73,
correspondence and briefs, Schwartz-Ostrow (Alvin Deutsch is attorney for
Ostrow); 1973: pension and welfare payments, London agreement; 1973-76:
royalties information; 1974: Toft, Lincoln Center agreement; 1971: draft,
Bob Fosse authors; 1971: contract draft for
direction/choreography |
|
BOX 24C |
Deposition: Grove Entertainment vs. Pippin/Ostrow |
|
313 pp. deposition of Bob Fosse,
5/13/76 |
|
Stuart Ostrow Foundation, 1973-81
(1) |
|
This material was boxed with Pippin. Primarily 1970's material:
correspondence, theatre fact sheets (Williamstown, Goodspeed, St.
Clements), Board of Directors' papers, fundraising, Musical Theatre Lab
(Kennedy Center) papers, budgets, reports, hiring information, script
lists, etc. |
|
Stuart Ostrow Foundation, 1973-81
(2) |
|
Same as above |
|
Stuart Ostrow Foundation, 1973-81
(3) |
|
Same as above |
|
BOX 25A |
Research |
|
Photocopied book excerpts, including
"Musical Instruments of the Medieval Age" |
|
BOX 25B |
Casting |
|
Correspondence, Stuart Ostrow, Michael
Shurtleff, Bob Fosse, 1972-73; audition schedules, recall lists, casting
cards, etc. |
|
Same as above; 1971-77 |
|
Same as above; plus polaroids |
|
BOX 25A |
Stage Manager's Reports, 1977 |
|
January- May 1977, December
1976 |
|
Tech Notes |
|
For 2/3/76 and undated performances;
6/13/74 letter from Bob Fosse to cast |
|
Pippin Company Financial
Statements |
|
11/30/75, 12/28/75 |
|
BOX 24C |
Ostrow Foundation Financial
Statements |
|
Not related to Pippin; dated 1974, 75, 76, 78 |
|
BOX 25A |
Sheehan Tele-Scenes (1) |
|
Same as 27 below |
|
Sheehan Tele-Scenes (2) |
|
Concerning television production; contact
sheet/cast list; 1981-82 correspondence between David Sheehan and Bob
Fosse, plus related correspondence (e.g. DGA) including: production
concept, proposed production schedule, notes (not Bob Fosse) on
arrangements, terms, editing; 2/1/81 contract for options to Pippin (Hirson/Schwartz); 3/26/81 copy of final
agreement Sheehan Tele-Scenes/Hillard Elkins Organization (executive
producer); Pippin post-production editing
schedule; Hollywood Reporter press; extensive Bob Fosse notes; program
for Hamilton Place production of Pippin;
miscellany |
|
BOX 25C |
Family Home Entertainment |
|
Handbill ads for 1981 release of Pippin; 2 news clippings re: auction of Pippin videotape rights, and settlement between
MCPS Video Industries vs. David Sheehan Tele-scenes |
|
BOX 25A |
Correspondence, including Opening Night,
1972 |
|
9/11/72 opening night: telegrams, personal
notes, also on subsequent performances |
|
Vienna Production |
|
1973 correspondence re: Theater An Der
Wein production |
|
Las Vegas Review |
|
1973 draft agreement re: show |
|
Pippin Production Miscellaneous,
1971-75 |
|
1971 correspondence Bob Fosse to Ostrow;
various cast lists; set budget 8/7/72; stage moves for cast; 12/29/71
tentative production schedule; lists on characters, costume changes, set
elements; production schedule, London, 1973; Bob Fosse memorial for Irene
Ryan; correspondence 1977, Alvin Deutsch and Bob Fosse re: revised
script; 1973 Ostrow to Bob Fosse on Pippin
motion picture; 1977 Deutsch to Bob Fosse on National Road tour, plus
travel schedule; memos on Pippin television
commercial and costs; job requests; Bob Fosse notes on Pippin
|
|
BOX 85F |
Pippin Poster and Art |
|
Color poster, 41 x 64 1/2; photo montage
of color snapshots of cast members, 21 x 18 1/2, on suede leather
backing, handmade |
|
BOX 93A |
Posters |
|
Framed poster, 15x23, color, Opera House
at the Kennedy Center |
|
