| | | | | | | | | | | | | |
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Individual Production, Project, and
Performance Files
(continued) |
|
Star 80 (Fosse)
(continued) |
|
Mounted on Foamcore |
|
BOX 85F |
Trade Ad |
|
Laminated press quotes, 7x13 |
|
BOX Item 97I |
Posters and Photo Proofs |
|
Star 80: color 1 sheet, 27x41, of Mariel
Hemingway with daisy; 10 sheets of color proofs of Mariel Hemingway as
Dorothy Stratten, reproducing her Playboy poses and cover, 23x36 each;
color photo of Mariel Hemingway Polaroid montage, 20x24 |
|
BOX 85A, Item 97J |
Posters (damaged) |
|
[Note: These were damaged by mildew;
they've been packaged together.] |
|
23x62 French Star
80 posters, (2; 1 is autographed to "Steve" by Bob Fosse);
47x64 French posters (2, 1 with minimal damage); 15x21 French handbill
(1); French Star 80 press kit (1); 2 press
clippings |
|
BOX 86B |
Handbill and Trade Ad |
|
Mounted black white film ad, 16x20; Star 80 15x21 handbill, color; 12x18 trade
ad |
|
Star 80, 15x21, handbill, color; 12x18, trade
ad |
|
BOX Item 94 |
Plaster Bust, Hemingway |
|
Life size plaster bust of Mariel
Hemingway, created for death scene |
|
BOX 41C - G |
Research, Magazines |
|
Various Playboy, Penthouse, and other
magazines of this genre used for STAR 80 research have been packed in
these boxes, where additional space was available |
|
Photo Materials
|
|
[Note: The Star
80 files contain extensive photographic materials produced both
by Mario Casilli, who shot the Playboy photos for the film, and by Steven
Vaughan, who was the film's still photography. Because of the quantity of
materials, they are listed separately from the other general photo
files.] |
|
BOX 42A - E |
Photos, Negative, and
Miscellaneous |
|
- "Shoebox:" contains small group of Casilli 4x5 black and white
negatives; one box of polaroids (extensive); group of indexed Casilli
4x5 negatives, color, and black and white; snapshots of Cliff
Robertson as Hugh Hefner; envelope marked "Hefner magazine dupes,
personal photos and dupes, etc.;" 1 packing list for Casilli work (for
indexed negatives?)
- Assorted Vaughan/Casilli slides
- 10 copies of "fake" Playboy "Playmate of the Year, 1980" issues,
with Mariel Hemingway replacing Dorothy Stratten
- Archival file folders of: Steve Vaughan's work, mainly Vancouver;
Mario Casilli's work; Elliot Marks' work-these are mainly color
photos, various formats, including contact sheets from file folder
taped shut (Bob Fosse note on envelope):" Mariel/Stratten, selected
black and white, color shots"
|
|
BOX 41F |
Photos and Research
Miscellaneous |
|
Playboy magazines, various, used for research;
includes some Stratten issues; several copies of "Playmate of the Year,
1980" with Hemingway as Stratten; hanging files of Vaughan and Casilli
black and white, and color photos, indexed; blank "Playmate of the Year
1980" file folders. Casilli's removed. |
|
BOX 39A - C |
Photos and Research
Miscellaneous |
|
- Casilli, Marks and Vaughan photos and contact sheets
- Playboy magazines, various, used for research; includes some
Stratten issues; Casilli reject slides; Vaughan Vancouver
negatives
|
|
BOX 38A - I |
Slides |
|
Vaughan and Casilli reject slides (box
originally labeled #5). |
|
BOX 40A - B, 41A |
Slides and Research
Miscellaneous |
|
Reject slides; Playboys and assorted magazines
used for research |
|
BOX 37A - F |
Photography, Miscellaneous |
|
- 4 blue oversized 3 ring binders containing Steve Vaughan's contact
sheets for: scenes from the film, production shots, etc.
- 1 blue cloth 3 ring binder containing production notes on Casilli
photos and polaroids; includes notes and numbered slides.