Framed poster, black and white, 16x22, Box
87B with press quotes |
|
Scripts
|
|
[Note: Identifications such as "Director's
final draft," or "rehearsal draft," are taken directly from the scripts
themselves, as are dates. Scripts may be duplicates. The terms
"annotated," "notations," "markings" refer not only to commentary written
on the scripts, but also any cuts, revisions, dialogue changes, etc.,
that have been marked on a particular script.] |
|
BOX 24A |
Script (Revised) |
|
Undated; marked # 26; with revisions dated
2/27/72; some handwritten Bob Fosse annotation; 103 pp. |
|
Script, blue vinyl cover |
|
Undated; 107 pp.; no annotations |
|
Script, blue vinyl cover |
|
Undated; marked # 6; 107 pp.; no
annotations |
|
Rehearsal Script, 8/7/72, blue vinyl
cover |
|
Marked # 2, "Bob Fosse" written on title page;
contains revisions dated 8/22, 9/10; annotations by Bob Fosse (and
other), and diagram/sketches |
|
Production Script, 10/23/72, blue vinyl
cover |
|
Marked "authorized version;" 96 pp. no
annotation |
|
Production Script, 10/23/72, blue vinyl
cover, 96 pp. no annotation |
|
Production Script, 10/23/72 |
|
Marked "authorized version;" 96 pp. no
annotation |
|
Production Script, 10/23/72 |
|
Marked "authorized version;" 96 pp. no
annotation |
|
BOX 24B |
Production Script, 10/23/72 |
|
Marked "authorized version;" 96 pp.; with
extensive original and photocopied annotations; this would seem to
contain Bob Fosse's notes upon seeing the play with an audience |
|
Rehearsal Script, 8/7/72, red spring
cover |
|
Marked # 43, "Copy revised" and "Bob Fosse;"
with numerous revised pages, some original (not Bob Fosse) and
photocopied changes |
|
Production Script, 4/1/76, black vinyl
cover |
|
Marked "authorized version;" 96 pp. no
annotation |
|
Script Revisions |
|
200+ revised script pages; handwritten
annotations; very miscellaneous |
|
Script Pages and Revisions |
|
Early version with revisions and handwritten
annotations; pages marked "rough draft"; some of this is from Roger
Hirson and includes a note to Bob Fosse from Roger Hirson on
changes. |
|
Script Revisions |
|
Assorted pages of script revisions; few
annotations; Bob Fosse note at front |
|
Script Revisions |
|
More pages, multiple dates, some
annotation |
|
Production Script, 4/1/74, 96 pp.;
unmarked |
|
|
Pleasures and Palaces (Fosse)
|
|
BOX 46A |
Programs |
|
Souvenir program |
|
Newspaper Clippings |
|
Including coverage of Bob Fosse's lawsuit
on choreography |
|
Script, 1/25/65 |
|
Marked "Bob Fosse;" extensively
annotated |
|
Fosse's Notebook |
|
With handwritten dance notes,
etc. |
|
Costumes |
|
Copies of Wittop's design sketches;
costume research from file marked "Fashions & Costumes" |
|
Script Pages |
|
Partial script, lots of revisions and
annotation; lyric sheets; note to Bob Fosse re: understudies |
|
Casting |
|
Audition schedules and notes (some of
these marked "Ex-Lover"; this was the original title) |
|
Legal/Financial |
|
1964 draft contract and notes, Bob Fosse
director/choreographer; agreements with Music Theatre International over
net profits; many Jack Perlman notes (Jack Perlman was Bob Fosse's
attorney); 1965 assistant choreographer contracts; royalty and box office
correspondence; proposed Detroit production schedule |
|
BOX 85F |
Poster |
|
Color lithograph, 14x22, Fisher Theatre,
Detroit |
|
|
The Red Mill (Verdon)
|
|
BOX 58B |
Program |
|
Souvenir program, 1940, Victor Herbert's
The Red Mill, featuring the Broadbent
Ballet Dancers, with Gwen Verdon |
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