- 2 oversized black scrapbooks of clothing ads and other clippings
from PLAYBOY and assorted magazines, for research.
|
|
Scripts
|
|
[Note: Identifications such as "Director's
final draft," or "rehearsal draft," are taken directly from the scripts
themselves, as are dates. Scripts may be duplicates. The terms
"annotated," "notations," "markings" refer not only to commentary written
on the scripts, but also any cuts, revisions, dialogue changes, etc.,
that have been marked on a particular script.] |
|
BOX 32A |
Script, 1st draft, 5/7/81 |
|
1st page marked "Names & changes missing;"
few annotations; 166 pp. |
|
"Pages from 1st draft of script,
5/7/81" |
|
Script with revised pages; many notes and
additional pages; 20 pp. |
|
Script, 1st draft, 5/7/81 |
|
1st page marked "Names & changes
missing;"unmarked; 166 pp. |
|
Script, 1st draft, 5/7/81, 166
pp. |
|
Screenplay, 10/81, tan Ladd Co.
cover |
|
Marked "H.F., uncorrected" on title page; 150
pp.; unmarked |
|
BOX 32B |
Screenplay, 10/81, red 3 ring binder, 159
pp.; unmarked |
|
Screenplay, 1/82, 159 pp.; timing notes on
title page; some annotations |
|
Screenplay, 1/82, green cover, 159 pp.;
unmarked |
|
Screenplay, tan Ladd Co. cover, 159 pp.;
undated; title page missing; unmarked |
|
Script, "old pages" |
|
Many revisions, annotations |
|
Script, "old pages" |
|
Many revisions, annotations |
|
Script, "old pages & Fosse
notes" |
|
Extensive; including lots of notes and ideas,
old script pages; draft letter in Bob Fosse's hand to "Jay" re: real
names of characters in Star 80, including
source information; much of this file in writing other than Bob Fosse's
hand |
|
Script revisions |
|
Packed with 6/7/82 script; 200 pp.; very
miscellaneous; some notes and annotation |
|
Script, 6/7/82, revisions, 150 pp.; very
few markings |
|
BOX 31A |
Script, 1/82 |
|
Partial?; 159 pp., with inserted notes,
otherwise, few markings |
|
Screenplay, "old copy" |
|
From envelope marked same; 82 pp.; very few
annotations |
|
Script outline |
|
Script and story outlines for "Dorothy
Stratten Project" |
|
Fosse notebook and notes |
|
black composition notebook marked "Notes -
Dialogue - Moments - HB;" handwritten; including some script scenes, list
of photos needed for film |
|
Script, "outpages from rehearsal
week" |
|
Annotated |
|
"Quotes for Dorothy's photo sessions
scenes" |
|
"Quotes for Dorothy's
interview" |
|
"Ideas, improvised dialog" |
|
From envelope marked same; including script
revisions, partial story board, dialogue from various scenes, some
handwritten material; many script pages and revisions; also includes
partial script draft and notes, numbered 1-5, handwritten and
typed |
|
"Dorothy Stratten Project: Outline, Herb's
notes," 19 pp. outline with handwritten notes by Herb
(Gardner?) |
|
"Old pages, Fosse script,
January" |
|
Old pages, annotated |
|
BOX 33A |
Screenplay, 1st draft, 5/7/81, dark brown
3 ring binder |
|
157+ pp.; original cover label: "Star 80 -
Rehearsal Script;" annotated; scene outline |
|
Screenplay, 1st draft, 5/7/81, brown 3
ring binder |
|
Original cover label: "Star 80 Working
Script;" 166 pp.; revisions, annotations |
|
"Fosse: Ideas, Schedules, Legal,
Addresses, etc.", black 3 ring binder |
|
Original cover label marked same; including
handwritten 6 pp. letter from Herb (Gardner) with dialogue for the
Playboy Mansion party scenes; tabbed binder with sections for script
ideas, crew lists, casting material, etc.; legal material involves
possible Bogdanovich and Hoogstraten litigation; much on Carpenter
sources |
|
BOX 33A - B |
Continuity script, black 3 ring
binder |
|
Complete continuity script, with dialogue,
camera, etc. |
|
BOX 31B |
Locations research, black 3 ring
binder |
|
Original cover label marked same; contains
reference photos: snapshots of locations, California, New York,
Canada |
|
BOX 33B |
Screenplay, 6/7/82, black 3 ring
binder |
|
Striped label: Star
80; 145 pp.; shot/scene breakdowns |
|
BOX 31B |
Revised shooting schedules, 2/14/82,
2/19/82, 3/5/82 |
|
Script, 1st draft, 5/7/81, brown
cover) |
|
Marked "OK but penciled changes;" 157 pp.;
annotated |
|
Miscellaneous, shooting and
editing |
|
Assorted, scene print lists, location lists,
Bob Fosse notes, etc. |
|
|
Steam Heat (WNET/13 Dance In America documentary on Bob
Fosse)
|
|
BOX 46C |
Newspaper Clippings |
|
Press Reviews |
|
This category includes transcripts of
radio and television coverage, as well as print reviews |
|
Magazine Reviews |
|
Nine (KETC Magazine), 2/90: "All That
Jazz," by Mary Wagner (2 copies) |
|
New York, 2/20/90: mention in Television
section |
|
Miscellaneous |
|
2 preview invitations |
|
|
Sweet Charity (Stage) (Fosse and Verdon)
|
|
[Note: "Stage" refers to the original stage
production. The film version is listed separately, as are
revivals.] |
|
BOX 29D, 30E |
Magazine Reviews |
|
Life, March 25, 1966 |
|
Impresario, December, 1965: "Verdon Is
Back - and Sweet Charity has her!" by Florence Semon |
|
BOX 30D - E |
Press Reviews |
|
This category includes transcripts of
radio and television coverage, as well as print reviews |
|
Newspaper Clippings |
|
Contains newspaper clippings only,
1965 |
|
BOX 26C |
Legal Correspondence, 1964-66 |
|
Correspondence, Jack Perlman, 1964, re:
Sweet Charity financial negotiations;
assistant choreographer agreement with Robert Tucker, 1965;
correspondence related to various agreements, with Columbia Records,
Fellini, Fields, Coleman, Nancy Enterprises, etc.; correspondence re:
subsidiary rights, credit negotiations, royalties, foreign rights,
national company proposal, Random House publication rights, Sweet Charity - England, Australia, Las Vegas;
12/22/65 partnership agreement for "The Small World of Charity;" 9/14/65
Gwen Verdon/Fryer, Carr and Harris contract etc. |
|
Legal Correspondence, 1967-69 |
|
Correspondence re: Caesar's Palace - Las
Vegas Sweet Charity; Ed Sullivan Show, 1967;
royalty problems with Sweet Charity, London,
Australia, New York; Greek Theatre, LA; Fellini agreements; Tams-Witmark
Music Library, etc. |
|
Financial, 1966-67 |
|
Australian admissions and royalties
record, 8/67; financial condition reports (Hollender and Shapiro) for
Sweet Charity Company, 6/67, Las Vegas
and NY; box office statements, Palace Theatre, NY, 3-4-5/66; balance
sheet 6/67; financial condition statements, Las Vegas, NY for 10/67; 3
pp. documenting minor expenses; summary of operations sheets for National
Tour, 10/67 |
|
Martin Charnin vs. Fryer, Carr and Harris,
Inc. |
|
Correspondence from Jack Perlman re:
Charnin vs. Fryer, Carr and Harris, Inc., CHARITY Company and Robert
Fosse, 1966-69, including release form ($1) dated 12/71; 2 copies of the
cross examination of Bob Fosse in this case, 3/69, 6/69; 7/67 legal pad
notes, handwritten (Perlman): "Fosse account of Events;" Drama Bookshop
bill with Bob Fosse note: "Jack - very important...don't lose" (pertains
to case; 2 pp. handwritten Bob Fosse notes |
|
BOX 26F |
Costumes |
|
8x10 photos of costume sketches for most
characters, 30, marked "In" and "Out" |
|
BOX 26D |
Lyrics - Director's |
|
Tabbed lyric sheets with Bob Fosse notes,
cuts, revisions, etc. |
|
BOX 26F |
Costume Plot |
|
Black 3 ring binder with photos of
sketches, 10/27/65, costume plot with notes and item lists |
|
BOX 26E |
Sheet Music |
|
2 are autographed by Simon, Coleman,
Fields: "If My Friends...," "Poor Everybody Else;" also: "Where Am I
Going," "Big Spender," "Too Many Tomorrows," "Baby, Dream Your Dream,"
"You Should See Yourself" |
|
BOX 26F |
Sheet Music |
|
"You Should See Yourself" (2 copies); "If
My Friends..." (2 copies) |
|
BOX 26D |
Correspondence, Opening Night |
|
1/29/66; extensive telegrams and
correspondence |
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